Kirk Douglas, the dimple-chinned screen icon who was known for bringing an explosive, clenched-jawed intensity to a memorable array of heroes and heels in films such as “Spartacus” and “Champion” and for playing an off-screen role as a maverick independent producer who helped end the Hollywood blacklist, has died. He was 103.
Douglas, who continued to act occasionally after overcoming a stroke in 1996 that impaired his speech, died Wednesday in Los Angeles, surrounded by family, his son Michael said in a statement.
“To the world he was a legend, an actor from the golden age of movies who lived well into his golden years, a humanitarian whose commitment to justice and the causes he believed in set a standard for all of us to aspire to,” Michael Douglas said on Instagram.
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Kirk Douglas, born in 1916 as Issur Danielovitch, is acclaimed as one of the greatest actors in cinema history. Garnering three Academy Award nominations and one Golden Globe award, Douglas’ film career spanned over 60 years. (Annie Wells / Los Angeles Times)
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Douglas, selected by the American Physical Culture Institute as the “Man of the Atom Age” after a three-month search, is shown with Greek sculptor Spero Anargyros, who was commissioned by the institute to make a bust of him.
(Wide World Photos)
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Douglas emerged from this 1949 boxing film, “Champion,” as a major Hollywood star. He received his first Academy Award nod for his lauded performance as Midge Kelly, a drifter traveling the country who lands and marries in California as he begins to box.
(United Artists)
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Kirk Douglas, right, grabs Arthur Kennedy, left, as his brother Connie, in the classic 1949 boxing movie “Champion.”
(United Artists)
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Famous trumpeter Harry James, left, shows Douglas how to play for the movie cameras. The toot-tutoring is in preparation for Douglas’ role as a great trumpet player in the 1950 film “Young Man With a Horn.” (Associated Press)
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In Billy Wilder’s 1951 film “Ace in the Hole,” Douglas plays an unscrupulous newsman, exploiting the plight of a trapped miner to advance his career. (Paramount Pictures)
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Douglas, left, stars with Dewey Martin in “The Big Sky.”
(UCLA Film and Television Archive)
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Kirk Douglas and Lana Turner dance in a scene from Vincente Minnelli’s 1952 film “The Bad and the Beautiful.” Douglas received his second Academy Award nomination for his performance in the film. (Associated Press)
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Kirk and Anne Douglas, center, stand outside the Desert Inn in Las Vegas after their wedding. They married on May 29, 1954, while Kirk was on break from filming “20,000 Leagues Under the Sea.”
(Kirk and Anne Douglas)
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Douglas, center, costarred with Peter Lorre, left, Paul Lukas, right, and James Mason (not pictured) in Walt Disney’s lavish 1954 live-action adventure “20,000 Leagues Under the Sea,” based on the Jules Verne novel. Douglas played lusty harpooner Ned Land, a role that allowed him to sing and cavort with a trained seal.
(Handout)
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Douglas teamed up again with director Vincente Minnelli to play artist Vincent Van Gogh in the 1956 movie “Lust for Life,” which earned him his third and last Academy Award nomination for lead actor.
(Associated Press)
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Kirk Douglas and director Stanley Kubrick during the filming of BAFTA-nominated movie “Paths of Glory.”
(AMPAS)
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Douglas, left, and Burt Lancaster star together once again in the 1957 western film “Gunfight at the O.K. Corral.”
(Museum of Modern Art Film Stills)
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Kirk Douglas with sons Michael, 14, left, and Joel, 12, in 1959. Douglas took time off from filming “Spartacus” for this photo. (Universal Pictures)
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Douglas plays the title role in “Spartacus,” 1960, costarring Laurence Olivier, Jean Simmons, Tony Curtis, Charles Laughton, Peter Ustinov and John Gavin. “Spartacus” won four Academy Awards.
(Universal Pictures / )
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Douglas plays the titular slave-turned-gladiator-turned-rebel-leader in the 1960 blockbuster “Spartacus.” As the producer of the film, he removed original director Anthony Mann and brought in Stanley Kubrick.
(Universal Studios)
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Kim Novak as Margaret Gault and Kirk Douglas as Larry Coe in “Strangers When We Meet.”
