Sundance Film Festival: Kelly Reichardt and James Schamus show their talent to adapt
Kelly Reichardt and James Schamus are stalwarts of the independent world, and both debuted excellent films Sunday at the Sundance Film Festival. And though Schamus is, in his own words, “at the tender age of 57 a first-time director” and Reichardt is a veteran who has been behind the camera for more than 20 years, they have both succeeded at the same daunting task: making first-rate cinema out of outstanding literary work.
Reichardt’s “Certain Women” stars the powerhouse trio of Laura Dern, Kristen Stewart and Michelle Williams, a virtuosic Rene Auberjonois and a radiant Lily Gladstone. It’s turned a trio of astute and emotionally powerful short stories by Maile Meloy into what the director has called “a drama about small life stories,” finely modulated and taking place in Montana.
Sundance Film Festival 2016: Full coverage | Photos of the scene
Schamus, for his part, has taken on “Indignation,” a disturbing novel by Philip Roth set during the Korean War, casting Logan Lerman as college freshman Marcus Messner, the bright son of a Newark, N.J., kosher butcher, who falls in love with the beautiful, WASPy but troubled Olivia Hutton (Sarah Gadon).
In talking to both Schamus and Reichardt about the challenges, difficulties and satisfactions of adaptation, it was striking that their experiences were both similar and disparate, that the way they approached material reflected, as might be expected, their personal attitudes and philosophies about the filmmaking process.
Both writer-directors, for example, to a certain extent encountered the work they adapted by chance. “To say I’ve been blessed to come across Philip Roth’s novel as a mass-market paperback in an airport would be an understatement,” Schamus said, whereas Reichardt discovered Meloy’s excellent short-story collections “Half in Love” and “Both Ways Is the Only Way I Want It” at a point “when I was feeling pretty lost and sort of searching.”
“Indignation” director James Schamus in the L.A. Times photo studio at the Sundance Film Festival on Jan. 23.
Reichardt had made several films with the writer Jonathan Raymond, but when he became unavailable for a new project the quest that led to Meloy began. “Coming across her was lucky happenstance, but I liked her writing so much, I just knew as soon as I read it. She is such a vivid writer, I immediately felt the landscape and people who were really tied into it, a lot happening that is not in the dialogue.”
Meloy chose not to be involved with the screenplay but, Reichardt said, “She told me, ‘You go ahead,’ she gave me the space to do that, which is a brave thing for someone to do.”
Working by herself was for the director “a much lonelier experience. Because the film is a lot about loneliness and alienation, it was a very weird ride, you end up living what you made.” So it was a key moment when, waiting for her luggage at the Salt Lake City airport on Friday night, Reichardt got a text from Meloy, who had just seen the film. “She said, ‘It’s beautiful.’ I was so happy to get that text.”
“Certain Women” director Kelly Reichardt in the L.A. Times photo studio at the Sundance Film Festival on Jan. 23.
Schamus, interestingly enough, had a similar relationship with his novelist. “Philip Roth gave me the greatest gift,” he explains. “I sent him the screenplay and he declined to read it, the nicest gift anybody gave me in my life. I asked him to visit the set, I didn’t want to ice him out, he was the prime mover, but he said, ‘When can I see the final product?’ He’s seen it, and he provided a very generous statement.”
For both Schamus and Reichardt, the process of adaptation is, in Reichardt’s words, “breaking free of those stories to write your script, and then when you’re filming undoing the whole script as it becomes a visual experience. Every part is a letting go.”
A key decision Schamus, a former chief executive of Focus Features who teaches at Columbia in addition to being a screenwriter, had to make was whether to direct at all. “The desire to direct is a disease that tends to strike late-middle-aged producers, and I’m not immune to that disease,” he said, smiling.
