Review: Beautiful to look at, ‘You Go to My Head’ lingers in its smarmy gaze
More than two decades after directing “The Blue Villa” with Alain Robbe-Grillet, Dimitri de Clercq makes his solo debut here, with a film as much about memory as Robbe-Grillet’s most famous screenwriting credit, “Last Year at Marienbad.” Shot in Moroco, “You Go to My Head” is as consumed with offering stunning visuals as that Alain Resnais reverie, but it lacks any of its substance. De Clercq’s clear directorial talent gives the film the illusion of respectability, but it can’t remove the sweaty sheen of smarm.
Belgian model Delfine Bafort stars as a beauty who stumbles across the Sahara after a car accident leaves her unable to remember who she is. When lonely architect Jake (Svetozar Cvetkovic) finds her, he convinces her that her name is Kitty and that he is her husband. Though Kitty begins to adjust to life at Jake’s perfectly designed, isolated home, she slowly — oh, so slowly — discovers that he may not be who he claims to be.
De Clercq has made the classiest exploitation movie one can imagine. Each shot from director of photography Stijn Grupping is lovelier than the last, taking advantage of the planes of Bafort’s face, the curves of her body and colors of the desert vista. There’s an interesting approach to the standard amnesia story somewhere in this languidly paced drama, but it largely seems engineered to show its lead actress nude for the pleasure of her much-older “husband,” the director himself and those in the audience unconcerned with Kitty as a human being.
‘You Go to My Head’
In English, French, Flemish, Berber languages with English subtitles
Running time: 1 hour, 56 minutes
Playing: Starts Feb. 21, Laemmle Glendale
Inside the business of entertainment
The Wide Shot brings you news, analysis and insights on everything from streaming wars to production — and what it all means for the future.
You may occasionally receive promotional content from the Los Angeles Times.