This theater has attracted movie stars and Catalina Island residents for 90 years. Now, it may call it a night

Avalon Casino
A view of the Catalina Casino. At the end of this year, the Avalon Theater, located inside the casino, will stop showing first-run films for good, ending a 90-year tradition.
(Christina House / Los Angeles Times)

Lifelong friends Melinda Benson and Wendy Hernandez wept as the closing credits rolled for “Frozen 2” at the Avalon Theater in Catalina Island.

But their tears had nothing to do with the movie.

Around them, children ran up and down the aisles of the 1,184-seat movie palace, built in 1929 as part of the iconic Catalina Casino and the first cinema in the world designed for talkies. Adults admired the epic Art Deco murals on the walls and craned their necks to look at the silver-leaf stars that twinkled from the ceiling like the sky outside.

Screen legends from Charlie Chaplin to Louis B. Mayer to Marilyn Monroe long used the Avalon for premieres and showcases. For Catalina longtimers like Benson and Hernandez, both 48, it was more than just a stage for the stars; it was the setting for first dates and high school graduations and nights out with the kids.


“It was a fun, safe place for teens, in an island where there was almost nothing to do,” Hernandez said. “You get your girlfriends together and go off alone together, and your parents didn’t have to worry.”

Added Benson: “As corny as it sounds, the Avalon was a way for me to see and imagine the world. It was so big and special and magical. Other theaters were like nothing compared to it. “

And now, it was time to say goodbye.

The interior of the Avalon Theater
The interior of the Avalon Theater. The 1,184-seat movie palace, built in 1929 as part of the iconic Catalina Casino, was the first cinema in the world designed for talkies.
(Christina House / Los Angeles Times)

At the end of this year, the Avalon will stop showing first-run films for good, ending a 90-year tradition. The Catalina Island Co., its owner and operator and the main landlord around town, plans to continue daily tours and offer up the theater for special events like the long-running Catalina Film Fest and Silent Film Benefit.

Chief Executive Randy Herrel said not enough people attend the new flicks to make the Avalon financially viable. He said it needs at least 137 theatergoers every night to break even; average attendance this year, excluding blockbusters like the live-action “Lion King” remake, is just 37.

“It’s not going to get any better for our movie theater,” he said. “What small town that has 4,000 population has a 1,000-seat theater that’s still open?”


The last straw for Herrel was a drive through Avalon earlier this year on one of Catalina’s signature golf carts.

“There were so many satellite dishes screwed onto balconies,” he said. “We have no support from the town for the current movies showing…Everyone’s throwing rocks, but no one is coming up with good, viable, sustainable solutions.”

That cold economics doesn’t compute with a lot of residents.

“It’s indefensible,” said Hernandez, who manages a spa on the island. “A company that big can’t use the excuse of lack of money for closing it down.”

“I’m not convinced this closure is necessary,” Benson added. “The experience for us is like a birthright.”

She now lives “over town,” Catalina-speak for the mainland. Benson launched a petition three weeks asking Herrel to keep the Avalon’s nightly screenings. It currently boasts over 11,500 signatures — which is nearly three times Catalina’s year-round population.

As a 5-year-old, local historian Chuck Liddell used to give out theater handbills to beachgoers back when the Avalon showed a new film every night. Now 72, he sympathizes somewhat with the Catalina Island Co.’s situation; theymust show the same film for two weeks straight because of studio requirements. Even accounting for tourists, that doesn’t seem a formula to pull in regular customers in a community this small.


“They’re stuck, they can’t do much,” Liddell said. “I think we gotta put our money where our mouth is, and stop complaining.”

Then again, Liddell admits that “there were two stipulations I’ve always had that if I lost either of these, for the first time I would feel like I needed to leave the island. And one was to be told that you can’t see a movie in the Avalon.”

It’s the latest turn in the saga of an edifice whose architects told the press back in 1928 that the theater and its accompanying casino “will be a contribution to western culture and architecture, rather than a business enterprise.”

Built for $2 million by chewing-gum magnate William Wrigley just before the Great Depression, the Avalon is one of the few Old Hollywood theaters left in Southern California that specializes in contemporary movies instead of just revivals. But it has struggled to attract large crowds ever since the advent of television.

As recently as the 1980s, the Avalon opened only for weekends during the winter. Catalina lost its luster for the Hollywood set and the theater’s stewards allowed its grandeur to fade away until a $750,000 restoration in 1994 saw all the seats reupholstered and the murals brushed clean of grime.

In recent years, the Island Co. upgraded the theater’s sound system, switched to a digital projector, replaced the movie screen, and even began to sell alcoholic beverages and pizza in order to boost ticket sales. They introduced more classic movies and performances on the massive theater organ every Friday and Saturday evening.


But attendance, which averaged between 400 and 500 during summer nights as recently as 2002, continued to crater.

Herrel said that the Catalina Island Co. is talking to a music-promotion group about doing concerts at the Avalon and a “well-known comedy theater” to fill the space. But Ron Truppa, who runs the Catalina Film Festival, argues that today’s movie lords should help keep the Avalon as it is. He has led backstage tours for everyone from William H. Macy to Sharon Stone to Nicolas Cage, who recorded a video declaring the Avalon “my favorite theater in the world.”

“When we have these celebrities come through here and they experience it for the first time, it’s like that little-kid feeling all over again,” he said. “It humbles them. Jon Favreau was like a kid in a candy store when he saw the projection room. But since the theater is in Avalon, it’s like out of sight, out of mind. The daily screenings are kind of what kept it breathing and made it a living organism.”

The Avalon certainly buzzed with excitement on the night Benson and Hernandez attended. So many people showed up — 250 — that “Frozen 2” started 15 minutes late. The audience acted as if it was just another night, as they munched on popcorn and Reese’s Pieces and quieted babies and laughed at the antics of Olaf the snowman.

But melancholy set in once the lights went up.

“It would be a horrible loss to our community,” said Rachel Hammer, 35, of San Clemente. “Closing the theater is going to take it away from the next generation.”

“Every resident here should be able to come outside of a tour,” said fifth-generation Catalinan Andrea Carstaphen, who met childhood pals Benson and Hernandez outside the Avalon to ask how she could help. “It’s such a part of our hearts.”


She delivered the petition to the Catalina Island Co., along with testimonials from others.

Inside, 13-year-old friends Alexa Moronez and Jocelyn Reyes lingered in the lobby, ringed with black-walnut panels and gold-leaf accents. Pre-teens bounced on the vintage couches.

“This has always been known for those of us who’ve grown up here as a theater to see movies with each other,” Alexa said. “Now, it’s going to be known as just a building.”