If Schamus was to direct, however, “I honestly felt, when I sucked it up and said, ‘Let’s do it,’ that it wouldn’t be worth doing unless the fear of abject failure was real. And the highest-risk proposition these days is emotion. We’re way too smart for our own good, and tackling a project that says to an audience, ‘It’s time to have an emotion,’ that’s scary.”
As someone who’s done numerous adaptations (“Clearly I don’t have an original thought in my head,” he joked), Schamus has thought a lot about the process, starting with the nature of fiction itself.
“The reason you fall in love with a novel are the pheromonal qualities, the deep satisfactions it produces when you turn the last page,” he said. “It’s a very, very particular emotion, not pure joy, not pure sadness.
Imogen Poots, from the film “Frank and Lola,” poses for a portrait in the L.A. Times photo & video studio at the Sundance Film Festival in Park City, Utah.
(Jay L. Clendenin / Los Angeles Times)Imogen Poots poses for a portrait at the Sundance Film Festival.
(Jay L. Clendenin / Los Angeles Times)
Imogen Poots and director Matthew Ross from the film “Frank and Lola” pose for an L.A. Times photo at the Sundance Film Festival.
(Jay L. Clendenin / Los Angeles Times)
Louis Black and Karen Bernstein, filmmakers from the film “Richard Linklater: Dream Is Destiny,” in a portrait taken at the L.A. Times studio at the Sundance Film Festival in Park City, Utah.
(Jay L. Clendenin / Los Angeles Times)Chris Hegedus, left, Steven Wise and D.A. Pennebaker of the film “Unlocking the Cage” pose for a portrait in the L.A. Times studio at the Sundance Film Festival in Park City, Utah.
(Jay L. Clendenin / Los Angeles Times)Chris Hegedus, director of “Unlocking the Cage,” in a portrait at the Sundance Film Festival in Park City, Utah.
(Jay L. Clendenin / Los Angeles Times)Jon Shenk, left, subject Daisy Coleman and Bonni Cohen, director from the film “Audrie & Daisy,” poses for a portrait in the L.A. Times photo & video studio at the Sundance Film Festival in Park City, Utah.
(Jay L. Clendenin / Los Angeles Times)Vincent Piazza from the film “Intervention.”
(Jay L. Clendenin / Los Angeles Times)Daisy Coleman, subject from the film “Audrie & Daisy.”
(Jay L. Clendenin / Los Angeles Times)Director Clea DuVall from the film “Intervention.”
(Jay L. Clendenin / Los Angeles Times)Michael Shannon from the films “Complete Unknown” and “Frank and Lola.”
(Jay L. Clendenin / Los Angeles Times)Melanie Lynskey from the film “Intervention.”
(Jay L. Clendenin / Los Angeles Times)Michael Shannon from the film “Complete Unknown.”
(Jay L. Clendenin / Los Angeles Times)Ben Schwartz from the film “Intervention.”
(Jay L. Clendenin / Los Angeles Times)Michael Shannon from the films “Complete Unknown” and “Frank and Lola.”
(Jay L. Clendenin / Los Angeles Times)Jason Ritter, left, Ben Schwartz, Natasha Lyonne, Vincent Piazza, Clea DuVall, director, Melanie Lynskey from the film “Intervention.”
(Jay L. Clendenin / Los Angeles Times)Ben Schwartz, left, and Jason Ritter from the film “Intervention.”
(Jay L. Clendenin / Los Angeles Times)Jason Ritter from the film “Intervention.”
(Jay L. Clendenin / Los Angeles Times)Aaron Brookner, director from the film “Uncle Howard.”
(Jay L. Clendenin / Los Angeles Times)Executive producer/narrator Katie Couric, right, and filmmaker Stephanie Soechtig from the film “Under The Gun.”
(Jay L. Clendenin / Los Angeles Times)Executive producer/narrator Katie Couric from the film “Under The Gun.”
(Jay L. Clendenin / Los Angeles Times)Michael Shannon from the films “Complete Unknown” and “Frank and Lola.”
