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** John Michael Montgomery, “What I Do the Best,” Atlantic.

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Precious little on Montgomery’s fourth collection ever dips below the chipper surface. The resulting emotional deficit is the sad byproduct of the “keep-it-positive” thinking that rules contemporary country music.

The title tune and “I Can Prove You Wrong” are middle-of-the-road country ballads, a la his 1993 hit “I Swear,” that offer simplistic romantic wish fulfillment. Forget coming to terms with dashed expectations, forget the tough struggles and sacrifices that are inseparable parts of love--and of the most memorable country music.

The single “Ain’t Got Nothin’ on Us” misfires magnificently, comparing without a trace of irony a couple’s deliriously happy relationship to the Grand Canyon (one of nature’s great rifts) and then to Romeo and Juliet (one of the quintessential romantic tragedies).

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Montgomery’s no Vince Gill, but his vocal limitations at times allow him to emerge as an engaging Everyman rather than a Superman. Consequently, the hunky Kentuckian sounds best on light, quasi-novelty songs: “Cloud 8,” an ordinary Joe’s lament at feeling one step removed from the good life, and “Lucky Arms,” a driving honky-tonker.

Albums are rated on a scale of one star (poor), two stars (fair), three stars (good) and four stars (excellent).

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