George Clooney hopes ‘Ides of March’ scores political points


The Dow Jones industrial average was plummeting and President Obama was on the air, seeking to calm the nation and the markets. Inside the Studio City offices of his production company Smoke House, George Clooney searched the TV screen, looking for the charismatic senator the actor had supported in the 2008 election. But Obama this August morning looked defensive and a bit gassed; life in the White House, it seemed, was grinding him down.

“I think he’s getting beat around,” Clooney said, the way a Little League dad might cheer on a son struggling on the pitching mound. “He should go after the S&P for the credit downgrade.”

For better and often for worse, actors have dabbled in politics and causes, but few have shown the kind of sustained and informed interest and commitment — on- and off-screen — that Clooney has.


In his new film, “The Ides of March,” Clooney plays a liberal presidential candidate. As a director, he previously celebrated the power of a journalist crusading against McCarthyism in “Good Night, and Good Luck,” and as an executive producer he explored the corrosive influence of lobbyists and spinmeisters in the HBO series “K Street.” He also had a front-row seat for his father’s 2004 U.S. House campaign in Kentucky, which ended in disappointment.

Last week, the 50-year-old actor traveled to Hong Kong to promote his Sudanese human rights effort, the Satellite Sentinel Project, to a global investor conference. He’s addressed the United Nations about Darfur and co-founded an aid organization, Not on Our Watch.

He’s been asked numerous times about running for office himself. But even with his intricate understanding of political tactics and rhetoric (or perhaps precisely because of that knowledge), Clooney said he would rather play a candidate than be one.

“I don’t wake up in the morning and say, ‘I wish I had President Obama’s job,’” Clooney said.

“Every two years, somebody tries to bring my name up and talk about politics in the real world — ‘You should run for governor!’” he added. “I’m not getting in politics. I have no interest in politics — because of the compromises you have to make. I don’t have to make those kind of compromises when I get to go to the Sudan or Darfur. I get to come back and sit down in front of the Security Council at the United Nations and say, ‘This is right, and this is wrong. Now how you deal with it, I don’t know, but this is right and this is wrong.’”

Still, “Ides of March,” loosely adapted from Beau Willimon’s off-Broadway play “Farragut North,” offers a particularly ripe opportunity for Clooney to meld his professional interests and his political ideals.

On one hand, the political thriller is a vehicle for Clooney (who directed and co-wrote the movie) and longtime writing and producing partner Grant Heslov to fulfill their wishful thinking about how a stand-up Democrat could walk and talk. But it also takes a hard look at the personal price of politics and its inevitable betrayals and compromises. The film’s ultimately pessimistic take may surprise some, given that it comes from a hopeful liberal such as Clooney.

Clooney’s Gov. Mike Morris is poised to take the Democratic nomination with a platform so uncompromisingly left-leaning it might make Fox News commentators burst into flames. He opposes the death penalty, foreign military intervention and even internal combustion engines and supports gay marriage, mandatory national volunteer service and higher taxes for the richest Americans.

Amid the critical Ohio primary, the governor’s campaign team, led by Paul Zara (Philip Seymour Hoffman) and underling Stephen Myers (Ryan Gosling), must fend off the cutthroat tactics of Tom Duffy (Paul Giamatti), who’s calling the shots for the governor’s hard-charging opponent, Sen. Pullman. Drawn into a relationship with the sexually assertive and well-connected campaign intern Molly Stearns (Evan Rachel Wood) and confronted by a secret that the governor has harbored, Stephen is forced to make a momentous decision about his loyalties, his ambition and, most important, his principles.

The “Ides of March” title, which translated from Latin means March 15 in the Roman calendar, refers not just to the approximate schedule of the Ohio primary but also to Shakespeare’s “Julius Caesar,” the exact date when Caesar’s friend and adviser Marcus Brutus joins a group of conspirators in assassinating the Roman leader.

“It’s about a character who starts out one way and ends up completely having sold his soul,” said Heslov. “So, yes, we are stealing from Shakespeare.” Added Clooney: “There’s old-fashioned themes of betrayal here — betrayal by your friend, betrayal by your enemy.”

Clooney and Heslov had planned to put the film into production around the time of Obama’s election but postponed the project, because it was “too cynical” and clashed with the nation’s ebullient mood. By the time the healthcare debate had fractured any sense of bipartisanship less than a year after the election, “Ides of March” didn’t seem so ill-timed after all.

The “Ides of March” narrative is laced with references that will please political junkies, many drawn from recent presidential contests. At one point in “Ides of March,” right-wing pundits encourage Republicans to support the governor’s Democratic primary rival, Pullman, because he would be easier to defeat in the general election. (Rush Limbaugh advocated a similar course of action during the 2008 primary, encouraging his listeners to back Sen. Hillary Rodham Clinton in an effort he dubbed “Operation Chaos.”)

Clooney and Heslov believe the first half of “Ides of March” will be appreciated by Democrats — finally, a candidate we can believe in — and the second half will be loved by Republicans — well, he’s just as much a fraud as every other lefty.

If real-life Democrats end up taking inspiration from the Mike Morris character and his stump speeches, Clooney will hardly be upset. On climate change and oil, for instance, the governor proposes that the United States do away with the internal combustion engine.

“If we’re cut off from oil, we will find a way to power our cars. So say it and make it happen,” Clooney said. “It’s not ridiculous. It is possible. And these are the kind of leadership things I would love to see and could be argued about. People will say, ‘It’s just actors.’ But I truly believe it.”

Asked about his character’s views about taxation, Clooney grows more animated.

“This is the one I think should be used by the Democrats,” he said, leaning forward in his chair. “Every time you say the richest people in America don’t pay their fair share, that is just simply the truth. And yet when you ask them to, everyone said it’s ‘socialism’ or ‘the redistribution of wealth.’ And you’ll hear it over and over again. ‘Are you for the redistribution of wealth?’ And every Democrat goes, ‘No, no, no, no, no’ — because they know it’s code for socialism.

“To me, that’s why the Democrats are so bad at this game. They’re always back on their heels. They’re always playing defense. I would start with an offense, and I would run on this as a candidate. ‘My campaign, my administration, is vehemently against the distribution of wealth by the government to the richest Americans. I’m not going to play your game of, “Are you for the redistribution of wealth?”’ I want to go to these guys and say, ‘Are you for distributing wealth by the government to the richest Americans?’ Straight aggression — not this wimpy stuff. Democrats have always been really bad at that kind of version of politics. I say, ‘Get up, stand up.’

“Those are the kind of arguments we have in this film,” Clooney said. “And we balance it by saying, ‘It doesn’t mean this guy isn’t going to screw up.’”

Clooney said some of his character’s positions are based on views his father, the newsman Nick Clooney, put forward both as a journalist and as a 2004 congressional candidate in Kentucky, where he lost in a negative ad-filled race to Republican Geoff Davis. The skulduggery — and back-room dealings — in “Ides” are based not only on what George Clooney saw his father experience but also on what he and Heslov observed while they were producing 2003’s HBO series “K Street,” a verite drama about Washington lobbyists peppered with real politicians.

If “Ides of March” upsets some moviegoers, Heslov and Clooney say they would be pleased.

“We didn’t want to make this a civics lesson,” Clooney said. “We wanted to make a movie that scares people. Not scares them politically but scares them this way — ‘Oh, my God. What’s going to happen to him? What’s going to happen to her?’”