(Jay L. Clendenin / Los Angeles Times)Amandla Stenberg from the film “As You Are.”
(Jay L. Clendenin / Los Angeles Times)Michael Chernus, left, Michael Shannon and director Joshua Marston from the film “Complete Unknown.”
(Jay L. Clendenin / Los Angeles Times)Michael Chernus, left, Michael Shannon and director Joshua Marston from the film “Complete Unknown.”
(Jay L. Clendenin / Los Angeles Times)Danfung Dennis, filmmaker, and Casey Brown, producer from the virtual reality experience “Condition One.”
(Jay L. Clendenin / Los Angeles Times)Ciro Guerra, writer-director from the film “Embrace of the Serpent.”
(Jay L. Clendenin / Los Angeles Times)Josh Fox, director from the film “How to Let Go of the World and Love All the Things Climate Can’t Change.”
(Jay L. Clendenin / Los Angeles Times)Christopher Waldorf, left, Chi Chi Mizrahi,, MikeQ, Twiggy Pucci Garçon, co-writer/subject, Sara Jordeno, writer-director, Gia Marie Love, Kenneth “Symba McQueen” Soler-Rios from the film “Kiki.”
(Jay L. Clendenin / Los Angeles Times)Kahane Cooperman, showrunner/executive producer from the film “The New Yorker Presents.”
(Jay L. Clendenin / Los Angeles Times)Frankie Shaw, director-writer stars in “Too Legit.”
(Jay L. Clendenin / Los Angeles Times)Dawn Porter, director from the film “Trapped.”
(Jay L. Clendenin / Los Angeles Times)Keith Fulton, director, Lou Pepe, director, Jennifer Coffield and A.J. Wright from the film “Bad Kids.”
(Jay L. Clendenin / Los Angeles Times)Lou Pepe, left, and Keith Fulton, directors from the film “Bad Kids.”
(Jay L. Clendenin / Los Angeles Times)Jennifer Coffield and A.J. Wright from the film “Bad Kids.”
(Jay L. Clendenin / Los Angeles Times)Michael Villar from the film “Carnage Park.”
(Jay L. Clendenin / Los Angeles Times)Mickey Keating, director from the film “Carnage Park.”
(Jay L. Clendenin / Los Angeles Times)Rebecca Hall from the film “Christine.”
(Jay L. Clendenin / Los Angeles Times)Tahir Jetter, director from the film “How to Tell You’re a Douchebag.”
(Jay L. Clendenin / Los Angeles Times)Alex Ross Perry from the movie “Joshy.”
(Jay L. Clendenin / Los Angeles Times)Jenny Slate from the movie “Joshy.”
(Jay L. Clendenin / Los Angeles Times)Thomas Middleditch from the movie “Joshy.”
(Jay L. Clendenin / Los Angeles Times)Nick Kroll, left, Brett Gelman, Thomas Middleditch, Adam Pally, Alex Ross Perry, Jenny Slate, Jeff Baena, director, and Lauren Weedman from the movie “Joshy.”
(Jay L. Clendenin / Los Angeles Times)Jeff Baena, director, from the movie “Joshy.”
(Jay L. Clendenin / Los Angeles Times)Paulina Garcia from the film “Little Men.”
(Jay L. Clendenin / Los Angeles Times)Diego Luna, director of “Mr. Pig.”
(Jay L. Clendenin / Los Angeles Times)Maya Rudolph, star of “Mr. Pig”
(Jay L. Clendenin / Los Angeles Times)Actors Danny Glover, from left, Maya Rudolph and “Mr. Pig” director Diego Luna.
(Jay L. Clendenin / Los Angeles Times)Writer-director Richard Tanne, from left, Tika Sumpter and Parker Sawyers, from “Southside With You.”
(Jay L. Clendenin / Los Angeles Times)Tika Sumpter from “Southside With You.”
(Jay L. Clendenin / Los Angeles Times)Actor Waleed Zuaiter from “The Free World.”
