The Emmy Awards are a long way off. But with more TV than ever, networks have made spring a showcase for some of their best series, hoping taxed voters will mark their ballots accordingly. That means you don’t have to wait for the shows everyone will be talking about. They’re already here.
If you start watching now and apply yourself — I mean, really grind it out — then you might see about half the programs and performances that figure to be nominated for an Emmy this year.
That kind of abundance means you need to be disciplined and discerning (or possess a limitless amount of free time). And, these days, who has that? To help, I’ve put together an early guide, mixing series that have already aired with promising programs that will premiere in the next several weeks. One way or another, they’ll all be in the conversation leading up to July 14.
Supporting actors, who are sometimes but not always “character actors,” make up the ranks of best friends, colorful sidekicks, strange relations, eccentric coworkers, superior officers, crazy neighbors, service workers. In life, stars are the outliers, “bigger than life.” Life is what supporting actors bring, a taste of the world as most of us routinely experience it; they provide color, context, depth. They create a community, where the stars stand alone. Stars are other people. Supporting actors are us.
“Billions,” Showtime’s acclaimed drama about the cutthroat world of New York finance and politics, is about to launch its fifth season in May, just in time to catch the wave of an election season that saw two billionaires running for president.
Science is at the heart of all Alex Garland’s work, but the writer-director is less interested in erudite theories than he is in what those theories reveal about humanity itself. That growing obsession has resulted, years later, in “Devs,” a self-contained, eight-episode series for FX on Hulu, which Garland pursued after making “Annihilation” in 2018.
HBO’s sci-fi drama “Westworld,” the award-winning series that debuted in 2016, returns to the fold this month with a third season of murderous robot fun.
The dystopian mind-bender of a series has inspired little to no gray area between its fans and critics. One side sees the show as a multifaceted maze of reality-meets-fantasy genius. The other complains it’s a confusing tangle of future-shock nonsense.
“Quiz,” about two men accused of cheating their way to a million-pound prize on “Who Wants to Be a Millionaire?” in 2001, is not the only new show in 2020 to tell an absurd, stranger-than-fiction story about a forgotten scam involving a popular game from the early ’00s. It follows on the heels of “McMillions,” a six-part HBO documentary chronicling a massive fraud in which a group of conspirators stole $24 million in prize money from the McDonald’s Monopoly game.
These shows join a growing list of pop culture about cons, hoaxes, frauds and debacles — a thriving subgenre of (mostly) blood-free true crime that feeds on a shared contempt for a rigged system and the people who most shamelessly manipulate it.