Soaring salute to the Japanese kite
MORE: Oscars 2014: Idina Menzel sings Oscar-winning ‘Let It Go’ from ‘Frozen’
Idina Menzel replaced by ‘Adele Dazeem’ in ‘If/Then’ playbill joke
Adele Dazeem (Idina Menzel) saluted at ‘The Book of Mormon’ (Robert Gauthier / Los Angeles Times)
MORE: Orlando Bloom, Joe Morton brighten TchaikovskyFest at Disney Hall
REVIEW: Tchaikovsky on a grand scale (Lawrence K. Ho / Los Angeles Times)
REVIEW: Barry Manilow’s ‘Harmony’ musical can sing but needs work (Luis Sinco / Los Angeles Times)
MORE: Carlos Almaraz’s time is coming, nearly 30 years after death (Kirk McKoy / Los Angeles Times)
MORE: Hollywood’s Theatre Row sees exits stage right, left as scene changes
INTERACTIVE: Hollywood’s Theatre Row (Genaro Molina / Los Angeles Times)
More: Grammys 2014: Lang Lang performs ‘One’ with Metallica (Robert Gauthier / Los Angeles Times)
Review: Christopher Plummer, a man of letters, says ‘A Word or Two’ (Doriane Raiman / Los Angeles Times)
REVIEW: A poet embedded among troops lives to tell ‘An Iliad’ (Lawrence K. Ho / Los Angeles Times)
MORE: New MOCA director Philippe Vergne is a museum veteran
New MOCA director Philippe Vergne plans an artist-enabling museum (Carolyn Cole / Los Angeles Times)
MORE: A ‘Beautiful’ tapestry of Carole King’s life (Carolyn Cole / Los Angeles Times)
REVIEW: L.A. Phil, Dudamel reinvigorate Tchaikovsky’s ‘Nutcracker’ (Lawrence K. Ho / Los Angeles Times)
REVIEW: Lively ‘Peter and the Starcatcher’ make us believers again
MORE: Baddie role in ‘Peter and the Starcatcher’ hooked John Sanders (Jay L. Clendenin / Los Angeles Times)
REVIEW: Cirque du Soleil’s ‘Totem’ a thrilling salute to human growth (Christina House / For the Times)
REVIEW: Time has overtaken ‘The Sunshine Boys’ (Lawrence K. Ho / Los Angeles Times)
REVIEW: ‘Chicago’ storms into the Hollywood Bowl (Jay L. Clendenin / Los Angeles Times)
REVIEW: ‘Marriage of Figaro’ a wedding of many talents (Lawrence K. Ho / Los Angeles Times)
REVIEW: With ‘Tosca,’ Los Angeles Opera goes for grand (Lawrence K. Ho / Los Angeles Times)
REVIEW: The collateral damage of genius in Boris Eifman’s ‘Rodin’ (Lawrence K. Ho / Los Angeles Times)
REVIEW: ‘The Royale’ punches well but has character issues (Lawrence K. Ho / Los Angeles Times)
REVIEW: L.A. Dance Festival returns to boost homegrown dance (Lawrence K. Ho / Los Angeles Times)
REVIEW: Sensual energy crackles in Alvin Ailey dance program (Luis Sinco / Los Angeles Times)
REVIEW: Aaron Copland as a hinge (Lawrence K. Ho / Los Angeles Times)
REVIEW: ‘American Buffalo’ at Geffen a refreshing dose of Mamet (Gary Friedman / Los Angeles Times)
REVIEW: Flashes of lightning in Trisha Brown’s ‘Astral Converted’ (Luis Sinco / Los Angeles Times)
REVIEW: A new Cinderella at Los Angeles Opera makes an impression (Lawrence K. Ho / Los Angeles Times)
REVIEW: Ethical quandaries buzz in ‘The Nether’ (Lawrence K. Ho / Los Angeles Times)
REVIEW: L.A. Opera’s ‘Flying Dutchman’ back in action (Lawrence K. Ho / Los Angeles Times)
MORE: For David Henry Hwang’s ‘Chinglish,’ a case of bad timing in China (Rick Loomis / Los Angeles Times)
MORE: Clive Davis’ next role: Broadway producer of a new ‘My Fair Lady’ (Gina Ferazzi / Los Angeles Times)
REVIEW: The usually inventive BBC Concert Orchestra goes retro (Lawrence K. Ho / Los Angeles Times)
MORE: Los Angeles Chamber Orchestra violinist has a date with a Stradivarius (Francine Orr / Los Angeles Times)
REVIEW: Elevator Repair Service’s ‘Gatz’ a rewarding marathon | Elevator Repair Service takes on the great ‘Gatz’ | Marathon plays stand the test of time (Michael Robinson Chavez / Los Angeles Times)
REVIEW: Trey McIntyre Project dances are both slight and potent | Trey McIntyre Project brings ‘Ways of Seeing’ to Segerstrom (Luis Cinco / Los Angeles Times)
REVIEW: Esa-Pekka Salonen and an electrifying L.A. Philharmonic | Esa-Pekka Salonen returns to L.A. with murder in mind (Matthew Lloyd / For The Times)
REVIEW: Esa-Pekka Salonen and an electrifying L.A. Philharmonic | Esa-Pekka Salonen returns to L.A. with murder in mind (Michael Robinson Chavez / Los Angeles Times)
