Big-budget studio tent poles continue to reign at the box office this summer, as “Thor” outmuscled the competition for the second consecutive weekend.
After its thunderous opening last weekend, the 3-D film about a Norse god again proved to be most popular with moviegoers, collecting an additional $34.5 million and bringing its North American tally to $119.3 million, according to an estimate from distributor Paramount Pictures.
That was enough to strike down the Judd Apatow-produced comedy “Bridesmaids,” which stars “Saturday Night Live” cast member Kristen Wiig and opened to a better-than-expected $24.4 million. The weekend’s other new film in wide release, the 3-D “Priest,” had a disappointing opening domestically. The movie, which cost about $60 million to make, is the most expensive production to date from Sony Pictures’ Screen Gems label -- but it only collected a weak $14.5 million in ticket sales.
Ticket sales for “Thor” fell 48% on its second weekend in theaters -- a modest drop for a big-budget action movie. Last summer, for example, “Iron Man 2" -- another film based on a Marvel comic book -- dropped 59% on its second weekend.
Overseas, “Thor” passed the $200-million mark, grossing an additional $27.5 million in 60 foreign markets to bring its international total to $225 million. That the movie continues to perform well at the box office is important to Walt Disney Co., considering that its Marvel Entertainment spent about $150 million to produce the film.
Meanwhile, another event movie, “Fast Five,” is maintaining speed at the box office. After three weeks in theaters, it raked in an additional $19.5 million to bring its domestic total to $168.8 million. The film featuring fast cars has made even more abroad: It played in 61 foreign markets this weekend and grossed $58 million, so its international total is now $271.7 million. That means “Fast Five” has now collected more in worldwide ticket sales than any of the previous films in the “Fast” franchise. The fourth installment ended up with $363.2 million globally; “Fast Five’s” worldwide tally is $440.5 million after just 25 days in release.
Because there have been few R-rated female-driven comedies at the box office, Universal Pictures was unsure of how well “Bridesmaids” would perform. The studio had estimated the film would gross only about $15 million this weekend despite overwhelmingly positive reviews. (The movie currently has a 90% fresh rating on Rotten Tomatoes.)
“There’s no model for a film like this -- an R-rated comedy directed at women, not males,” said Nikki Rocco, Universal’s domestic distribution president. “We didn’t have anything to compare it to. And now I think this breaks new ground -- designing something for a female audience is not the tradition, and it presents something fresh for Hollywood.”
“Bridesmaids,” about a comical group of women helping their friend prepare for her wedding, appealed mostly to females -- the audience was made up of 67% women, and 63% of the crowd was older than 30. Those who saw the film seemed to like it, giving it an average grade of B-plus, according to market research firm CinemaScore. The movie was produced by Universal and Relativity Media for $32.5 million, meaning it is off to a decent start at the box office.
The film’s opening is good news for star Wiig. Best known for her eclectic “SNL” characters, the actress had never before had a leading role in a film, although she’d put in memorable cameos in movies, including Apatow’s “Knocked Up.” “Bridesmaids” is also one of the better recent openings for the filmmaker. The last three films he’s been involved with -- “Year One,” “Funny People” and “Get Him to the Greek” -- all opened to less than $23 million. Still, the film’s debut falls short of some of the openings for other Apatow films. “Step Brothers” and “Superbad,” both of which he produced, and “Knocked Up,” which he also wrote and directed, all premiered to around $30 million.
“Priest,” which stars Paul Bettany as a clergyman who hunts vampires, failed to resonate with as many moviegoers. The movie did slightly better with males, who were 57% of the audience. Those who saw the film did not seem to like it, giving it an average grade of C-plus, which does not bode well for word of mouth in the weeks to come.
Screen Gems took a gamble on “Priest,” as the distributor typically spends less than $40 million making its movies. “Priest” is the second big-budget movie from Screen Gems, as it was just slightly less expensive to produce than last fall’s “Burlesque.” That $55-million musical starring Cher and Christina Aguilera brought in only a modest $89.3 million worldwide.
But “Priest” could make up some ground overseas, said Rory Bruer, Sony Pictures’ distribution president.
“We always felt that this picture had a great upside, both for the Asian market as well as Russia, because these type of visceral 3-D rides seem to play really well in certain parts of the world,” said Bruer.
So far, the film is performing decently abroad -- it opened in 40 foreign markets this weekend, including Mexico and France, and grossed $16.7 million. The movie opened last weekend in a few countries, so its current international total is now $25.6 million.
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*--* Estimated sales in the U.S. and Canada: *--*
*--* Movie 3-day gross Percentage Total Days in (Studio) (millions) change from (millions) release last wknd 1 Thor $34.5 -48% $119.3 10 (Paramount/Marvel)
2 Bridesmaids $24.4 NA $24.4 3 (Universal/Relativi ty)
3 Fast Five $19.5 -40% $168.8 17 (Universal)
4 Priest (Sony Screen $14.5 NA $14.5 3 Gems)
5 Rio (20th Century $8 -6% $125 31 Fox)
6 Jumping the Broom $7.3 -52% $26 10 (Sony TriStar)
7 Something Borrowed $7 -50% $25.6 10 (Warner Bros./Alcon)
8 Water for Elephants $4.1 -32% $48.5 24 (20th Century Fox)
9 Tyler Perry’s $2.2 -47% $50.2 24 Madea’s Big Happy Family (Lionsgate)
10 Soul Surfer $1.8 -22% $39.2 38 (Sony/FilmDistrict) *--*
*--* 3-day gross Change from Year-to-date Change from Change in attendance (in millions) 2010 gross(in 2010 from 2010 billions) $135 -3% $3.4 -13% -14% *--*
*--* Sources: Times research and Hollywood.com Box Office Los Angeles Times *--*
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“Black Swan” has danced past the $300-million mark at the global box office, a feat few independent films are able to accomplish.
The film, which earned star Natalie Portman an Oscar for lead actress, has continued to roll out overseas. This weekend, it opened in Japanese theaters, where it collected $6.1 million, according to an estimate from distributor Fox Searchlight, pushing its worldwide tally to $305 million.
Few other low-budget, independently released movies have reached that milestone. “Slumdog Millionaire,” which won the 2008 Oscar for best picture, grossed $377.9 million worldwide, and Mel Gibson’s “The Passion of the Christ” collected $611.9 million.
Gibson’s current independent release, “The Beaver,” will not follow that trajectory. This weekend, it expanded from 22 to 105 theaters, but yet again failed to resonate with audiences. The film collected a dismal $158,000 this weekend for a per-theater average of $1,505.
-- Amy Kaufman