JAZZ REVIEW : Lyricism Lacking From Roney Group

Surprisingly, Catalina’s is closing out 1993 with one of the major disappointments of the year: a group led by trumpeter Wallace Roney.

It’s not that there is a lack of talent; it’s what the members do with it. Roney was hailed here, just two years ago this week, as “the jazz front-runner in the stakes for stardom next year.” His technique and control are undeniable, but he now too often seems to be trying to escape from the memory of Miles Davis (beside whom he played at the memorable Montreux concert).

In particular, the lyricism just wasn’t there Tuesday night--not even in “What’s New,” which found both Roney and tenor saxophonist Ravi Coltrane avoiding that composition’s pristine beauty.

Just as Roney’s abstractions avoided the Davis shadow, Coltrane is undoubtedly under pressure due to his famous father’s name. He did, however, achieve moments of genuine passion.

Geri Allen was particularly weak on her accompanying, seldom straying far from the center of the piano. Her solo on “What’s New” provided the best reminder of her considerable talent. Ralph Penland’s drumming added extra force to a group already guilty of excessive volume. Robert Hurst III supplied a helpful bass underline.

Another horn player, saxophonist Kenny Garrett, was absent Tuesday, but was expected to rejoin the band Wednesday. Perhaps his presence (through Sunday) will bring a needed note of unpretentious creativity.