French cinema is not protectionist

Re “A more worldly Oscar,” editorial, Feb. 7

This editorial said: “Protectionist France may want to reserve its top Cesar [Award] for the best of French cinema.” The term “protectionist” surprised and saddened me. Inspired by the Oscars, the Cesars were created mainly to honor the best French films, just as the Oscars honor the American cinema. Like the Oscars, the Cesars have a Best Foreign Film category. In 2007, three American films were among the five nominated in this category.

Each year, France co-produces more and more foreign films. In 2005, of the 240 total films made, 114 were coproduced in France with a number of countries, including the U.S. and others from Africa to South America to China.

Beyond that, the worldfamous Deauville Film Festival has been celebrating American cinema exclusively for 32 years. There is no such festival with the same level of renown in other European countries. It’s a fine example of French-American friendship and a true declaration of love for American cinema.

LAURENT MORLET

Executive director

L.A. Film and TV Office

French Embassy