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Army sergeant loses suit against makers of ‘The Hurt Locker’

A federal appeals court Wednesday upheld the dismissal of a lawsuit filed by Sgt. Jeffrey Sarver, seen in 2010, against the makers of "The Hurt Locker." Sarver, a bomb disposal expert in the Iraq war, alleged that the filmmakers had misappropriated his likeness and defamed him.

A federal appeals court Wednesday upheld the dismissal of a lawsuit filed by Sgt. Jeffrey Sarver, seen in 2010, against the makers of “The Hurt Locker.” Sarver, a bomb disposal expert in the Iraq war, alleged that the filmmakers had misappropriated his likeness and defamed him.

(Carlos Osorio/Associated Press)
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An Army sergeant who sued the makers of the Oscar-winning film “The Hurt Locker” for portraying him without permission lost in court Wednesday when a federal appeals panel ruled the movie was about issues of public interest and protected by free-speech rights.

Sgt. Jeffrey S. Sarver argued in his lawsuit that the main character in the film was based on him and his duty in Iraq, where he disposed of explosive devices. Sarver sought compensation for misappropriation of his likeness, invasion of privacy, defamation, intentional infliction of emotional distress, fraud and other violations of law.

Mark Boal, who wrote the screenplay for “The Hurt Locker,” had previously interviewed Sarver and written an article about him for Playboy magazine. Boal said the protagonist in the film was not based on Sarver, whatever the alleged resemblances.

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A three-judge panel of the U.S. 9th Circuit Court of Appeals unanimously upheld the dismissal of Sarver’s suit, citing a California law intended to discourage lawsuits aimed at chilling free speech.

“‘The Hurt Locker’ is speech that is fully protected by the First Amendment, which safeguards the storytellers and artists who take the raw materials of life — including the stories of real individuals, ordinary or extraordinary — and transform them into art, be it articles, books, movies, or plays,” wrote Judge Diarmuid F. O’Scannlain, a Reagan appointee.

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In ruling against Sarver, the court also found the film spoke “directly to issues of a public nature” because it was centered around the war in Iraq.

Although the film allegedly incorporates personal characteristics of Sarver—for example his appearance, his temperament, and parts of his biography—such characteristics are displayed only in the context of the character’s experiences fighting in Iraq,” O’Scannlain wrote.

Sarver could ask a larger 9th Circuit panel to overturn Wednesday’s decision.

Twitter: @mauradolan

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