(Jay L. Clendenin / Los Angeles Times)Writer-director Jason Lew, from “The Free World.”
(Jay L. Clendenin / Los Angeles Times)Boyd Holbrook, from “The Free World.”
(Jay L. Clendenin / Los Angeles Times)Elisabeth Moss, from “The Free World.”
(Jay L. Clendenin / Los Angeles Times)Elisabeth Moss, from “The Free World.”
(Jay L. Clendenin / Los Angeles Times)Boyd Holbrook, from left, Octavia Spencer, writer-director Jason Lew, Elisabeth Moss and Waleed Zuaiter, from “The Free World.”
(Jay L. Clendenin / Los Angeles Times)Octavia Spencer, from “The Free World.”
(Jay L. Clendenin / Los Angeles Times)Octavia Spencer, from “The Free World.”
(Jay L. Clendenin / Los Angeles Times)Bobby Naderi, from “Under the Shadow.”
(Jay L. Clendenin / Los Angeles Times)Bobby Nader, from “Under The Shadow.”
(Jay L. Clendenin / Los Angeles Times)Jeff Daniels Phillips, right, and Richard Brake from the film “31.”
(Jay L. Clendenin / Los Angeles Times)Ashley Bell, left, Pat Healy, Mickey Keating, Michael Villar and James Landry Hébert from the film “Carnage Park.”
(Jay L. Clendenin / Los Angeles Times)Ashley Bell from the film “Carnage Park.”
(Jay L. Clendenin / Los Angeles Times)Rebecca Hall from the film “Christine.”
(Jay L. Clendenin / Los Angeles Times)Rebecca Hall and director Antonio Campos from the film “Christine.”
(Jay L. Clendenin / Los Angeles Times)Dylan Gelula from the film “First Girl I Loved.”
(Jay L. Clendenin / Los Angeles Times)Writer-director Kerem Sanga from the film “First Girl I Loved.”
(Jay L. Clendenin / Los Angeles Times)Brianna Hildebrand, left, Kerem Sanga, writer-director, Brianna Hildebrand, Dylan Gelula and Mateo Arias from the film “First Girl I Loved.”
(Jay L. Clendenin / Los Angeles Times)Brianna Hildebrand, left, Kerem Sanga, writer-director, Brianna Hildebrand, Dylan Gelula and Mateo Arias from the film “First Girl I Loved.”
(Jay L. Clendenin / Los Angeles Times)Brianna Hildebrand from the film “First Girl I Loved.”
(Jay L. Clendenin / Los Angeles Times)Mateo Arias from the film “First Girl I Loved.”
(Jay L. Clendenin / Los Angeles Times)Mateo Arias from the film “First Girl I Loved.”
(Jay L. Clendenin / Los Angeles Times)Thomas Middleditch from the movie “Joshy.”
(Jay L. Clendenin / Los Angeles Times)Lauren Weedman from the movie “Joshy.”
(Jay L. Clendenin / Los Angeles Times)Brett Gelman from the movie “Joshy.”
(Jay L. Clendenin / Los Angeles Times)Adam Pally from the movie “Joshy.”
(Jay L. Clendenin / Los Angeles Times)Nick Kroll from the movie “Joshy.”
(Jay L. Clendenin / Los Angeles Times)Maya Rudolph from the film “Mr. Pig.”
(Jay L. Clendenin / Los Angeles Times)Maya Rudolph from the film “Mr. Pig.”
(Jay L. Clendenin / Los Angeles Times)Danny Glover from the film “Mr. Pig.”
(Jay L. Clendenin / Los Angeles Times)Haerry Kim from the film “Spa Night.”
(Jay L. Clendenin / Los Angeles Times)Haerry Kim, left, director Andrew Ahn and Joe Seo from the film “Spa Night.”
(Jay L. Clendenin / Los Angeles Times)Director Andrew Ahn from the film “Spa Night.”
