Complete list of 2014 Golden Reel award winners


The Motion Picture Sound Editors presented the 61st MPSE Golden Reel Awards at the Bonaventure Hotel in Los Angeles. Golden Reel Awards recognizing outstanding achievement in sound editing were presented in 24 categories. The following is a complete list of winners:

Career Achievement Award
Randy Thom


Best Sound & Music Editing: Television Animation
“Fairly Odd Parents” — “Dumbbell Curve” (Nickelodeon)
Directed by: Randy Myers, Michelle Bryan
Produced by: Butch Hartman, George Goodchild

Supervising Sound Editor: Heather Olsen, MPSE
Sound Designer: Heather Olsen, MPSE
Supervising Foley Editor: Roy Braverman
Supervising Dialogue Editor: Robbi Smith, MPSE
Foley Artist: John Lampinen

Best Sound & Music Editing: Television Documentary Short Form
“North America: No Place To Hide” (Discovery Channel)
Produced by: Keith Scholey, Christine Weber

Supervising Sound Editors: Kate Hopkins, Tim Owens
Sound Effects Editor: Stephen Griffiths
Assistant Dialogue Editor: Owen Peters
Music Editor: Michael Baber

Best Sound & Music Editing: Television Documentary Long Form
“Deadliest Catch: The Final Battle” (Discovery)
Directed by: Jared Cook
Produced by: John Gray

Supervising Sound Editor: Bob Bronow, CAS
Sound Designer: Bob Bronow, CAS
Sound Effects Editors: Kevin Skaggs, Selina Zakaria
Dialogue/ADR Editor: Jason Tuttle
Dialogue Editors: Kevin Skaggs, Edward Rodriguez
Music Editor: Doug Kern

Best Sound & Music Editing: Sound Effects, Foley, Dialogue & ADR In An Animation Feature Film
“Epic” (20th Century Fox)
Directed by: Chris Wedge
Produced by: Lori Forte, Jerry Davis

Supervising Sound Editors: Gwendolyn Yates Whittle, MPSE, Randy Thom
Sound Designers: Randy Thom, Jeremy Bowker
Supervising Foley Editor: Luke Dunn Gielmuda Supervising Dialogue Editor: Brad Semenoff
Foley Artists: Denise Thorpe, Jana Vance
Foley Editors: Benny Burtt, Jim Likowski Dialogue Editor: Michael Silvers
Sound Effects Editors: Leff Lefferts, Andre Fenley, Kyrsten Mate, Kent Sparling
Music Editors: Lisa Jaime, Bill Abbott

Best Sound & Music Editing: Documentaries - Feature Film
“Dirty Wars” (IFC)
Directed by: Richard Rowley
Produced by: Anthony Arnove, Brenda Conklin

Supervising Sound Editor: Christopher Barnett
Sound Designers: Christopher Barnett, Brandon Proctor



Verna Fields Award In Sound Editing For Student Films & Presentation of Scholarship Award
Robomax (National Film And Television School)

Supervising Sound Editor: Tingli Lim
Sound Designer: Tingli Lim
Foley Artist: Ricky Butt
Music Editors: Sarah Warne, Tingli Lim


Best Sound & Music Editing: Computer Episodic Entertainment
“Mortal Kombat: Legacy Series II” — Ep. 4 (Warner Premiere)
Directed by: Kevin Tancharoen
Produced by: Kevin Tancharoen

Supervising Sound Editor: Michael Babcock
Sound Designers: Michael Babcock, Tim Gedemer
Supervising Foley Editor: Jeff Sawyer
Foley Artist: Gregg Barbanell
Sound Effects Editors: Ian Herzon, Bryan Jerden

Best Sound & Music Editing: Computer Interactive Entertainment
“Starcraft 2: Heart Of The Swarm Cinematic” (Blizzard Entertainment, Inc.)
Directed by: Jeff Chamberlain, Nicholas S. Carpenter
Produced by: Caroline Hernandez, MPSE, Phillip Hillenbrand

