Genre’s Diversity Finally Gains Full Recognition

This year’s nominees in the rap categories are the most accurate representation of legitimate rappers since the Grammys gave rap its own category in 1989.

For the first time, street-worshiped artists such as Jay-Z, OutKast and Big Punisher are getting recognition alongside more commercial acts such as Will Smith and Busta Rhymes. It’s as much a testament to rap’s sales explosion in 1998 as to the voters’ finally delving, albeit tentatively, into the culture.

In the best rap album category, Jay-Z’s potent third album, “Vol. 2 . . . Hard Knock Life,” is a no-brainer for any hip-hop die-hard. Nonetheless, the offerings from Jermaine Dupri, Mase and A Tribe Called Quest stand a chance because they are better-known artists with impressive sales histories and a number of radio hits under their belts. Big Punisher, whose “Capital Punishment” made him the first Latino rapper with a platinum album, is the longshot in this category.

Jay-Z also has a good chance of winning the duo or group performance award for his party-flavored duet with Dupri, “Money Ain’t a Thang.” OutKast’s “Rosa Parks” deserves the prize, thanks to the Atlanta duo’s intricate lyrics and musical innovation, but don’t be surprised if “Ghetto Supastar” by Pras Michel, featuring Ol’ Dirty Bastard and Mya, gets the nod because of its overwhelming commercial appeal. Another strong contender, but one not likely to win, is the Beastie Boys’ “Intergalactic.”

The solo performance award should go to Fugee member Wyclef Jean for his impassioned “Gone Till November.” Still, it wouldn’t be a stretch to see Smith (“Gettin’ Jiggy Wit It”), Lauryn Hill (“Lost Ones”) or Busta Rhymes (“Dangerous”) take the trophy home, because each has a higher visibility than Jean.

Regardless of who wins what, hard-core rap fans should feel satisfied that the Grammys are finally recognizing some of the genre’s best artists.