(UCLA Film and Television Archive)
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Kirk Douglas gives Ken Murray a cement facial after putting his handprints into concrete at Grauman’s Chinese Theatre on Nov. 1, 1962.
( Al Monteverde / Los Angeles Times Archive/UCLA)
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Kirk Douglas poses during production of the 1962 film “Lonely Are the Brave.” (Universal Pictures)
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In the 1966 action movie “Cast a Giant Shadow,” Kirk Douglas plays Col. David “Mickey” Marcus, an American soldier who, in 1949, is hired to train and organize the Israeli army.
(United Artists )
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The Douglas family is photographed at home when Anne is named Times Woman of the Year in 1969. From left, son Peter, 14, Kirk, Anne and son Eric, 11.
(Los Angeles Times)
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Douglas and his wife Anne take photos with children at the Big Brothers premiere of “Scalawag.” The proceeds from the screening benefited the Big Brothers organization.
(John R. Wyckoff)
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Douglas poses in the 1986 comedy film “Tough Guys,” where he and longtime film partner Burt Lancaster play two aged gangsters released from prison and unprepared for the changes that took place during their long stretch in the pen.
(Touchstone Pictures)
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Douglas, right, and Burt Lancaster, left, award veteran producer Walter Seltzer, center, with the Silver Medallion Award of Honor, the Motion Picture Fund’s highest tribute, at the Beverly Wilshire Hotel on June 17, 1986.
(UPI)
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Kirk Douglas, center, is joined by his four sons backstage at the Majestic Theater in New York on April 7, 1987. From left are Peter, Joel, Kirk, Michael and Eric.
(Ed Bailey / Associated Press)
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Douglas is joined by sons Michael, Eric and Peter, from left to right, as the entertainment industry throws a book party to introduce the senior Douglas’ new book, “The Ragman’s Son.”
(UPI / )
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Kirk and Anne Douglas congratulate Center Theatre Group founding artistic director Gordon Davidson during the organizaiton’s 25th anniversary ball.
(Los Angeles Times)
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Douglas walks down the Promenade de la Croisette to the Palais for the opening of the 33rd Cannes Film Festival in 1980.
(George Rose / Los Angeles Times)
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Douglas receives the Life Achievement Award from the Screen Actors Guild on March 7, 1999.
(Robert Gauthier / Los Angeles Times)
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Eric, Kirk and Anne Douglas stand outside the Russian Tea Room in New York, attending Michael’s wedding to Catherine Zeta-Jones.
(Darla Khazei / Associated Press)
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Douglas, left, fishes with his son Michael, center, and grandson Cameron, right, in the 2003 film “It Runs in the Family.” The allure of seeing Kirk and Michael act together failed to ignite critical or audience support for the film.
(Andrew Schwartz / Metro Goldwyn Mayer Pictures)
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Douglas, right, and his son Michael share laughs backstage before their rehearsal at the Kodak Theatre for the 75th Academy Awards.
(Anacleto Rapping / Los Angeles Times)
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Kirk and Anne Douglas in 2004 at Greystone Mansion, where they renewed their vows after 50 years of marriage.
(Anne Cusack / Los Angeles Times)
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Douglas takes a bite out of a turkey leg held by L.A. Mayor Antonio Villaraigosa as both men volunteer at the Los Angeles Mission’s Thanksgiving dinner on skid row.
(Luis Sinco / Los Angeles Times)
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Kirk Douglas has a conversation with his younger self as he performs his one–man show, “Before I Forget,” at his namesake theater in Culver City on March 3, 2009.
(Glenn Koenig / Los Angeles Times)
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Douglas, left, hams it up with Omar Sharif Jr. the during the 83rd Academy Awards at the Kodak Theatre in Los Angeles on Feb. 27, 2011. (Robert Gauthier / Los Angeles Times)
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Kirk and Anne Douglas pose with Spartacus mugs at home in 2011.
(Kelsey Douglas)
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Anne and Kirk Douglas pose for a portrait in Beverly Hills on Dec. 5, 2014. Douglas and his wife donated $15 million toward a Motion Picture & Television Fund campus in Woodland Hills to help build a care center for Hollywood industry members suffering from Alzheimer’s disease. (Matt Sayles / Invision/AP)
“Kirk’s life was well lived, and he leaves a legacy in film that will endure for generations to come, and a history as a renowned philanthropist who worked to aid the public and bring peace to the planet.
