‘Eating Animals’ producers Natalie Portman and Jonathan Safran Foer discuss veganism, farming and being pretentious
Natalie Portman hasn’t eaten meat since she was nine years old. But it wasn’t until she read Jonathan Safran Foer’s “Eating Animals” in 2009 that she realized consuming dairy and eggs could harm animals too.
The book struck her so intensely that she instantly called up Foer and told him she thought the project would also work as a documentary. The writer and the actress had been friends for years, striking up a friendship after Portman — then a student at Harvard University — approached Foer after a Cambridge, Mass., book reading for his 2002 novel “Everything Is Illuminated.”
It took nearly a decade for the documentary, out June 22, to come to fruition, along the way picking up financial backing from Twitter co-founders Biz Stone and Ev Williams. Portman, now 37, eventually decided to serve as the film’s narrator, while both she and Foer, 41, share producing credits.
The film focuses on the evils of factory farming, though it doesn’t argue that eating meat is inherently problematic. “This is not a film that is for the vegan abolitionist,” said director Christopher Quinn, best known for his 2006 film about Sudanese refugees, “God Grew Tired of Us.” “It’s really for anyone who wants to have an understanding of where their food comes from. And I understand why it’s easier for people to turn away. I was one of them. No one wants a finger-wagging about how you eat. People don’t want to change because our lives our busy and complex. It’s a hard thing to ask of anybody.”
On a rare trip to Los Angeles — he lives in Brooklyn’s Prospect Park South — Foer and Portman met at one of her favorite vegan restaurants, Crossroads, to discuss “Eating Animals” over Impossible burgers and a couple of Hefeweizen.
“What do I feed my children?” really impacted me, because I was going through the same thing. I want to impart my values to my kid, but what’s healthy for them
— Natalie Portman
Natalie, what was it about reading “Eating Animals” that made you want to become a vegan?
Portman: I think the family part of it was really meaningful to me. I think I was pregnant when I read it, so Jonathan asking himself “What do I feed my children?” really impacted me, because I was going through the same thing. I want to impart my values to my kid, but what’s healthy for them? What helps them? And you are sometimes vegan, right?
Foer: Not really. I try not to think about it in those ways. An analogy I sometimes use is to be honest. I think of myself as an honest person; I try to be honest. But if one were to create an all-or-nothing binary with honesty: Are you an honest person or not an honest person? Most people wouldn’t even know how to answer that question. And if you were forced to answer it, it would start to make you uncomfortable in the way that you approach honesty. If a little white lie is going to undermine this whole identity, then [screw] it, I’ll just tell lies every time there’s an opportunity. A lot of people think about food like that, they really do. You either do this thing or you don’t do it — and if you don’t do it, then you never do it.
Do people give you grief about the fact that you’re not a vegan?
Foer: I guess, but I don’t think that their approach is right, so it doesn’t really bother me. … People that say “Are you really a flexitarian? You do realize that wine is sometimes not vegetarian?” [A flexitarian is one who follows a mostly vegetarian diet but will sometimes eat meat.] Even if those people come from a good place, it’s just not helpful to move the world toward a better place and instead makes people feel defensive and pissed off and condescended to. So when I have a conversation about it, I try to move it away from those kind of lifestyle questions and more toward, “What do you care about? Where do you come from? What’s your family like?”
One of the ironies about the conversation about meat is that people think it’s a drag and it’s actually a really nice conversation that can leave people feeling really good and helpful. The crappy version of it is what happens often in dorm room conversations that I experienced in college: people saying, “Yeah, but I saw that you stepped on an ant or wear a leather belt.” Trying to find the person’s weakness instead of the person’s strength. Trying to find a person’s strength is a really nice conversation. “You come from a family where your grandma made veal. That must have been great. What was nice about that?’”
