Venice troupe now calls Vibiana home
Due to a neighborhood dispute over parking and crowd control at its former digs in a long-unused portion of a Christian Science church in Venice, the Blankenship Ballet Company of Venice has left the Westside and taken up residence downtown at Vibiana.
The company, which had moved into the 1905 structure owned by the Venice church in 2007 and last performed there in January, is continuing its tradition of occupying historic religious spaces by planning to perform at Vibiana, a multiuse venue that was formerly St. Vibiana’s Cathedral.
The Spanish-Baroque structure, built in 1876, was severely damaged in the 1994 Northridge quake and became the center of a preservation battle when the Catholic archdiocese threatened to raze the building. It was reopened in 2005 as a venue for performances and events.
The ballet troupe isn’t Vibiana’s first “resident” company, exactly; all rehearsals are temporarily taking place in rented space at the Latino Theater Company headquarters in the Los Angeles Theater Center (LATC) nearby at 514 S. Spring St. And the dance company so far has scheduled only its first performance at Vibiana, one of Blankenship’s occasional Cuban Ballet & Dance Extravaganza evenings featuring former dancers from Ballet Nacional de Cuba and Pro Danza de Cuba. That performance will be May 30.
But Mark Blankenship -- who founded the company with his wife, Cuban ballerina Bertha Suarez Blankenship, to showcase the bravura Cuban performing style -- and Vibiana spokeswoman Anika Warden say they are looking forward to a long partnership.
The Vibiana space can accommodate up to 1,000 audience members, rather than the few hundred that could pack into the dance company space inside the Christian Science church, and downtown has more nearby parking lots available than does the Venice neighborhood.
Despite being markedly farther from the beach, the company will still be the Blankenship Ballet of Venice for the foreseeable future, says Mark Blankenship. He refuses to focus on what he calls a “banal dispute” with the Venice locals and the church and cites the enthusiasm of many in the Venice community when Blankenship Ballet opened its doors there.
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