
- Share via
He may have started the third season of âDark Windsâ crawling across the desert in the dead of night with a wounded leg and a dart stuck in his neck, but for Zahn McClarnonâs Joe Leaphorn, things can always get worse. âThereâs a lot at stake for Joe,â said McClarnon, whose Navajo police lieutenant contends with marital discord, childhood trauma and a pesky FBI investigation. âHeâs made some mistakes and the people around him are suffering because of it. Not only can he lose his wife, played by the wonderful Deanna Allison, but he can also lose his freedom.â
The AMC series, based on the Leaphorn & Chee novels by Tony Hillerman, follows Navajo Nation tribal cops Leaphorn, Jim Chee (Kiowa Gordon) and Bernadette Manuelito (Jessica Matten) in the early 1970s as they solve crimes within a white power structure that routinely devalues the lives of Native Americans.
McClarnon, speaking from Camel Rock Studios in Santa Fe, N.M., took a break from filming âDark Windsââ fourth season to talk about head trips, authenticity and the power of understatement.
âDark Windsâ star Zahn McClarnon and director Erica Tremblay leaned on each other to unpack Joe Leaphornâs trauma in a âsafe and beautifulâ way for the Season 3 episode âĂbidooâniidÄÄ (What He Had Been Told).â
In the surreal episode âĂbidooâniidÄÄ (What He Had Been Told),â Joe gets injected with a ketamine-tipped dart that causes him to revisit a sex abuse trauma from his past. Were those sequences filmed on a closed set?
The director, Erica Tremblay, closed the set down for one scene specifically, when Iâm dealing with the priest and my young cousin. It was great to be around collaborators who made me feel safe in these vulnerable moments. I could relate, since Iâve had events in my past very similar to what Joeâs going through.
Sorry to hear that.
No, itâs OK. It certainly doesnât define me. But itâs the first time in my career where I walked into my producerâs office at one point and broke down a little bit because I was having a hard time with those blurred lines between reality and pretending.
Joeâs also trying to solve the murder of a Navajo boy while Jenna Elfmanâs FBI agent looks into the mysterious Season 2 death of mining mogul B.J. Vines.
When Joe left B.J. Vines in the desert to die, he kind of did [to him] what happened to the Navajo people in the 1800s when the government put them on âthe Long Walk.â A lot of them starved to death, having to walk hundreds of miles in bare feet in the middle of winter. That was Joeâs justification: âOK, you can make it back to civilization on your own.â As a Navajo man, as a principled man, Joe finds himself in turmoil over that decision.
Youâre No. 1 on the call sheet and most of your scenes are pretty intense. How do you decompress?
Usually after a season, I go up to my momâs house in Nebraska and hang out with her. Iâm 58 years old and a lot more healthy now than I was in my earlier life, when I struggled with addiction. I finally got clean and sober 25 years ago, with help from a lot of people, when I had my big moment of clarity â that I deserved more than what I was doing to myself. I use those experiences in my acting today.

Your mom, whoâs Lakota and your dad, whoâs white, raised you and your twin brother in Montana near Glacier National Park. How did you find your path into acting?
My dad would take us every Friday to films at the drive-in. Seeing âThree Days of the Condor,â âLittle Fauss and Big Halsy,â âDog Day Afternoonâ â that sparked something in me, though I didnât realize until later on that it was this desire to express myself. Acting gave me purpose.
In 2015, you made a big impression in âFargoâ as the soft-spoken hitman Hanzee Dent. Like most of your characters, he exudes strength through restraint. That approach clearly works for you.
The Al Pacino I saw in âThe Godfatherâ was so understated, he didnât have to do much. [I admire] that kind of acting. For me, a lot of this stuff is internal and I guess it just comes out through your eyes. I know when Iâm being honest and when Iâm not being honest, and usually, when Iâm âbig,â itâs not honest.
You recently appeared in âReservation Dogs,â co-created by a Seminole Nation citizen, Sterlin Harjo, and you serve as an executive producer on âDark Winds.â It must be heartening to make shows that put the Native American experience front and center.
Itâs critical that Native kids are finally seeing themselves on films and TV in an authentic, positive way. With âDark Winds,â even though Tony Hillerman was a white guy, weâve recontextualized his books with a Native writersâ room, Native consultants, Native actors, Native directors. âDark Windsâ is opening doors for people to see us in a different way than theyâve ever seen us before.
More to Read
Sign up for The Envelope
Get exclusive awards season news, in-depth interviews and columnist Glenn Whippâs must-read analysis straight to your inbox.
You may occasionally receive promotional content from the Los Angeles Times.