Holland’s Latest Is Truly a ‘Dream’

DAVE HOLLAND “Dream of the Elders” **** ECM

Since leaving the Miles Davis band in 1970, bassist Dave Holland has occupied the razor’s edge, blending new music and free jazz styles with strong rhythmic foundations and attractive, though occasionally twisted themes. This forward-looking slant, and his knack for assembling players sympathetic to his musical vision, has resulted in a number of landmark albums over the years.

“Dream of the Elders” continues that tradition, with a quartet as well orchestrated in personalities as in instruments. The group’s sound revolves around vibist-marimba player Steve Nelson, who--especially on the woody-sounding marimba--adds earthy, harmonic touches that echo well against the sound of saxophonist Eric Person’s alto and soprano. Drummer Gene Jackson, like Holland, both keeps time and makes a statement as he accompanies, creating a percussive dialogue with his fellow musicians. Holland’s bass is continually interesting, whether soloing or in support, lending depth and intelligent airs to the texture of the music. The group sound recalls that of the ground-breaking recordings vibist Bobby Hutcherson made with saxophonist Eric Dolphy and pianist Andrew Hill in the ‘60s.

The majority of the tunes--all written by Holland--explore somber, more introspective moods, reflecting the uneasy temper of contemporary life while dealing with it in determined fashion. Cassandra Wilson’s deep vocal on Maya Angelou’s lyric “Equality” fits perfectly into this tone, with its languid pace and sober plea for individual recognition. “Dream of the Elders” takes its place among the best of the many impressive documents Holland has made for the ECM label since the ‘70s.

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