(Jay L. Clendenin / Los Angeles Times)Joe Seo from the film “Spa Night.”
(Jay L. Clendenin / Los Angeles Times)Asif Kapadia, filmmaker from “Ali & Nino,” poses for a portrait in the L.A. Times photo & video studio at the Sundance Film Festival in Park City, Utah.
(Jay L. Clendenin / Los Angeles Times)Alysia Reiner, left, and Sarah Megan Thomas from the film “Equity.”
(Jay L. Clendenin / Los Angeles Times)Alysia Reiner from the film “Equity.”
(Jay L. Clendenin / Los Angeles Times)Sarah Megan Thomas from the film “Equity.”
(Jay L. Clendenin / Los Angeles Times)Steven Caple Jr., writer and director for the film “The Land.”
(Jay L. Clendenin / Los Angeles Times)Jorge Lendeborg Jr. from the film “The Land.”
(Jay L. Clendenin / Los Angeles Times)Moises Arias from the film “The Land.”
(Jay L. Clendenin / Los Angeles Times)Rafi Gavron, left, Ezri Walker, Steven Caple Jr., Moises Arias and Jorge Lendeborg Jr. from the film “The Land.”
(Jay L. Clendenin / Los Angeles Times)Ezri Walker from the film “The Land.”
(Jay L. Clendenin / Los Angeles Times)Moises Arias from the film “The Land.”
(Jay L. Clendenin / Los Angeles Times)Yoshiki from the film “We are X.”
(Jay L. Clendenin / Los Angeles Times)Stephen Kijak, left, and Yoshiki from the film “We are X.”
(Jay L. Clendenin / Los Angeles Times)Co-directors Josh Kriegman and Elyse Steinberg from the film “Weiner.”
(Jay L. Clendenin / Los Angeles Times)Penelope Ann Miller from the film “The Birth of A Nation.”
(Jay L. Clendenin / Los Angeles Times)Armie Hammer from the film “The Birth of A Nation.”
(Jay L. Clendenin / Los Angeles Times)Gabrielle Union from the film “The Birth of A Nation.”
(Jay L. Clendenin / Los Angeles Times)Gabrielle Union, left, Aja Naomi King, Armie Hammer, Nate Parker, director, Penelope Ann Miller and Jackie Earle Haley from the film “The Birth of A Nation.”
(Jay L. Clendenin / Los Angeles Times)Nate Parker, director from the film “The Birth of A Nation.”
(Jay L. Clendenin / Los Angeles Times)Jackie Earle Haley from the film “The Birth of A Nation.”
(Jay L. Clendenin / Los Angeles Times)Aja Naomi King from the film “The Birth of A Nation.”
(Jay L. Clendenin / Los Angeles Times)Jessie Kahnweiler, star-director-producer, from the film “The Skinny.”
(Jay L. Clendenin / Los Angeles Times)Illeana Douglas, star-producer, left, Jill Soloway, executive producer, Rebecca Odes, executive producer, Jessie Kahnweiler, star-director-producer, and Andrea Sperling, producer, from the film “The Skinny.”
(Jay L. Clendenin / Los Angeles Times)Jill Soloway, executive producer from the film “The Skinny.”
(Jay L. Clendenin / Los Angeles Times)Jessie Kahnweiler from the film “The Skinny.”
(Jay L. Clendenin / Los Angeles Times)Rebecca Odes, executive producer from the film “The Skinny.”
(Jay L. Clendenin / Los Angeles Times)Illeana Douglas from the film “The Skinny.”
(Jay L. Clendenin / Los Angeles Times)Illeana Douglas from the film “The Skinny.”
(Jay L. Clendenin / Los Angeles Times)Andrea Sperling, producer from the film “The Skinny.”
(Jay L. Clendenin / Los Angeles Times)DeWanda Wise from the film “How to Tell You’re a Douchebag.”
