Advertisement

Paul McCartney clears up confusion about use of AI in new Beatles’ track

The four members of the Beatles perform on a TV soundstage in the 1964
Paul McCartney said in a recent interview that ‘the last Beatles record’ will be released later this year with the help of artificial intelligence.
(Associated Press)
Share


Sir Paul McCartney is making it clear that AI didn’t make the new Beatles’ song.

Last week in an interview with BBC Radio 4, the “Yesterday” artist said artificial intelligence technology has enabled him and his producers to create “the last Beatles record” by pulling the late John Lennon‘s voice from demo tapes.

McCartney’s announcement predictably caused what the singer dubbed “some confusion and speculation” on Twitter this week.

“Seems to be a lot of guess work out there. Can’t say too much at this stage but to be clear, nothing has been artificially or synthetically created,” he wrote. “It’s all real and we all play on it. We cleaned up some existing recordings — a process which has gone on for years.”

Peter Jackson and ‘Let It Be’ director Michael Lindsay-Hogg explain how 57 hours of footage from 1969 tell a different story in ‘The Beatles: Get Back.’

Nov. 25, 2021

The “Band on the Run” musician added, “Been great to see such an exciting response to our forthcoming Beatles project. No one is more excited than us to be sharing something with you later in the year. … We hope you love it as much as we do. More news in due course.”

Advertisement

The track, which McCartney did not name, is believed to be “Now and Then,” an unfinished 1978 Lennon recording taped in the slain singer’s New York City apartment.

“We’ve just finished it up and it will be released this year,” McCartney, 80, shared with BBC 4. “We were able to take John’s voice and get it pure through this AI. So then we could mix the record as you would normally do.”

In 1995, the three then-living Beatles — McCartney, George Harrison and Ringo Starr — reunited to record new tracks as part of the multimedia retrospective project “The Beatles Anthology.” The songs came to life thanks to Lennon‘s demo tapes given to McCartney by Lennon’s widow, Yoko Ono, a year prior.

A deluxe reissue of ‘John Lennon / Plastic Ono Band’ details Lennon’s primal scream therapy and the album’s surprisingly playful recording sessions.

April 26, 2021

The sessions resulted in the release of the singles “Free as a Bird” and “Real Love” in 1995 and 1996, respectively. But there was one song that the group famously couldn’t agree on and eventually shelved: “Now and Then.”

Since then, the song has been a passion project for McCartney.

In a 2012 BBC documentary about Electric Light Orchestra musician Jeff Lynne — who produced the “Anthology” sessions — McCartney spoke about his desire to finish and release the record with Lynne.

Peter Jackson’s nearly eight-hour Beatles doc both refutes the canard of Yoko as band-wrecker and reminds us of what was lost when Paul and John went separate ways.

Nov. 27, 2021

“There was another [track] that we started working on, but George went off it,” McCartney said of the recordings in the doc. “That one’s still lingering around, so I’m gonna nick in with Jeff and do it — finish it one of these days.”

Advertisement

In a 2021 New Yorker interview, the “Live and Let Die” songwriter reiterated his intention to finish “Now and Then,” despite Harrison having called it “f— rubbish.”

The “Hey Jude” musician regained hope for completing the track after working with director Peter Jackson on the 2021 Beatles documentary series “Get Back.

‘The McCartney Legacy: Volume 1: 1969-73’ debuts a four-part biography on Paul McCartney after the Beatles — and, per its co-author, a labor of love.

Dec. 12, 2022

“He was able to extricate John’s voice from a ropey little bit of cassette, where it had John’s voice and a piano,” McCartney said in last week’s interview. “He could separate them, with AI they could do it. They tell the machine, ‘That’s a voice, this is a guitar. Lose the guitar.’ And he did that.”

While he is thankful for AI’s ability to assist in the long-awaited song, McCartney still finds some aspects of the technology off-putting.

“People will say to me there’s a track where John’s singing one of my songs and it isn’t — it’s just AI, you know?” he said. “So all of that is kinda scary, but exciting ‘cause it’s the future. ... So there’s a good side to it and then a scary side, and we just have to see where that leads.”

Advertisement