Review: Doc ‘The Last Resort’ captures Jewish life in Miami Beach
In 70 short minutes, directors Dennis Scholl and Kareem Tabsch skillfully pack their Miami Beach-centric documentary, “The Last Resort,” with a wealth of visual, emotional, social, cultural and historical significance.
Folks familiar with the 1960s- and ’70s-era heyday of South Beach as a winter haven or year-round home to working-class Jewish retirees from New York should especially find this film — part time capsule, part biopic, part mystery — both a vivid throwback and a fascinating reminder of a long-vanished legacy. Less initiated viewers will find much to discover.
The movie is mainly told through the lens of erstwhile friends and photography partners Gary Monroe and Andy Sweet, who, circa 1978, set out to document the vibrant older Jews (including many Holocaust survivors) who populated this sun-drenched paradise. Although Sweet took a looser, more colorful approach than Monroe, whose black-and-white work was more studied, their collaboration resulted in a poignant tribute to an inimitable time and place.
Along with input from an eloquent Monroe, Sweet’s sister and brother-in-law, filmmaker Kelly Reichardt and others, there’s strong archival footage and many examples of Sweet and Monroe’s fine photos. The movie also covers South Beach’s deterioration, demographic shifts and late-’80s reinvention as a trendy hot spot, as well as the sad tale of Sweet’s downward spiral and baffling murder in 1982 at age 28. It all makes for a rich and resonant experience.
‘The Last Resort’
Running time: 1 hour, 10 minutes
Playing: Starts Friday, Laemmle Music Hall, Beverly Hills; Laemmle Town Center 5, Encino
The complete guide to home viewing
Get Screen Gab for weekly recommendations, analysis, interviews and irreverent discussion of the TV and streaming movies everyone’s talking about.
You may occasionally receive promotional content from the Los Angeles Times.