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Entertainment & Arts

Amélie, Big Daddy, Hedwig: Familiar names hit SoCal stages this fall

The new theater season is a loaded lineup, with offerings from Ivo van Hove and Anna Deavere Smith. Here are 13 picks:

Sept. 10-May 21

For the record:
1:45 PM, Sep. 09, 2016 An earlier version of this article reported that “Merrily We Roll Along” was a collaboration involving Deaf West Theatre. Deaf West is not involved in the production.

A Noise Within’s 25th anniversary

Jaimi Paige, left, and Donnla Hughes in A Noise Within’s “The Maids.”
Jaimi Paige, left, and Donnla Hughes in A Noise Within’s “The Maids.”
(Daniel Reichert )
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A quarter century of staging the classics is worth celebrating, and A Noise Within has put together an intriguing mix of revivals united by razor-sharp dramatic intelligence: Tom Stoppard’s “Arcadia,” Jean Genet’s “The Maids” and Molière’s “The Imaginary Invalid,” all leading up to that mightiest of Shakespeare tragedies, “King Lear.” A Noise Within, 3352 E. Foothill Blvd., Pasadena. $44 and up; student rush $20. (626) 356-3100. www.anoisewithin.org

 

Sept. 14-Oct. 16

“Barbecue”

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Colman Domingo is directing the Robert O’Hara play “Barbecue” at the Geffen Playhouse..
Colman Domingo is directing the Robert O’Hara play “Barbecue” at the Geffen Playhouse..
(Liz O. Baylen / Los Angeles Times )

This outrageous comedy by Robert O’Hara (“Bootycandy”), a playwright with a kind of postmodern “In Living Color” sensibility, tackles the American family, racial stereotypes and pop culture in a work that defiantly plays by its own rules. Geffen Playhouse, Gil Cates Theater, 10866 Le Conte Ave., Westwood. $43-$84. (310) 208-5454. www.geffenplayhouse.org.

“A View From the Bridge”

Frederick Weller, left, Dave Register and Catherine Combs in a run-through of Arthur Miller’s “A View From the Bridge” at the Ahmanson Theatre.
Frederick Weller, left, Dave Register and Catherine Combs in a run-through of Arthur Miller’s “A View From the Bridge” at the Ahmanson Theatre.
(Rick Loomis / Los Angeles Times )

Ivo van Hove, the celebrated European auteur, deconstructs Arthur Miller’s combustible classic in this Tony-winning revival that lifts the lid on the sexual tensions in this Brooklyn waterfront drama. Ahmanson Theatre, 135 N. Grand Ave., Los Angeles. $25-$125. (213) 972-4400. www.CenterTheatreGroup.org.

FULL COVERAGE: Your fall arts and culture guide to L.A.

Sept. 16-Oct. 2

“Throw Me on the Burnpile and Light Me Up” 

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Lucy Alibar, playwright and performer in “Throw Me on the Burnpile and Light Me Up” at the Kirk Douglas Theatre.
Lucy Alibar, playwright and performer in “Throw Me on the Burnpile and Light Me Up” at the Kirk Douglas Theatre.
(Craig Schwartz )

This world premiere by Lucy Alibar, the Oscar-nominated screenwriter of “Beasts of the Southern Wild,” promises a wildly imaginative ride through the author’s Southern childhood. Kirk Douglas Theatre, 9820 Washington Blvd., Culver City. $25-$70. (213) 628-2772. www.centertheatregroup.org.

 

Oct. 7-23

“District Merchants”: Aaron Posner, who had great success in boldly modernizing Chekhov in his play with the unprintable title “Stupid … Bird,” teams up again with director Michael Michetti for a production that resets Shakespeare’s “The Merchant of Venice” to post-Civil War Washington, D.C. It’s a comedy grappling with race, religion, money and, no doubt, some mercenary romance. South Coast Repertory, Julianne Argyros Stage, 655 Town Center Drive, Costa Mesa. $22-$79. (714) 708-5555. www.scr.org.

 

Oct. 30-Nov. 20

“Vicuña”: A timely satire for a nutty election season, this new play by Jon Robin Baitz (“Other Desert Cities”) is about a real estate tycoon/reality TV star who becomes a major political figure (wonder who that could be?). “Vicuña” examines the ethics of image-making from the vantage of a tailor and his apprentice. Kirk Douglas Theatre, 9820 Washington Blvd., Culver City. $25-$70. (213) 628-2772. www.centertheatregroup.org.

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“M Butterfly”: The time is ripe for another look at David Henry Hwang’s Tony-winning drama, and Bart DeLorenzo, an auteur at home on the permeable border between the real and the surreal, no doubt will offer a fluid interpretation of the play’s sexual and political intrigue. Pasadena Playhouse, 39 S. El Molino Ave., Pasadena. $25-$125. (626) 356-7529. www.pasadenaplayhouse.org.

