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Review: ‘Foxfinder’ is a power play by Furious Theatre Company

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Picture the witch-hunting of “The Crucible” at the hands of a modern Orwellian state and you have the broad contours of Dawn King’s “Foxfinder,” which receives an atmospheric, take-no-prisoners co-production from Furious Theatre Company in association with Oregon-based Artists Repertory Theatre.

Set in a dystopian near-future Britain where propaganda and scapegoating go together like tea and crumpets, King’s sci-fi drama posits a wry solution to the central problem facing any self-respecting totalitarian regime seeking to maintain power amid food shortages wrought by climate change: If you can’t target minorities in a post-politically correct world, whom do you single out for blame when things go wrong? Why, those perennial targets of English pest control efforts: foxes.

Under the pretext of investigating suspected misdeeds by the crafty canidae, special government inquisitors wield unlimited power to ensure a compliant populace. A potentially deadly conflict ensues when one of these “foxfinders” (Joshua Weinstein) takes up extended residence at the small farm of a dangerously unstable couple (Shawn Lee, Sara Hennessy) struggling to meet their production quota in the face of crop-damaging floods and the recent death of their young son. The foxfinder insinuates even these disasters attributable to their complicity with foxes — despite objections raised by a defiant neighbor (Amanda Soden) that no one has ever seen the foxes, including the foxfinder himself.

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Focused performances limit undue dwelling on what exactly the foxes are intended to represent. Director Dámaso Rodriguez effectively balances King’s fanciful, open-ended allegory with visceral realism and mounting tension, despite the story’s predictable outcome.

“Foxfinder,” Pasadena Playhouse Carrie Hamilton Theatre, 39 S. El Molino Ave., Pasadena. 8 p.m. Fridays and Saturdays, 2:30 and 7 p.m. Sundays. Ends Feb, 2. $20. (626) 356-7529 or www.furioustheatre.org. Running time: 1 hour, 30 minutes.

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