(Jay L. Clendenin / Los Angeles Times)Jenna Williams, from the film “How to Tell You’re a Douchebag.”
(Jay L. Clendenin / Los Angeles Times)Alano Miller, left, DeWanda Wise, Tahir Jetter, Charles Brice and producers Julius Pryor IV and Marttise Hill from the film “How to Tell You’re a Douchebag.”
(Jay L. Clendenin / Los Angeles Times)Jennifer Ehle, from the film “Little Men.”
(Jay L. Clendenin / Los Angeles Times)Jennifer Ehle, left, Michael Barbieri, Mauricio Zacharias, Paulina Garcia, Ira Sachs, director, Theo Taplitz and Greg Kinnear, from the film “Little Men.”
(Jay L. Clendenin / Los Angeles Times)Greg Kinnear from the film “Little Men.”
(Jay L. Clendenin / Los Angeles Times)Michael Barbieri, left, and Theo Taplitz from the film “Little Men.”
(Jay L. Clendenin / Los Angeles Times)Director and co-writer Ira Sachs, left, and co-writer Mauricio Zacharias from the film “Little Men.”
(Jay L. Clendenin / Los Angeles Times)Ira Sachs, director/co-writer from the film, “Little Men.”
(Jay L. Clendenin / Los Angeles Times)Mary Stuart Masterson from the film “As You Are.”
(Jay L. Clendenin / Los Angeles Times)Miles Joris-Peyrafitte from the film “As You Are.”
(Jay L. Clendenin / Los Angeles Times)Amandla Stenberg from the film “As You Are.”
(Jay L. Clendenin / Los Angeles Times)Scott Cohen from the film “As You Are.”
(Jay L. Clendenin / Los Angeles Times)Owen Campbell from the film “As You Are.”
(Jay L. Clendenin / Los Angeles Times)Parker Sawyers from the film “Southside With You.”
(Jay L. Clendenin / Los Angeles Times)Tika Sumpter from the film “Southside With You.”
(Jay L. Clendenin / Los Angeles Times)Richard Tanne, writer-director from the film “Southside With You.”
(Jay L. Clendenin / Los Angeles Times)Jeff Feuerzig, director from the film “The JT Leroy Story.”
(Jay L. Clendenin / Los Angeles Times)Robert Jumper, left, director Tim Sutton, Anna Rose and Maica Armata from the film “Dark Night” in the L.A. Times photo & video studio at the Sundance Film Festival in Park City, Utah.
( Jay L. Clendenin / Los Angeles Times)Director Pieter-Jan De Pue from the film “The Land of the Enlightened.”
( Jay L. Clendenin / Los Angeles Times)Michal Huszcza, left, Michal Marczak, director, and Kris Baganski from the film “All These Sleepless Nights” get cozy.
( Jay L. Clendenin / Los Angeles Times)Abigail Spencer from the series “Rectify.”
( Jay L. Clendenin / Los Angeles Times)Director Robert Greene and actress Kate Lyn Sheil from the film “Kate Plays Christine.”
( Jay L. Clendenin / Los Angeles Times)Actress Kate Lyn Sheil from the film “Kate Plays Christine.”
( Jay L. Clendenin / Los Angeles Times)Executive Producer Jim McNiel from the film “Lo and Behold: Reveries of the Connected World.”
( L. Clendenin / Los Angeles Times)Werner Herzog, director of the film “Lo and Behold: Reveries of the Connected World.”
( L. Clendenin / Los Angeles Times)Laura Albert from the film “The JT Leroy Story.”
( Jay L. Clendenin / Los Angeles Times)Jeff Feuerzig and subject Laura Albert from the film “The JT Leroy Story.”
( Jay L. Clendenin / Los Angeles Times)Jason Benjamin, director from the film “Suited.”
( Jay L. Clendenin / Los Angeles Times)Jenni Konner, producer, left, Jason Benjamin, director, and Lena Dunham, producer, from the film “Suited.”
