She was a self-described "cartoon," a zany housewife-turned-comedian with an electrified hairdo who broke into the male-dominated world of stand-up comedy in the 1950s with an outlandish wardrobe and a barrage of self-deprecating jokes punctuated by her trademark guffaw.
"I spent seven hours today at the beauty parlor; hell, that was just for the estimate," Phyllis Diller would say on stage, firing off one joke after another. "I'm in the 14th year of a 10-day beauty plan."
Diller, whose stand-up career spanned nearly 50 years, died in her sleep Monday at her longtime home in Brentwood, said her agent, Fred Wostbrock. She was 95.
Diller followed, after a fashion, in the footsteps of women such as Grand Ole Opry staple Minnie Pearl and Jean Carroll, who joked about domestic life in an understated manner on "The Ed Sullivan Show." But Diller's flamboyant style, signature laugh and sharp barbs about her husband and home life set her apart, captivating the staid audiences of the Eisenhower era and inspiring a new generation of funny ladies.
Her high-profile success at being able to go "toe-to-toe with her male counterparts in prime clubs," as comedy critic and historian Gerald Nachman once put it, helped pave the way for Joan Rivers, Ellen DeGeneres and others.
"She was there, she was doing it, she was filling rooms, and that's what made her such a great role model for someone like me starting out," Rivers told The Times on Monday. "Phyllis came out and she talked and she was funny and she got off — and that was a big revelation in those days.
"Looking back now, it suddenly hit me: She was the last of the women comedians who had to make themselves ugly to be laughed at. It was a requirement. A woman walked on stage in those days and was pretty, she was a singer. Phyllis still had to put on the funny boots and stupid hats, and she was the last to do that."
As a professional comedian, Diller was a late bloomer: The Ohio native was an Alameda, Calif., mother of five when she made her nightclub debut at the Purple Onion in San Francisco in 1955 — at age 37.
Known for her adept timing and precisely structured jokes, Diller took pride in being able to deliver as many as 12 punch lines per minute.
The first laugh came easy. With her fright-wig hair and garish attire that typically included a fake-jeweled cigarette holder, gloves and ankle boots, she merely had to walk on stage.
Jack Paar once described her as looking "like someone you avoid at the supermarket." Bob Hope called her "a Warhol mobile of spare parts picked up along a freeway."
But Diller was always the first to address her colorfully eccentric stage persona, describing herself as "the Elizabeth Taylor of'The Twilight Zone' " and a woman who once worked "as a lampshade in a whorehouse."
During her long career, she was in more than two dozen movies, including three with Hope, with whom she also appeared on numerous TV specials and traveled with to Vietnam to entertain U.S. troops.
She also was the host of a 1964 TV talent show called "Show Street" and starred in the 1966-67 situation comedy "The Pruitts of Southampton" (renamed "The Phyllis Diller Show" midway through the season) and the 1968 comedy-variety series "The Beautiful Phyllis Diller Show."
She also had a stint starring in "Hello, Dolly!" during its original 1964-1970 run on Broadway. But the outlandish Diller always shined best in nightclubs, showrooms and concert halls, where one of her favorite targets was her domestic life, including her fictional husband "Fang."
"I don't like to cook; I can make a TV dinner taste like radio," she'd say.
"Fang's idea of a seven-course dinner is a six-pack and a bologna sandwich. The last time I said let's eat out, we ate in the garage."
"I put on a peekaboo blouse. He took a peek and booed."
Then she'd launch one of her patented guffaws: "Ah-HAA-haa-haa!"
Born Phyllis Driver in Lima, Ohio, on July 17, 1917, Diller made people laugh at an early age.