Supervising Sound Editor: Paul Menichini, MPSE
Sound Designers: Paul Menichini, MPSE, David Farmer, Stuart Provine
Supervising Foley Editor: Darrin Mann
Supervising ADR Editor: Andrea Toyias
Foley Artist: Gregg Barbanell, MPSE
Sound Effects Editor: Caroline Hernandez, MPSE
Sound Editors: Thomas C. Brewer, MPSE, John Kurlander
Dialogue/ADR Editors: Alexander Ephraim, Clinton D. Jones
Music Editor: Neal Acree

Best Sound & Music Editing: Direct To Video - Animation
“Batman: The Dark Knight Returns Pt. 2” (Warner Bros. Animation)
Directed by: Jay Oliva
Produced by: Bruce Timm, Sam Register

Supervising Sound Editor: Robert Hargreaves, MPSE
Sound Designer: Robert Hargreaves, MPSE
Supervising Dialogue Editor: Mark Keatts
Foley Artist: Gary Marullo
Sound Effects Editor: George Brooks
Dialogue Editors: Kelly Foley-Downs, Mike Garcia
Foley Editor: John Hegedes

Best Sound & Music Editing: Direct To Video - Live Action
“Marvel One-Shot: Agent Carter” (Walt Disney Studio)
Directed by: Louis D’ Esposito
Produced by: Kevin Feige, Brad Baruh, Brad Winderbaum, Victoria Alonso, Mitch Bell

Supervising Sound Editor: Andrew DeCristofaro, MPSE
Sound Designers: Ann Scibelli, MPSE, Michael Payne, MPSE
Supervising Dialogue Editor: Laura Harris-Atkinson
Foley Artists: Gary A. Hecker, Gary Marullo

Best Sound & Music Editing: Special Venue
“To The Artic 3D” (Warner Brothers Studios)
Directed by: Greg MacGillivray
Produced by: Shaun MacGillivray, Christopher N. Palmer

Supervising Sound Editor: Andrew De Cristofaro, MPSE
Sound Designers: Stephen P. Robinson, MPSE, Peter Staubli, MPSE
Sound Effects Editors: Edmond Coblentz, Michael Payne, MPSE, Gayle Wesley, Bruce Tanis, MPSE
Supervising Dialogue/ADR Editor: Tim Kimmel
Dialogue Editor: Steve Judson
Supervising Foley Editor: Kerry Carmean-Williams
Foley Artists: Gary A. Hecker, Gary Marullo
Music Editor: Steve Wood

Best Sound & Music Editing: Feature Film - Foreign Language
“The Grandmaseter” (The Weinstein Company)
Directed by: Wong Kar Wai
Produced by: Wong Kar Wai, Jacky Pang Yee Wah

Supervising Sound Editors: Robert Mackenzie, Traithep Wongpaiboon
Sound Designers: Nopawat Likitwong, Steve Burgess
Supervising Foley Editor: John Simpson
Supervising Dialogue & ADR Editor: Gary Chen
Foley Artists: Sam Rogers, Chumnan Chuponkrang
Sound Effects Editors: James Ashton, Chris Goodes, Luke Mynot, Sam Petty,Narubett Peamyai, Ekaratt Chungsanga

Best Sound & Music Editing: Feature Film — Foreign Language
“The Past” (Sony Pictures Classics)
Directed by: Asghar Farhadi
Produced by: Alexandre Mallet-Guy

Supervising Sound Editor: Thomas Desjonqueres
Supervising ADR Editor: Frédérique Liebaut
Foley Artists: François Lepeuple


Best Sound Editing In Television: Short Form — Music
“Game Of Thrones”: “The Rains of Castamere” (HBO Entertainment)
Directed by: David Nutter
Produced by: David Benioff, D.B. Weiss