( Jay L. Clendenin / Los Angeles Times)Jared Harris from the film “Certain Women.”
( Jay L. Clendenin / Los Angeles Times)Jared Harris from the film “Certain Women.”
( Jay L. Clendenin / Los Angeles Times)Q., director of the film “Brahman Naman.”
( Jay L. Clendenin / Los Angeles Times)Q., director of the film “Brahman Naman.”
( Jay L. Clendenin / Los Angeles Times)Naman Ramachandran, left, Q., and Shashank Arora with Werner Herzog.
( Jay L. Clendenin / Los Angeles Times)Tanmay Dhanania, left, Shashank Arora, Naman Ramachandran, Steve Barron, producer, Q., director, Sid Mallya, screenwriter, from the film “Brahman Naman.”
( Jay L. Clendenin / Los Angeles Times)Ralph Rodriguez, left, Brian “Sene” Marc, Morgan Saylor, Adrian Martinez, India Menuez, Justin Bartha, Elizabeth Wood, filmmaker, and Anthony Ramos from the film “White Girl.”
( Jay L. Clendenin / Los Angeles Times)Brian “Sene” Marc from the film “White Girl.”
( Jay L. Clendenin / Los Angeles Times)Morgan Saylor from the film “White Girl.”
( Jay L. Clendenin / Los Angeles Times)Anthony Ramos from the film “White Girl.”
( Jay L. Clendenin / Los Angeles Times)Adrian Martinez from the film “White Girl.”
( Jay L. Clendenin / Los Angeles Times)India Menuez from the film “White Girl.”
( Jay L. Clendenin / Los Angeles Times)Justin Bartha from the film “White Girl.”
( Jay L. Clendenin / Los Angeles Times)Elizabeth Wood from the film “White Girl.”
( Jay L. Clendenin / Los Angeles Times)Gavin Free for Lazer Team levitates.
( Jay L. Clendenin / Los Angeles Times)Anne Fontaine, director from the film “Agnus Dei.”
(Jay L. Clendenin / Los Angeles Times)Chloe Sevigny, left, Danny Perez and Natasha Lyonne from the film “Antibirth.”
( Jay L. Clendenin / Los Angeles Times)Chloe Sevigny from the film “Antibirth.”
(Jay L. Clendenin / Los Angeles Times)Chloe Sevigny from the film “Antibirth.”
(Jay L. Clendenin / Los Angeles Times)Natasha Lyonne from the film “Antibirth.”
( Jay L. Clendenin / Los Angeles Times)Rachel Grady, co-director from the film “Norman Lear: Just Another Version of You.”
( Jay L. Clendenin / Los Angeles Times)Heidi Ewing, co-director, Norman Lear, Rachel Grady, co-director, from the film “Norman Lear: Just Another Version of You.”
(Jay L. Clendenin / Los Angeles Times)Norman Lear from the film “Norman Lear: Just Another Version of You.”
(Jay L. Clendenin / Los Angeles Times)Heidi Ewing, co-director from the film “Norman Lear: Just Another Version of You.”
(Jay L. Clendenin / Los Angeles Times)Heidi Ewing, co-director from the film “Norman Lear: Just Another Version of You.”
(Jay L. Clendenin / Los Angeles Times)Kenneth Lonergan, director from the film “Manchester by the Sea.”
(Jay L. Clendenin / Los Angeles Times)Lucas Hedges, left, Kenneth Lonergan, director, and Casey Affleck from the film “Manchester by the Sea.”
(Jay L. Clendenin / Los Angeles Times)Lucas Hedges, left, and Casey Affleck from the film “Manchester by the Sea.”
(Jay L. Clendenin / Los Angeles Times)Lucas Hedges, left, and Casey Affleck from the film “Manchester by the Sea.”
( Jay L. Clendenin / Los Angeles Times)Lucas Hedges from the film “Manchester by the Sea.”