The stage-trained Douglas earned the first Oscar nomination of his long acting career playing one of the post-World War II era’s antiheroes: the ruthlessly ambitious boxer in the 1949 drama “Champion.” Douglas later received Oscar nominations for his performances as an opportunistic movie mogul in the 1952 drama “The Bad and the Beautiful” and as tormented artist Vincent van Gogh in the 1956 biographical drama “Lust for Life.”
“I have never felt any need to project a certain image as an actor,” Douglas wrote in “The Ragman’s Son,” his bestselling 1988 autobiography. “I like a role that is stimulating, challenging, interesting to play. That’s why I’m often attracted to characters that aren’t likable.”
Golden Age actor Kirk Douglas imposed his unstoppable willpower and drive onto a variety of film characters, including Van Gogh and Spartacus.
Never a fan of the Hollywood studio system — he likened the standard seven-year studio contract to slavery — Douglas launched his own independent production company in 1955.
Named after Douglas’ immigrant mother, the Bryna Co. produced a number of films in which Douglas starred, including director Stanley Kubrick’s landmark anti-war film, “Paths of Glory,” “The Vikings” and “Spartacus.” Douglas’ Joel Productions, named after one of his sons, also produced “Seven Days in May” and “Lonely Are the Brave.”
As executive producer of “Spartacus,” Douglas helped end the Hollywood blacklist by giving blacklisted writer Dalton Trumbo screen credit under his own name for his work on the 1960 Roman-Empire epic that starred Douglas as the gladiator-trained slave revolt leader.
In acknowledgment of a career that spanned more than 60 years and more than 80 films, Douglas was honored late in life with numerous major awards: The American Film Institute’s Life Achievement Award, a Kennedy Center Honor, a Screen Actors Guild Life Achievement Award and an honorary Oscar for his “50 years as a creative and moral force in the motion picture community.”
KIrk Douglas will always be an icon in the pantheon of Hollywood. He put himself on the line to break the blacklist. My love goes out to my friend Michael and the whole family.
“He’s one of the legendary figures of his era,” said film historian Jeanine Basinger, chair of the film studies department at Wesleyan University, who first saw Douglas on screen as a young moviegoer in the late 1940s.
“I immediately focused on him because he was different,” Basinger told The Times. “He wasn’t a traditional leading man, really, in looks, and yet he had an unmistakable charisma and power on screen — not just the glamour of the movie star, though he did have that, but real acting chops. So you knew he was going to be a star.”
Douglas, she said, “embodied the antihero in movies” in films such as “Champion” and “Ace in the Hole,” in which he played an unscrupulous newspaper reporter who cynically exploits a tragedy to boost his career.
“He was a very modern American antihero type, but he could also play anything, really,” said Basinger.
Times film critic Kenneth Turan wrote in 2016 that on camera, Douglas had the remarkable gift for “for being at the same time defiantly himself and convincingly other people.”
The only son of seven children of illiterate Russian Jewish immigrant parents, Douglas was born Issur Danielovitch on Dec. 9, 1916, in Amsterdam, N.Y. (The family later changed its name to Demsky, and young Issur was renamed Isadore — a name he said he always hated and which prompted a nickname that he hated even more, Izzy.)
As a child, Douglas developed an early sense of the direction his life might take.
“I have always wanted to be an actor, I believe from the first time I recited a poem in kindergarten about the Red Robin of Spring. They applauded. I liked that sound. I still do,” he wrote in his autobiography.
“I wanted to be an actor ever since I was a kid in the second grade. I did a play, and my mother made a black apron, and I played a shoemaker. After the performance, [my father] gave me my first Oscar: an ice cream cone.” -Kirk Douglas
Unable to afford college after graduating from high school in 1934, he worked in a department store for a year and played John Barrymore in a little theater production of “The Royal Family.”
Thanks to a college loan, he was accepted at St. Lawrence University in Canton, N.Y., where he earned a varsity letter for wrestling and was elected president of the student body. To help support himself, he worked as a janitor during the school year. Summers he found other work, including operating a cutting machine in a steel mill and wrestling in carnivals.
