GALLERIES

Reviews by David Pagel (D.P.) and Leah Ollman (L.O.). Compiled by Grace Krilanovich.

Critics’ Choices

Richard T. Walker: successive inconceivable events Walker’s short video, “successive inconceivable events,” is part romantic meditation, part confessional love letter. The object of Walker’s affection? The landscape itself, which he addresses in the voice of a confused suitor, unsure where he stands. “I think you’re really beautiful and quite amazing,” he bellows into the wilderness, “and yet there’s a lack of some sort of connection.” Walker lays bare the presumption that the natural world revolves around us. He brings our estrangement from nature down to an intimate level in a tone that’s accessible and slightly absurd, but ultimately reverential (L.O.). Christopher Grimes Gallery, 916 Colorado Ave., Santa Monica. Tue.-Sat., 10 a.m.-5:30 p.m.; ends Sat. (310) 587-3373.

John Baldessari: Blue Line (Holbein) One of the most sharply focused shows of recent memory. It’s also one of the most moving. Its two pieces, installed in three galleries, reveal a side of the 78-year-old artist often overshadowed by the irreverent wit and gee-whiz zing of Baldessari’s hilariously deadpan pictures. Mortality and memory take center stage while leaving plenty of room for humor and happenstance. With no-nonsense efficiency -- and gracious generosity -- visitors are given the freedom to embark on freewheeling reflections about art’s place in life and the point of it all. The eloquent show makes ordinary moments extraordinary (D.P.). Margo Leavin Gallery, 812 N. Robertson Blvd., L.A. Tue.-Sat., 11 a.m.-5 p.m.; ends March 6. (310) 273-0603.