( Jay L. Clendenin / Los Angeles Times)Casey Affleck from the film “Manchester by the Sea.”
( Jay L. Clendenin / Los Angeles Times)Casey Affleck from the film “Manchester by the Sea.”
( Jay L. Clendenin / Los Angeles Times)Writer-director Sian Heder from the film “Talullah.”
( Jay L. Clendenin / Los Angeles Times)John Benjamin Hickey, left, Allison Janney, Ellen Page, Sian Heder, writer-director, and Tammy Blanchard from the film “Talullah.”
( Jay L. Clendenin / Los Angeles Times)Ellen Page from the film “Talullah.”
(Jay L. Clendenin / Los Angeles Times)Director Roger Ross Williams from the film “Life Animated.”
(Jay L. Clendenin / Los Angeles Times)Allison Janney from the film “Talullah.”
(Jay L. Clendenin / Los Angeles Times)John Benjamin Hickey from the film “Talullah.”
( Jay L. Clendenin / Los Angeles Times)Tammy Blanchard from the film “Talullah.”
( Jay L. Clendenin / Los Angeles Times)Riley Keough, left, So Yong Kim, director-writer, and Jena Malone from the film “Lovesong.”
(Jay L. Clendenin / Jay L. Clendenin / Los Angeles Times)Riley Keough, left, Jessie Gray, Bradley Rust Gray, co-writer/producer, Jena Malone, So Yong Kim, director-writer, Rosanna Arquette, Sky Gray, Brooklyn Decker, Ryan Eggold for the film “Lovesong.”
(Jay L. Clendenin / Jay L. Clendenin / Los Angeles Times)Brooklyn Decker from the film “Lovesong.”
(Jay L. Clendenin / Los Angeles Times)Rosanna Arquette from the film “Lovesong.”
(Jay L. Clendenin / Jay L. Clendenin / Los Angeles Times)Jena Malone from the film “Lovesong.”
( Jay L. Clendenin / Los Angeles Times)Jena Malone, left, and Riley Keough from the film “Lovesong.”
(Jay L. Clendenin / Los Angeles Times)Director Roger Ross Williams from the film “Life Animated.”
(Jay L. Clendenin / Los Angeles Times)Jonathan Freeman, left, Owen Suskind, Gilbert Gottfried and director Roger Ross Williams from the film “Life Animated.”
( Jay L. Clendenin / Los Angeles Times)John Krasinski, left, Charlie Day, Margo Martindale, Sharlto Copley and Josh Groban from the film “The Hollars.”
( Jay L. Clendenin / Los Angeles Times)David Wheeler, left, Nicole Hockley, Mark Barden from the film “Newtown.”
(Jay L. Clendenin / Los Angeles Times)Kim Snyder, left, director, and Maria Cuomo Cole, producer, from the film “Newtown.”
(Jay L. Clendenin / Los Angeles Times)Nicole Hockley, David Wheeler, Maria Cuomo Cole, producer, Kim Snyder, director, and Mark Barden from the film “Newtown.”
(Jay L. Clendenin / Los Angeles Times)Todd Solondz, director of the film “Wiener-Dog,” poses for a portrait in the L.A. Times photo & video studio at the Sundance Film Festival in Park City, Utah.
( Jay L. Clendenin / Los Angeles Times)“A bad adaptation simply reproduces every beat that got you to the last page. You can’t do that, you can’t shorthand the interior life of characters, it’s never going to work. It has to happen on set through interaction with actors.”
Similarly, Schamus takes issue with the frequently heard notion that “an adaptation was faithful to the spirit if not to the letter of the book. That sounds like a bad marriage, like saying, ‘He was faithful in spirit but not in practice.’ That’s not something that passes muster in the real world.
“A film lives or dies not by whether it’s a good adaptation but by whether it’s a convincing interpretation. As a screenwriter you’re always interpreting. You can’t just do the book.”
Twitter: @KennethTuran
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