With films such as"Unstoppable"and "Man on Fire," Tony Scott told adrenaline-filled stories about fearless men — spies and cops, race car drivers and fighter pilots — who live by a code and face death on their own terms.
He filled his cinematic landscape with intrigue and action, avoiding computer effects in favor of real-life stunts with speeding trains and screaming jets, even once shutting down the Mississippi River to blow up a ferryboat.
In life, the British director-producer shared many characteristics with his alpha-male action heroes. At age 68, the avid rock climber was planning an ascent on Yosemite's El Capitan and barreling ahead with a slew of film and TV projects, including doing research last week in Nevada for a "Top Gun" sequel with Tom Cruise and Jerry Bruckheimer.
As recently as a few weeks ago, he was busily crafting miniature submersibles in his West Hollywood office for the planned film "Narco2 Sub" and was actively casting another drug-trafficking movie, "Lucky Strike."
FOR THE RECORD:
Director's death: An article in the Aug. 21 Section A about the death of director Tony Scott gave the first name of composer Harry Gregson-Williams as Henry. —
So when Scott leaped off the Vincent Thomas Bridge in San Pedro on Sunday, the fatal plunge shocked colleagues who regarded him as a man with few problems and many stories still to tell. Yet some friends also saw the dramatic act as in keeping with Scott's on-my-own-terms approach to work and life that had propelled him from the ranks of TV commercial directors into a central figure in Hollywood's blockbuster economy, with his movies taking in more than $1 billion at the domestic box office alone.
Scott may have been troubled by an illness that few associates knew about. Two people close to the filmmaker said he was suffering from a serious physical ailment at the time of his apparent suicide. The two, who asked not to be identified because of the personal nature of their relationships, said they did not know the exact nature of his illness. A coroner's official told The Times that Scott's wife, Donna, denied that her husband had inoperable brain cancer, as ABC News had reported.
Although several associates interviewed Monday said that Scott in recent months had mentioned back or hip problems, many said they had no indication it was anything other than business as normal for the director-producer.
"He was completely on a high — laughing and energetic," said Elizabeth Gabler, whose Fox 2000 studio division made "Man on Fire" and was developing "Lucky Strike." They were scheduled to discuss script notes Monday morning, she said.
"In a million years, this isn't something I'd have thought he'd do," agreed Mark Bomback, a writer on "Unstoppable" who also worked on "Narco2 Sub" this summer. "I never had an inkling he had any health problems.... You'd think he was making his first film from his level of energy and enthusiasm."
"If there was indeed something terminally ill about Tony, this is the way he would go out: big and facing death, without shrinking away from it," Carnahan said. "He wouldn't wait for death. The idea of death encroaching, coming for him? No, Tony would be the first one to ride out and find the death, he wouldn't wait to waste away. He would have gone right into the heart of it."
Los Angeles County coroner's officials said that an autopsy conducted Monday would look for signs of an underlying health problem. Scott left multiple notes, including in his car on the bridge and in his office; their contents have not been revealed publicly. The filmmaker had been familiar with the Vincent Thomas Bridge and its surrounding area for several years: in 2010, he filmed reshoots for "Unstoppable" in a railroad yard under the span, said the film's assistant production supervisor, Scott Trimble. A 2009 episode of the television show "Numb3rs," which Scott produced, was also shot in San Pedro.
The younger brother of "Gladiator"director Ridley Scott, with whom he was a business partner, Tony Scott was one of the first directors to apply his skills hawking consumer products like cars to selling American movie stars like Tom Cruise and Denzel Washington. The commercial-to-movie path was subsequently followed by Michael Bay ("Transformers") and David Fincher ("The Social Network").
Scott's movies rarely received glowing reviews from critics and he was never nominated for an Academy Award, but his work was widely liked by ticket buyers. Unlike many action directors, who often see their actors as transposable parts, Scott worked repeatedly with some of Hollywood's most acclaimed performers. He often sought out "the most dangerous places in the world" to make movies, and was ambushed in Mexico while scouting locations for "Man on Fire," Gabler said.