After graduating in 1939, young Isadore Demsky was performing at the Tamarack Playhouse in the Adirondacks when he adopted a more marquee-suitable name: Kirk Douglas.
He then moved to New York City, where he was accepted on a scholarship at the American Academy of Dramatic Arts.
During his two years at the academy, Douglas began dating fellow acting student Diana Dill, whom he later married and with whom he had two sons, Michael and Joel. He also became friends with another academy student: Betty Bacall, who, as Lauren Bacall, would later help set Douglas’ Hollywood career in motion.
After graduating from the academy in 1941, Douglas did summer stock in a theater in Pennsylvania, where he worked his way up from bit parts to leading roles. Late that year, he made his Broadway debut — as a singing Western Union messenger in Guthrie McClintic’s production of “Spring Again.”
“Then,” he later recalled, “we got into the war, and I married Diana, and all bets were off for the duration.”
After serving in the Navy during World War II, Douglas replaced Richard Widmark in the role of an Army lieutenant in the Broadway comedy “Kiss and Tell.” He had a few more brief appearances on Broadway before receiving a call from Hollywood.
Unbeknownst to Douglas, his friend Bacall had recommended him to producer Hal Wallis, who offered him a role in a movie he was producing starring Barbara Stanwyck.
Douglas made his film debut as the weak-willed, alcoholic husband of the rich and powerful heiress played by Stanwyck in the 1946 melodrama “The Strange Love of Martha Ivers.”
Parts in a half-dozen films followed, and then came his Oscar-nominated starring role as ambitious fighter Midge Kelly in the 1949 drama “Champion.”
“It was the type of role he was to portray best and most often in ensuing films — cocky, selfish, intense, forceful and egocentric,” wrote Ephraim Katz, author of “The Film Encyclopedia.”
Among Douglas’ more than 20 film credits in the ’50s are “Young Man With a Horn,” “The Glass Menagerie,” “Ace in the Hole,” “Detective Story,” “The Juggler,” “20,000 Leagues Under the Sea” and “Gunfight at the O.K. Corral” (with frequent co-star Burt Lancaster).
In early 1949 — five months before the release of “Champion” — Douglas’ wife sued him for divorce. In his book, Douglas said he had been unfaithful. She died in 2015 at the age of 92.
In 1954, Douglas married Anne Buydens, whom he met in Paris when she helped him with press and translation while filming the romantic drama “Act of Love.” They had two sons, Peter and Eric.
On forming his own production company in 1955, Douglas once said: “I didn’t want to be a mogul, but I wanted to have more say in what I would do.”
One of his company’s most ambitious productions was “Spartacus.”
In 1953, I was a successful movie star arriving in Paris for the first time.
In bringing the Howard Fast novel to the screen, Douglas and his company secretly hired the blacklisted Trumbo to write the screenplay. Trumbo, one of the Hollywood Ten, had spent 10 months in federal prison for refusing to cooperate with the House Un-American Activities Committee in 1947.
But, like some other blacklisted writers, Trumbo continued to write under various pseudonyms or have other writers “front” for him. During this period, Trumbo’s uncredited writing earned two Academy Awards in the Motion Picture Story category, for “Roman Holiday” and “The Brave One.”
With “Spartacus,” Douglas decided to defy the blacklist.
In his 2012 memoir “I Am Spartacus! Making a Film, Breaking the Blacklist,” Douglas said Edward Lewis, the producer of “Spartacus,” served as the “front” for Trumbo after they brought the big-budget project to Universal-International Pictures.
Douglas said, however, that both he and Lewis felt deeply about “the injustice of the blacklist.” And during production of the Stanley Kubrick-directed film in 1959, Douglas wrote, he told Trumbo that once the film was in the can, “not only am I going to tell them that you’ve written it, but we’re putting your name on it.”
Although it reportedly had become widely known that Trumbo had written the “Spartacus” script, it wasn’t until August 1960 that Universal-International announced that the blacklisted writer would receive screen credit.
That news, however, came seven months after filmmaker Otto Preminger generated headlines of his own.
In what the New York Times called “the first open defiance by a producer-director of Hollywood’s ‘blacklist,’” Preminger told the newspaper in January 1960 that Trumbo had written the script for Preminger’s forthcoming movie “Exodus” and that he would be giving Trumbo screen credit.
