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Through Looking Glass of ‘Burrhead’

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Snake-handlers, talking birds, labyrinthine swamps--such is the surreal landscape of “Burrhead,” Deborah Pryor’s eerie dream play by the New One-Act Theatre Ensemble at Theater of NOTE.

Joby (Miranda Viscoli) is a backwoods Virginia innocent courted by a menacing but charismatic redneck named Orrin (Darrett Sanders). Following a hastily arranged wedding--attended by snake-handling worshipers and a basketful of sidewinders--a terrorized Joby runs away, meeting a host of bizarre characters in a nightmarish bog.

Like “Alice in Wonderland,” Pryor’s play uses a nonsensical journey to deliver a psychological allegory. But where Lewis Carroll made illogic enchanting, here it’s just willfully perverse. A deranged cracker (Stewart Skelton), his mom (Sarah Lilly) and a creepy twosome of look-alike narrators (Denise Poirier and Adrienne Stout) exist largely to add color to Pryor’s Southern Gothic fantasy rather than shed light on Joby’s character, which remains frustratingly opaque.

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The production is more memorable than the play itself. Director Steve Morgan Haskell, using an oblong stage with the audience on either side, cooks up a series of dreamy visuals, including a weirdly transfixing solo from a bald, barefoot bride (Raige Pierson).

* “Burrhead,” Theater of NOTE, 1517 Cahuenga Blvd., Hollywood. Thursdays-Saturdays, 8 p.m. Ends July 15. $12. (213) 856-8611. Running time: 2 hours, 5 minutes.

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