Portman: I try to preface it by saying, “Look, it was really hard for me to go from vegetarian to vegan.” I don’t expect anyone to completely change. It doesn’t have to be an identity, it just has to be a consciousness — the same way that you might not want to use plastic bottles as much, but every once in awhile, you’re really thirsty and the only thing you can get is a plastic water bottle so you get it, and you feel kind of bad. Maybe you’re a little more wary about eating meat at every meal, or there’s a day a week that you consciously choose not to do it. The thing I hate most when you say you’re vegan is people trying to pick holes — like, “What if vegetables feel it when you bite into them? Don’t you know plants communicate with each other?” I don’t want you to attack me about my choices. I’m not trying to attack you about your choices.
Is it difficult for you to stick to the diet all the time?
Portman: I’m very extremist. I’m kind of like an all-or-nothing person. I love what you’re saying [Jonathan] — I wish I could be that kind of person — but I either do it or don’t. I don’t have many in betweens.
Foer: I wish I could be that way.
Portman: Really? See, it’s not good, though. If I made exceptions, I would eat cheese and eggs all the time.
Foer: I totally revere that. I just find it too hard.
Portman: And I just find it too hard to just dabble. I was never someone who was like, “Once in a while, I just have a smoke.”
It often sounds like vegetarianism is some newfangled, hippie-ish, kind of progressive thing, it’s actually conservative.
— Jonathan Safran Foer
Why is farming — and raising animals, in particular — thought of as such a deeply American practice?
Foer: Sometimes, there’s an inversion of values in the language, like “Make America Great Again.” If we could only return to being something that we never were, then we will reclaim a kind of pride. We’ve always been a country that cares about farmers and animals in a way that’s unusual in the world. I think a lot of it is religious values — ideas of dominion over animals and the planet. Factory farming is a perversion of those values, and a movement away from factory farming is a return to those values. Even though it often sounds like vegetarianism is some newfangled, hippie-ish, kind of progressive thing, it’s actually conservative. That’s, in a way, the joke behind all of this.
The whole problem is, if you ask people “can you describe what a farm looks like?,” most people would say, “There’s grass, a farmer wearing overalls; he’s got a pitchfork; there’s a barn, animals walking around; the animals probably have names.” And that just doesn’t exist — or it’s far less than one percent of what exists. Trying to close the distance between people’s imagination of what something is and the reality of what it is is the task.
Can you realistically imagine an America where there’s far less meat consumption?
Foer: On high school and college campuses, vegetarianism and veganism is an aspirational identity and has a political force behind it. It’s not so hard for me to imagine colleges flipping what’s normal. Right now, in cafeterias they serve five meat options and a veggie option. It’s not impossible to imagine it flipping so that vegetarian becomes the default. One thing we’ve definitely seen in the last five years is how an extremely vocal and energized group of people who can access social media can reframe a conversation. When we think about the #MeToo movement, it’s not the case that the majority of Americans woke up and realized we had this systemic problem. It’s that people who were very smart about how to articulate the problem and disseminate those articulations pulled everybody with them.
Natalie, you’ve been very active in Time’s Up since its inception last fall. What’s the latest on the organization’s efforts?
Portman: It’s a new organization, so we’re still trying to organize. We need to create roles and a chain of decision making — so we’re in that kind of phase. We meet a few times a month, and then there’s an executive committee that I am not on that is meeting more regularly and doing the daily work. It’s definitely challenging, and we’re lucky to be in a place where we can have these conversations and keep trying to make it weird for people to live with the status quo. That’s the goal: To make it culturally weird to stay the way things are.
In 2016, the two of you participated in a story for The New York Times where you interviewed each other via e-mail. The internet had a field day making fun of the exchange. Does it bother you to be labeled pretentious?
Portman: I am pretentious! So it’s good to be reminded. Sometimes, I get too serious or whatever. I don’t really mind. It was mainly funny.
Foer: We’re talking about seriousness and pretentiousness and whatever -- you’re lucky if you get to be serious about your life. It’s a gift, and not many people have that gift. I think about it all the time -- how grateful I am that I get to do what I care about and get to be serious about what I care about.
Follow me on Twitter @AmyKinLA
Only good movies
Get the Indie Focus newsletter, Mark Olsen's weekly guide to the world of cinema.
You may occasionally receive promotional content from the Los Angeles Times.