“Spartacus” was released in October 1960, followed by “Exodus” in December.
Over the years members of Trumbo’s family and others have criticized Douglas for claiming credit for being the man who broke the blacklist, stressing that it was Preminger who first publicly announced that Trumbo’s name would appear on screen for his work on “Exodus.”
In a Times letter to the editor in 2002, Trumbo’s widow, Cleo, said that “no single person can be credited with breaking the blacklist.”
“While it took men of principle and courage like Preminger and Douglas to at long last defy the Hollywood studios, it is my unwavering conviction that it was primarily the efforts of blacklisted writers themselves that caused the blacklist to be broken,” she wrote.
Trumbo’s son, Christopher, told The Times in 2003 that Douglas had been “highly instrumental in ending the blacklist” and that his father had always been grateful.
For openly employing Trumbo and giving him screen credit, Douglas wrote in “The Ragman’s Son,” he was attacked by the American Legion, which urged its members to boycott “Spartacus.” He also incurred the wrath of Hollywood columnist Hedda Hopper, who told her readers that “Spartacus” was “written by a Commie and the screen script was written by a Commie, so don’t go see it.”
In a 1991 interview with The Times, Douglas discussed his decision to give Trumbo screen credit: “What I was fighting against was the hypocrisy in Hollywood, where the heads of the studios were using these blacklisted writers and just looking the other way, not paying them their full salary, making them use different names.”
In 1963, after buying the dramatic rights to Ken Kesey’s novel “One Flew Over the Cuckoo’s Nest,” Douglas returned to Broadway.
The play, which Douglas produced and starred in as the irrepressible Randle P. McMurphy, who feigns insanity to get out of doing work while in prison and is sent to a mental institution, closed two months after it opened. It was one of the biggest disappointments of Douglas’ career.
After Douglas unsuccessfully tried for years to interest movie studios in a film version of “Cuckoo’s Nest” with him as the star, Douglas’ son Michael asked to have a chance at setting up the movie. Michael took it over, and he and Saul Zaentz produced the 1975 smash hit directed by Milos Forman that swept the Oscars with Jack Nicholson in the starring role that Douglas had always wanted to play.
In addition to Michael, Douglas’ three other sons also followed him into show business. Peter and Joel became producers. Eric, who became an actor and stand-up comic and had a history of drug and alcohol problems, died at age 46 in 2004 of what authorities said was an accidental overdose of alcohol and prescription tranquilizers and painkillers.
Beginning in 1963, Douglas served as an ambassador of goodwill, traveling around the world for the State Department and the United States Information Agency.
In 1981, President Carter awarded him the Presidential Medal of Freedom, the nation’s highest civilian honor. Two years later, he received the Jefferson Award for his public service; and he later received the French Legion of Honor.
For Douglas, the 1990s proved to be a decade of both triumph and struggle.
In 1991, he suffered a severe back injury when a helicopter he was a passenger in collided with a small plane during takeoff at Santa Paula Airport; the two men in the plane died. Then, in early 1996, he suffered a stroke.
At first, the stroke, which affected his speech, threw him into a deep depression. “I would pull down the blinds, crawl into bed and cry,” he told The Times in 1999. He later revealed that he contemplated suicide.
But he began pulling out of his depression some weeks after his stroke, he said, when his family persuaded him to accept an honorary Oscar at the Academy Awards ceremony.
Stepping on stage, he was greeted by a standing ovation.
Clasping his Oscar, he motioned toward his family and haltingly said, “I see my four sons. They are proud of their old man. And I’m proud, too — proud to be part of Hollywood for 50 years. But this is for my wife, Anne. I love you.”
Douglas later said that, because of his stroke, “I thought, ‘That’s the end of me as an actor unless silent pictures come back.’ ”
But that wasn’t the case.
In 1999, he returned to the big screen in the comedy-adventure “Diamonds,” in which he starred as a feisty former welterweight boxing champion who has suffered a stroke and lost his wife. The film included flashbacks of Douglas in the ring in “Champion.”
Though panned by Roger Ebert, the critic nevertheless noted that, “As a demonstration of Kirk Douglas’ heart and determination, it is inspiring.”