REVIEW: How David Lang’s ‘love fail’ succeeds sublimely (Michael Robinson Chavez / Los Angeles Times)
REVIEW: Bolshoi’s ‘Lake’ is sometimes choppy, sometimes smooth | Photos (Lawrence K. Ho / Los Angeles Times)
MORE: Glorya Kaufman gives USC millions to build a dance school (Al Seib / Los Angeles Times)
MORE: Benjamin Millepied gets moving in Los Angeles | Photos | Review (Ricardo DeAratanha / Los Angeles Times)
REVIEW: Barbra Streisand puts the Hollywood Bowl under her spell (Michael Robinson Chavez / Los Angeles Times)
REVIEW: Desire and sexual politics whirl among ‘Them’ (Ricardo DeAratanha / Los Angeles Times)
REVIEW: Two ways to capture magic of ‘The Tempest’ | Photos (Lawrence K. Ho / Los Angeles Times)
REVIEW: Barbara Cook rejuvenates song standards (Lawrence K. Ho / Los Angeles Times)
MORE: Rafael Fruhbeck de Burgos, Lynn Harrell at Disney Hall (Lawrence K. Ho / Los Angeles Times)
REVIEW: Some bright spots in a lesser ‘Madame Butterfly’ | Photos (Lawrence K. Ho / Los Angeles Times)
MORE: Opera’s ever-inquisitive Eric Owens is in high demand (Bob Chamberlin / Los Angeles Times)
Critic’s Notebook: The joys and challenges of the L.A. small-theater scene (Ricardo DeAratanha / Los Angeles Times)
MORE: Christopher Hawthorne’s On the Boulevards Project (Luis Cinco / Los Angeles Times)
MORE: George Takei builds on legacy with ‘Allegiance’ at the Old Globe (Don Bartletti / Los Angeles Times)
MORE: Emily Mann a natural to direct ‘Streetcar’ and ‘The Convert’ (Carolyn Cole / Los Angeles Times)
REVIEW: Lackluster Expo Line reflects Metro’s weak grasp of design (Mark Boster / Los Angeles Times)
MORE: James Corden, ‘One Man’ and a plethora of talent (Carolyn Cole / Los Angeles Times)
MORE: Llyn Foulkes’ art of raw emotion (Genaro Molina / Los Angeles Times)
MORE: Mickalene Thomas, up close and very personal (Al Seib / Los Angeles Times)
REVIEW: “Follies” is a source of heartache and razzmatazz (Glenn Koenig / Los Angeles Times)
MORE: Will downtown L.A.’s Grand Park succeed? | Photos (Francine Orr / Los Angeles Times)
MORE: Artist Xavier Veilhan casts Richard Neutra’s VDL House in a new light (Gary Friedman / Los Angeles Times)
REVIEW: A blazing “Red” with Alfred Molina as Mark Rothko (Gina Ferazzi / Los Angeles Times)
MORE: Lynn Nottage wants “Vera Stark” to be a conversation starter (Al Seib / Los Angeles Times)
MORE: In the Studio: Ben Jackel uses broad ax strokes (Genaro Molina / Los Angeles Times)
Review: “War Horse” at Ahmanson Theatre is a marvel of stagecraft | Photos (Kirk McKoy / Los Angeles Times)
More: A pop choreographer with a busy schedule (Ricardo DeAratanha / Los Angeles Times)
More: Hammer biennial lends artists a helping hand (Kirk McKoy / Los Angeles Times)
More: Plácido Domingo leads an uptempo life (Robert Gauthier / Los Angeles Times)
More: In the moment with Cate Blanchett (Jay L. Clendenin / Los Angeles Times)
More: Yuja Wang turns heads at the Hollywood Bowl with a purple gown Photos (Lawrence K. Ho / Los Angeles Times)
More: Jesse Tyler Ferguson takes on ‘The Producers’ at the Bowl | Review | Photos (Lawrence K. Ho / Los Angeles Times)
Review: LACMA’s new hunk ‘Levitated Mass’ has some substance | Critic’s Notebook: Art on an architectural scale at LACMA (Gina Ferazzi / Los Angeles Times)
Review: LACMA’s new hunk ‘Levitated Mass’ has some substance | Critic’s Notebook: Art on an architectural scale at LACMA (Mel Melcon / Los Angeles Times)
Review: Antic ‘Alice’s Adventures in Wonderland’ a scenic spectacle | More photos (Brian van der Brug / Los Angeles Times)
More: Q&A: Sanaa Lathan (Allen J. Schaben / Los Angeles Times)
More: Los Angeles Opera takes fresh look at Verdi’s ‘The Two Foscari’ | Review (Lawrence K. Ho / Los Angeles Times)
Review: Itzhak Perlman closes Hollywood Bowl classical season (Lawrence K. Ho / Los Angeles Times)
Review: L.A. Opera’s ‘Don Giovanni’ upholds tradition expertly | Photos (Lawrence K. Ho / Los Angeles Times)
More: Kristin Chenoweth warms up for California concerts (Carolyn Cole / Los Angeles Times)
