Movie review: ‘Bunraku’
The mixed-influences fight epic “Bunraku” is so desensitizing with its hyper-stylized distractions and movie references it feels more mush-up than mash-up.
Writer/director Guy Moshe’s tedious, confusing tale of a mumbling spaghetti-western drifter (Josh Hartnett), an honorable Japanese swordsman (Gackt) and the assassin-protected crime boss (Ron Perlman) they must ultimately fight is a superficial jag of hot colors, digitally enhanced staginess, swooping cameras and wink-wink jokiness.
“Bunraku” is the grabbiest of aesthetic grab bags: comic books, paper art, German Expressionism, Sergio Leone, samurai flicks, gangster dramas, even the circus. Plus, there’s Woody Harrelson (as a bartender) and Demi Moore (as a kept concubine) to make you long for them in “Indecent Proposal.”
No image or moment is grounded – every shot is augmented with restless animation, smart-ass narration or video game sounds. The artificiality of it all is smothering.
“Bunraku.” MPAA rating: R for Running time: 2 hours, 2 minutes. At Laemmle’s Sunset 5, West Hollywood.
From the Oscars to the Emmys.
Get the Envelope newsletter for exclusive awards season coverage, behind-the-scenes stories from the Envelope podcast and columnist Glenn Whipp’s must-read analysis.
You may occasionally receive promotional content from the Los Angeles Times.