Bill Murray’s take on FDR in ‘Hyde Park on Hudson’

TELLURIDE, Colo. — Actors are used to pressure, but the task before Bill Murray in “Hyde Park on Hudson” was more than a little stressful.

Director Roger Michell said that if the “Ghostbusters” and “Groundhog Day” veteran didn’t want to star as Franklin Delano Roosevelt, he wouldn’t make the movie at all, and Murray knew he would be playing someone so famous, as the actor put it, that “he’s on the dime!”

Although the film has received mixed reviews, the 62-year-old Murray has attracted some critical attention for his performance as FDR, including a Golden Globe nomination for lead actor in a comedy or musical, a category that includes Hugh Jackman from “Les Misérables” and Bradley Cooper for “Silver Linings Playbook.”

VIDEO: ‘Hyde Park on Hudson’ review

“Hyde Park” isn’t the only Murray movie receiving award consideration. Wes Anderson’s comedy “Moonrise Kingdom,” in which Murray plays the father of a runaway girl, is a contender for the original screenplay Academy Award and a dark horse for the best picture Oscar shortlist.


Set on the eve of World War II, “Hyde Park on Hudson” focuses on the 32nd president’s many romantic entanglements, most prominently his love affair with distant cousin Margaret “Daisy” Suckley (Laura Linney), just as King George VI (Samuel West) and Queen Elizabeth (Olivia Colman) are coming to visit the president at his New York vacation compound.

As written by playwright Richard Nelson, the movie largely steers clear of global or even national politics. Instead, “Hyde Park” is chiefly concerned with FDR’s juggling of so many women, including his wife, Eleanor (Olivia Williams). In one of the film’s most striking scenes, the president’s sexual relationship with Daisy commences with some unusual philandering in the front of the president’s convertible.

In a late summer conversation at the Telluride Film Festival, Murray said he was attracted to the movie because it offered an unsentimental look at an unusual couple who, while not lonely, were clearly needy. “It’s not necessarily romantic,” the actor said. “But it is intimate. These are two people who need each other.”

The movie is informed in large part by Suckley’s diaries and correspondence with FDR, which Murray read along with a number of presidential biographies. “Her stuff is on a completely different level,” Murray said. “He is saying stuff to her that he doesn’t share with anyone else. This is someone he trusted. She was intelligent. She was not a dowdy, hopeless woman. She was independent and chose not to get married.”

Murray called FDR “the most formidable character” he’d ever played and spent months researching the president’s life and listened to recordings of Roosevelt to approximate FDR’s voice. “But you can only read so much before it starts coming out of your ears,” Murray said.

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Michell said he wanted only Murray because audiences grant him the slack that the role necessitates. “He has a charismatic charm as an actor that lets you forgive his character’s mischief,” the filmmaker said.

His younger sister’s contracting polio as an infant helped guide Murray’s performance, he said, especially in regards to FDR’s stoicism. When his sister became ill in the 1950s, the treatments included immersion in scalding water, and Murray recalled hearing her screams in the hospital. “That shaped the state I was in while I worked,” he added. “Because I realized she didn’t complain about anything.”

Although he’s not working as frequently as some of his peers, Murray could return next awards season with another two contenders under his belt: He has George Clooney’s “The Monuments Men” and Wes Anderson’s “The Grand Budapest Hotel” both due out next year. And though he’s never been keen on the promotional aspects of making films, he does seem to enjoy the film shoots themselves.

“I love the lifestyle of the movie process. I love the sort of gypsy quality to it,” Murray said. “You’re an encampment that comes together extremely intimately, for a very short period of time. And then you decamp, and you may never see those people again.”


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