More: Composer Andrew Norman’s imagination has taken residence (Carolyn Cole / Los Angeles Times)
More: It’s no easy act for Felicity Huffman (Jay L. Clendenin / Los Angeles Times)
More: Sophie B. Hawkins channels Janis Joplin’s spirit in ‘Room 105’ (Luis Sinco / Los Angeles Times)
Review: Israel Philharmonic, rising above differences (Lawrence K. Ho / Los Angeles Times)
More: John Hurt plays back ‘interrupted pause’ of ‘Krapp’s Last Tape’ | Review (Anne Cusack / Los Angeles Times)
More: Teatro ZinZanni sets up a tent and fills it with elegant chaos (Lawrence K. Ho / Los Angeles Times)
More: Performance review: A down-to-Earth ‘Dirtday!’ (Lawrence K. Ho / Los Angeles Times)
More: Mark Z. Danielewski: The writer as needle and thread (Allen J. Schaben / Los Angeles Times)
More: Gustavo Dudamel’s captivating theatrics serve the music | More photos (Jay L. Clendenin / Los Angeles Times)
MORE: Doing the numbers on LACMA’s Tim Burton show (Gary Friedman / Los Angeles Times)
In English, “Go fly a kite” is a pejorative expression meaning, basically, “Get lost.” In Japan, however, the term “tako kichi,” which roughly means “kite crazy,” is meant as a compliment, referring to enthusiasts who are passionate about kites.
The Museum of International Folk Art in Santa Fe, N.M., is exploring the art, history and sport of traditional Japanese kites in the exhibition “Tako Kichi: Kite Crazy in Japan,” which opens June 9 .
More than 200 kites from an inch to 12 feet are on loan from enthusiast David M. Kahn. Executive director of the Adirondack Museum in Blue Mountain Lake, N.Y., Kahn spent 25 years amassing a collection of more than 700 kites from various regions in Japan.
PHOTOS: Arts and culture by The Times
With the exception of a few still intact pieces from the 19th to early 20th centuries, most kites in his collection date from 1960 to the present. A large number were created by Teizo Hashimoto, one of the last known master Edo kite makers in Tokyo. He died in 1993.
“These kites are a delightful example of Asian folk art,” said Felicia Katz-Harris, the folk art museum’s curator of Asian and Middle Eastern collections. “What’s appealing is that they are all handmade using traditional materials such as natural bamboo for the structure and sheets of washi paper derived from mulberry trees.”
There’s a traditional aesthetic element to the paintings as well. Detailed illustrations are sketched with sumi calligraphy ink, then hand-painted using garment dyes. They often take weeks to dry. Images depict the daily life of samurai warriors, mythical creatures and folklore legends.
Some of the more popular heroic figures represented are Raiko, the demon-slaying warrior, and Kintaro, or “The Golden Boy,” a child of superhuman strength.
Japanese kites are made in a variety of shapes and sizes to harness different winds. The best-known style is Edo, usually a rectangular shape with elaborate paintings reminiscent of ukiyo-e, wood block pictures of the floating world.
IN CASE YOU MISSED IT: What time are the Tony Awards?
The first kites were brought to Japan around the seventh century by Buddhist monks. Thought to be talismanic, they served as a way for people to send offerings of thanks to deities and ancestors. “It really took off during the Edo period [1603-1868], becoming very popular for the masses,” said Katz-Harris. “Prior to this time, kite flying was reserved for the samurai class.”
Kites were used during battle as communication between troops, and there are tales of samurai being flown out of danger on kites.
“It’s funny, but there are these incredibly popular kite festivals in Japan today where people fly giant kites 22 feet high that take 50 people to harness,” noted Katz-Harris. “So it’s not so farfetched that they could lift people off their feet.”
The exhibition runs through March 23.
The biggest entertainment stories
Get our big stories about Hollywood, film, television, music, arts, culture and more right in your inbox as soon as they publish.
You may occasionally receive promotional content from the Los Angeles Times.