Author Alex Mar’s "Witches of America,” left, and Stacy Schiff’s “The Witches."(From left: Farrar, Straus and Giroux; Elena Siebert / Little, Brown)
A 1670 illustration of Sweden’s witchcraft epidemic. From the book “The Witches” by Stacy Schiff.(National Library of Sweden / Little, Brown)
This illustration included in Stacy Schiff’s “The Witches: Salem, 1692" is from an 1881 study of hysteria.(Cornell University Library / Little, Brown)
This 15th century French book illumination of two witches riding broomsticks is included in Stacy Schiff’s “The Witches: Salem, 1692.”(Little, Brown)
In “The Witches: Salem, 1692,” a masterful account of the epidemic of paranoia and religious fervor that overcame residents of Essex County in the Massachusetts Bay Colony, Pulitzer Prize winner Stacy Schiff takes on “America’s tiny reign of terror,” the Salem witch trials. Most Americans know of the trials only through fictional accounts like Nathaniel Hawthorne’s “House of the Seven Gables” or Arthur Miller’s play “The Crucible,” which conflated Salem’s vicious persecutions with those of the McCarthy era. Schiff painstakingly reconstructs not just the events of 1692 but the world that birthed them: Puritan New England, where Wabanaki raids and massacres were common, food scarce, and the winter darkness inescapable for months on end.
Her accomplishment is all the more remarkable because there are no records of the court sessions — Schiff sifted through archival material as well as historical accounts written by witnesses years after the epidemic.
All mention of the hangings were omitted or expunged from Salem’s official records; the court transcripts were supposedly destroyed in a 1765 fire. An exception is the evidence of witches, which included accounts of luminous jellyfish coming down the chimney, talking cats, satanic visitors, magic apples, and nocturnal flights over the Essex countryside.
The crisis began in the household of the Salem village minister, 30-year-old Samuel Parris. Salem village (the site of present-day Danvers) consisted of 90 isolated families, at a time when Boston had only 8,000 residents and the entire population of New England “would fit into Yankee Stadium.”
Salem’s villagers were a disputatious bunch, and Parris, their fourth minister, seems to have been unpopular — in 1691, his congregation voted not to collect his salary. Parris had grown up in an affluent merchant family in Barbados; he had no prior pastoral experience when he took the pulpit in 1689, for reasons that remain murky. Providing the incubator for an epidemic of witches was probably not among them.
Parris and his wife lived with their three children in a crowded household that included Parris’ 11-year-old niece, Abigail, and two Indian slaves, Tituba and her husband, John Indian. Sometime near the end of January 1692, first Abigail and then Parris’ 9-year-old daughter Betty began to act out: twitching, babbling, leaping into the air and pretending to fly. Salem’s Puritans had few amusements besides cultivating spite and nursing a grievance — no festivals or holidays enlivened the bitterly cold winters. Within weeks, the antics of the children fulfilled the role of reality TV, with as many as 50 visitors crowding the Parris house to gape at the girls.
A month after the onset of Abigail’s frenzy, Mary Sibley, a neighbor, watched the children while the Parrises were away. In their absence, Sibley decided to employ kitchen witchery to discern who or what had possessed the girls. She ordered John Indian to make a cake, mixing the girls’ urine with rye flour, and fed the resulting mess to the family dog. Parris was understandably enraged when he found out, but the damage was done.
A few days later, Abigail and Betty made the first false accusations of witchcraft. The devil began his rampage through Essex County.
By the time the epidemic ran its course late that year, 20 innocent people were dead. Among those executed were a highly respected, devout mother of seven, and an engaging minister accused of being a wizard. He recited the Lord’s Prayer before he was hanged, moving onlookers to tears.
Schiff dispels some common misconjectures about the trials, and ferrets out intriguing facts. Those thought to be witches were usually not people of color. Half of the Salem girls who were possessed were refugees or had been orphaned by the French-Indian wars. The median age of the accusers was 19, and well-educated girls were more likely to be major players — they would have read the gruesome captivity narrative of Mary Rowlandson, a bestseller of its time, as well as what Schiff calls “martyrdom porn,” literary sources awash in blood, torment and demons.
Longtime border disputes between neighbors seem to be another instigation for the mass hysteria, along with the brutal weather and steady diet of hellfire preaching that provided jolts of lurid energy in an unbearably bleak environment. But ultimately, as Schiff puts it, “Salem is in part the story of what happens when a set of unanswerable questions meets a set of unquestioned answers.”
And only one person taking the stand points out what the exasperated parent of any modern teenager would know: “We must not believe all that these distracted children say.”
Compared with Salem’s punitive, backbiting Puritans, the real-life pagans and Wiccans who populate Alex Mar’s entertaining “Witches of America” are a cheerful bunch, even if they indulge in the occasional blood offering. Mar’s 2010 documentary “American Mystic” followed three devotees of alternative religions. In “Witches of America,” she continues and enlarges upon that quest: “I want to understand the strange confidence necessary to climb onto the roof and sing to the moon, or to write out commands in your own blood … I want to grasp the moment when that confidence becomes conviction …"
“Do you ever get people you think want to be your new friend,” one BNP wonders, “and then instead you realize they’re just hanging around waiting to ask for an initiation?”
Mar is an often amusing guide to the household altars and henges of 21st century paganism, in which Wiccans conduct classes via Skype and online distance learning. But what will resonate most with readers is her genuine and touching search for transcendence, which leads to a conviction that all of these strands of belief are “strategies for staying alive. Some are simply more elaborate and inexplicable than others.”
Hand’s most recent novel is “Wylding Hall.”
The Witches: Salem, 1692
Little, Brown: 512 pp, $32
Witches of America
Sarah Crichton Books/Farrar, Straus and Giroux: 274 pp, $26