St. Jacob’s Church of the Hanging Head, by Cynthia Bond
He believed that touch
was a simple ride across a stream of velvet
at the skeining stall
or the sting of fire along brazed brass,
or when lightening cooled
in the wet sleep of a valley brook,
he had faith
in the promise of sensation,
the predilection of the body’s mortal frame,
subdued, enraged as the hunger moved
to close the spaces
of what seemed to pass
and what, indeed, remained.
****
But nothing, no one
could predict the draft of terror
invading space so near the tattersall of jewels
the beggar’s thumb had grasped.
What miracle of want
had fused his fingers to the Virgin’s lace,
as if from an eternity of directions,
a hand or hands in cobra fashion
spiked his wrist,
and gaining force whipped
the venom into feral pitch?
****
No sooner had he dreamed at dawn
that in the cold posture of prayer,
a soldier’s ax had freed his palm,
thought, the conscious vein,
was numbed to infinite suspension.
****
He remembered how before King Charles lay
in composition for the viewing mass,
he ordered all his fingers
sparred, to keep from being seized,
untombed into the darker death of neglect.
Above the reliquary
the beggar’s bone, a deformed winch
propping up the vault of air,
points at the accused avenger. Opposite,
like a feeding plover wading light,
the Virgin, boasting pearls
as high as faith can rise,
tempts the heart of human nature
to face her mirror of greed.
No one breathes.
Should the statue move, all tombs will open.
From “The Hunger Wall” by James Ragan. (Grove , $17; 112 pp.) 1995 Reprinted by permission.
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