Supervising Music Editor: David Klotz

Best Sound Editing In Television: Short Form — Music, Musical
“Peg + Cat: The Beethoven Problem” (PBS)
Directed by: Jennifer Oxley, Billy Aronson, Cory Bobiak
Produced by: Alia Nakashima, Jaclynn (Demas) Gennawey

Supervising Music Editor: Steven Rebollido
Music Editors: J. Walter Hawkes, Daniel Mennella

Best Sound Editing In Television: Short Form — Dialogue and ADR
“Game Of Thrones”: “The Rains Of Castamere” (HBO Entertainment)
Directed by: David Nutter
Produced by: David Benioff, D.B. Weiss

Supervising Sound Editor: Tim Kimmel
Supervising Dialogue Editor: Jed Dodge
Supervising ADR Editor: Tim Hands
ADR Editors: Ruth Adelman, Martin Mahon

Best Sound Editing In Television: Short Form — Sound Effects and Foley
“Breaking Bad”: Felina (AMC)
Directed by: Vince Gilligan
Produced by: Diane Mercer, Bryan Cranston

Supervising Sound Editor: Nick Forshager
Foley Artists: Gregg Barbanell, Dominique Tabach Decaudain
Sound Effects Editors: Mark Cookson, Cormac Funge
Foley Editors: Timothy Boggs, Jeff Cranford


Best Sound Editing In Television: Long Form — Music, Musical
“History of The Eagles”: “Part One” (Showtime)
Directed by: Alison Ellwood
Produced by: Alex Gibney, Blair Foster

Music Editor: Annette Kudrak

Best Sound Editing In Television: Long Form — Dialogue & ADR
“The Bridge”: “Pilot” (Shine America)
Directed by: Gerardo Naranjo
Produced by: Meredith Stiehm, Elwood Reid

Supervising Sound Editor: Mike Marchain
Supervising Dialogue/ADR Editor: Mike Marchain
Dialogue Editors: Paul Longstaffe, Charles Kolander, Robert Guastini, MPSE

Best Sound Editing In Television: Long Form — Sound Effects and Foley
“Sons of Anarchy”: “Salvage” (FX Network)
Directed by: Adam Arkin
Produced by: Kurt Sutter, Craig Yahata

Supervising Sound Editor: Erich Gann
Sound Designers: Robert Costanza, Mike Dickeson
Supervising Foley Editor: Bill Bell
Foley Artists: Tim Chilton, Jill Sanders
Assistant Sound Editor: Kevin Meltcher


Best Sound Editing In Feature Film — Music
“The Great Gatsby” (Warner Bros.)
Directed by: Baz Luhrman Produced by: Catherine Knapman, Baz Luhrmann, Catherine Martin

Supervising Music Editors: Jason Ruder, Tim Ryan
Music Editor: Craig Beckett

Best Sound Editing In Feature Film — Music, Musical Feature
“Frozen” (Buena Vista)
Directed by: Chris Buck, Jennifer Lee
Produced by: Peter Del Vecho

Music Editors: Earl Ghaffari, Fernand Bos, MPSE

Best Sound Editing In Feature Film — Dialogue and ADR
“Captain Phillips” (Columbia Pictures)
Directed by: Paul Greengrass
Produced by: Scott Rudin, Michael De Luca

Supervising Sound Editor: Oliver Tarney, MPSE
Supervising Dialogue Editor: Bjørn Schroeder
Supervising ADR Editor: Simon Chase Dialogue Editor: Rob Killick

Best Sound Editing In Freature Film — Sound Effects and Foley
“Gravity” (Warner Bros.)
Directed by: Alfonso Cuarón
Produced by: Alfonso Cuarón, David Heyman

Supervising Sound Editor: Glenn Freemantle
Sound Designer: Glenn Freemantle Foley Artist: Nicolas Becker Sound Design Editors: Niv Adiri, Ben Barker, Eilam Hoffman
Sound Effects Editor: Danny Freemantle Foley Editor: Hugo Adams