Review: A global pop star who’s unlucky in love? Jennifer Lopez finds a match in ‘Marry Me’
In the past, rom-coms starring Jennifer Lopez often saddled her with professions that are just too unbelievable. “Maid in Manhattan”? “The Wedding Planner”? Not our Jenny from the Block. So it’s refreshing to see Lopez in a much-heralded return to the romantic comedy fold, playing a character who just makes sense for her: a global pop superstar. But it’s not just a professional life that Lopez shares with her character, Kat Valdez, in “Marry Me,” directed by Kat Coiro, based on a graphic novel by Bobby Crosby, and that’s a good thing.
Lopez brings authenticity to her portrayal of Valdez, a heightened version of Lopez herself. Kat Valdez plays huge concerts at Madison Square Garden wearing spangly unitards. J.Lo plays huge concerts at Madison Square Garden wearing spangly unitards. Kat Valdez has been married three times; J.Lo has been married three times. Kat Valdez has a messy public breakup with a charming cad, Bastian (Colombian Latin pop singer Maluma), who is caught on social media kissing her assistant; J. Lo had a messy public breakup with a charming cad caught on social media messaging a Bravo star. Kat Valdez finds true love with a bland white guy, Charlie (Owen Wilson), and J.Lo, well, she’s found true love again with her favorite bland white guy, Ben Affleck.
For your safety
The Times is committed to reviewing theatrical film releases during the COVID-19 pandemic. Because moviegoing carries risks during this time, we remind readers to follow health and safety guidelines as outlined by the CDC and local health officials.
This delightfully meta Venn diagram of character and star is placed within a preposterously high-concept scenario for a rom-com. Massive superstar Kat is publicly humiliated at what’s supposed to be her wedding to Bastian — a huge concert at which they will perform their duet “Marry Me” before saying their vows. Right after she performs a number dressed as a (checks notes) golden crucifix, surrounded by sexy latex-clad nuns, she dons a wedding dress but discovers Bastian’s infidelity, an illicit smooch caught on camera. In a moment of desperation, Kat sees a sign in the crowd, held by a milquetoast math teacher and single dad, Charlie (Wilson) reading “Marry Me?” She says yes and the two get married on stage, at first sight, in front of the whole world.
Can these two fall in love while managing their differences across a high-profile PR fiasco? As Kat and Charlie attempt to maintain their dignity after Kat’s impulsive decision, they grapple with the high-visibility expectations and the newfound attention Charlie doesn’t want. Though the situation is far from realistic, the dynamically directed and swiftly paced “Marry Me” remains emotionally grounded, which is crucial to the execution. As written by Harper Dill, John Rogers and Tami Sagher; Kat and Charlie have both loved and lost before, and are nervous about being hurt again.
It might be Kat’s unflagging belief in love that bleeds over the most with the star we’ve come to know as J.Lo, who has publicly loved, lost and loved again, time after time, in front of the world, like a modern-day Elizabeth Taylor. That love can, and will, bloom again, is the beating heart of “Marry Me,” an otherwise frothy and deeply silly rom-com. There’s only one person who could play Kat Valdez, but more importantly, only one person who could sell that true blue belief in love, and that is, of course, Jennifer Lopez.
Katie Walsh is a Tribune News Service film critic.
Rated: PG-13, for some language and suggestive material
Running time: 1hour, 52 minutes
Playing: Starts Feb. 11 in general release and streaming on Peacock Friday
It's a date
Get our L.A. Goes Out newsletter, with the week's best events, to help you explore and experience our city.
You may occasionally receive promotional content from the Los Angeles Times.