 

Nov. 2-27

“Hedwig and the Angry Inch”

Darren Criss as Hedwig in “Hedwig and the Angry Inch.”
Darren Criss as Hedwig in “Hedwig and the Angry Inch.”
(Joan Marcus )

The Tony-winning revival of the cult musical by John Cameron Mitchell and Stephen Trask reunites Darren Criss (who stepped into Neil Patrick Harris’ heels on Broadway) and Tony-winner Lena Hall in this punked-out gender rave. Pantages Theatre, 6233 Hollywood Blvd., Hollywood. $29 and up. (800) 982-2787. www.HollywoodPantages.com.

 

Nov. 30-Dec. 18

“Merrily We Roll Along”: After succeeding on Broadway with a reimagining of “Spring Awakening,” director Michael Arden returns to the Wallis Annenberg Center for the Performing Arts to unlock the neurotic delights of this challenging Stephen Sondheim-George Furth show about music collaborators chasing after and subverting their dreams of success. The Wallis, Bram Goldsmith Theater, 9390 N. Santa Monica Blvd., Beverly Hills. $39-$129. (310) 746-4000. www.TheWallis.org.

 

Dec. 6-11

“Complete Works – Table Top Shakespeare”: British company Forced Entertainment has set itself the monumental task of enacting 36 Shakespeare plays, in condensed form over a series of days, with a cast of lovingly designed miniatures and banal household objects. This wacky marathon is the brainchild of Tim Etchells, possessor of one of the more wryly inventive theatrical imaginations. UCLA’s Royce Hall (onstage seating), 340 Royce Drive, Westwood. $49-$69. (310) 825-2101. www.cap.ucla.edu.

 

Dec. 16-Jan. 15

“Amélie, A New Musical”

“Amelie, A New Musical” is based on the 2001 film and will star Phillipa Soo.
“Amelie, A New Musical” is based on the 2001 film and will star Phillipa Soo.
(Cheshire Isaacs / Berkeley Repertory Theatre )

The creative team of Craig Lucas, Daniel Messé and Nathan Tysen translates the quirky charms of this 2001 film to the stage in deliriously unexpected ways. Phillipa Soo, fresh from her historic run in “Hamilton,” stars in the title role that made Audrey Tautou an international star. Ahmanson Theatre, 135 N. Grand Ave., Los Angeles. $25-$130. (213) 972-4400. www.CenterTheatreGroup.org.

 

Jan. 26-March 12

“Cat on a Hot Tin Roof”: The Antaeus Theatre Company will inaugurate its new home in Glendale with Tennessee Williams’ smoldering Pulitzer Prize-winning drama — a play with just enough mouthwatering roles to satisfy this troupe’s deep bench of acting talent. Antaeus Theatre Company, 110 E. Broadway, Glendale. $30, $34. (818) 506-5436. www.antaeus.org.

 

Feb. 1-5

Anna Deavere Smith’s “Notes From the Field: Doing Time in Education”

A new work by Anna Deavere Smith, shown in 2015. contemplates education and criminal justice.
A new work by Anna Deavere Smith, shown in 2015. contemplates education and criminal justice.
(Don Bartletti / Los Angeles Times )

Another in her series of revelatory exposés on the contemporary American conflict zone, playwright and performer Anna Deavere Smith concentrates here on the school-to-prison pipeline in a collage of talking-head impersonations that shed powerful light on the cruel intersection of poverty, education and the criminal justice system. The Broad Stage, 1310 11th St., Santa Monica. $35-$80. (310) 434-3200. www.thebroadstage.com.

Los Angeles Times Ideas Exchange: Christopher Hawthorne in conversation with Frank Gehry
Frank Gehry’s thoughts on the Broad? Watch his hilarious groan On Now
Frank Gehry’s thoughts on the Broad? Watch his hilarious groan
Watch Frank Gehry in conversation with architecture critic Christopher Hawthorne On Now
Watch Frank Gehry in conversation with architecture critic Christopher Hawthorne
Why Frank Gehry never showed up to work for Richard Neutra On Now
Why Frank Gehry never showed up to work for Richard Neutra
Frank Gehry recalls Rudolph Schindler style: Rough, raw and unpredictable On Now
Frank Gehry recalls Rudolph Schindler style: Rough, raw and unpredictable
How Frank Gehry defended his Santa Monica home against a critical neighbor On Now
How Frank Gehry defended his Santa Monica home against a critical neighbor
Frank Gehry wants the L.A. River Revitalization project to help the neighboring communities On Now
Frank Gehry wants the L.A. River Revitalization project to help the neighboring communities
With the L.A. River, Frank Gehry thinks L.A. won’t need to import as much water, saving a lot of money On Now
With the L.A. River, Frank Gehry thinks L.A. won’t need to import as much water, saving a lot of money
1:28
Frank Gehry’s approach to the L.A. River – a lot of collaborators On Now
Frank Gehry’s approach to the L.A. River – a lot of collaborators

charles.mcnulty@latimes.com

Follow me @charlesmcnulty

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