In 2000, Douglas received an Emmy nomination — the third of his career — as outstanding guest actor in a drama series for his appearance on “Touched by an Angel.”
In 2003, Douglas realized a longtime dream of appearing on screen with son Michael when they co-starred in “It Runs in the Family” — a drama in which Kirk played Michael’s father and Diana Douglas played his mother. Michael’s son Cameron played his son.
Douglas and Michael also appeared together in Lee Grant’s 2005 HBO documentary “A Father … a Son … Once Upon a Time in Hollywood,” a candid and revealing dual portrait of father and son.
Over the years, Douglas and his wife, Anne, were involved in numerous charitable projects, including establishing a foundation that built playgrounds for children throughout Los Angeles and Israel, making significant gifts to Cedars-Sinai Medical Center and providing funds for an Alzheimer’s unit at the Motion Picture & Television Fund retirement home in Woodland Hills.
A $2.5-million donation by the couple also kicked off fundraising for the Center Theatre Group’s 300-seat theater that was constructed from the framework of an old Culver City movie house. The Kirk Douglas Theatre opened in 2004.
In 2009, at the age of 92, he returned to the stage at his namesake theater for “Before I Forget,” a one-man autobiographical sketch in which he looks over his life, his vulnerabilities, his triumphs. When he turned 100, and celebrated his centennial with a star-studded crowd at the Beverly Hills Hilton, his son Michael paused to admire his father’s later years, when he dealt with losing a son, surviving a helicopter crash, clawing back from a stroke.
“One of the things that I find most incredible about Dad,” he said, “is the third act of his life.”
McLellan is a former Times staff writer.
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Kobe Bryant, Ruth Bader Ginsburg, Sean Connery and more. (Los Angeles Times)
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Rafer Johnson, winner of the 1960 Olympic decathlon gold medal, was a man whose legacy was interwoven with Los Angeles history, beginning with his performances as a world-class athlete at UCLA and punctuated by the night in 1968 when he helped disarm Robert F. Kennedy’s assassin at the Ambassador Hotel. Johnson lit the Olympic flame at the opening of the 1984 Summer Games in Los Angeles. He was 86. (Mel Melcon / Los Angeles Times)
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With his quick wit and easy smile, Alex Trebek drove the game show “Jeopardy!” up the ratings charts and became a welcome television host in America’s living rooms. As the quiz show rolled through the decades, Trebek remained a comfortable fit — in a 2014 Reader’s Digest poll, Trebek ranked as the eighth-most trusted person in the United States, right behind Bill Gates and 51 spots above Oprah Winfrey. He was 80. (Los Angeles Times)
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Sean Connery was forever tied to the role of James Bond, secret agent 007, who preferred his martinis shaken, not stirred. The Scottish actor first took on the role in the 1962 action-thriller “Dr. No,” which launched one of the most successful movie franchises of all time. He was 90. (MGM Home Entertainment INC)
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Guitarist Eddie Van Halen’s speed and innovations along the fretboard inspired a generation of imitators as the band bearing his name rose to MTV stardom and multiplatinum sales over 10 consecutive albums. The streak made Van Halen one of the most successful bands in rock history, including two albums that reached diamond status (10 million copies sold): 1978’s debut “Van Halen” and 1984’s “1984.” He was 65. (Wibbitz/Getty)
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Justice Ruth Bader Ginsburg championed women’s rights — first as a trailblazing civil rights attorney who methodically chipped away at discriminatory practices, then as the second woman to serve on the Supreme Court, and finally as an unlikely pop culture icon. A feminist hero dubbed Notorious RBG, Ginsburg became the leading voice of the court’s liberal wing, best known for her stinging dissents on a bench that mostly skewed right since her 1993 appointment. She was 87. (Kiichiro Sato / Associated Press)
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Chadwick Boseman’s breakout role was playing Dodger Jackie Robinson in the 2013 sports biopic “42.” The next year, he made an electrifying lead turn as James Brown, the Godfather of Soul, in “Get on Up.” Then came the role that would change his career: As Black Panther, the Marvel Cinematic Universe’s first Black superhero, Boseman became the face of Wakanda to millions of fans around the world and helped usher in a new and inclusive era of superhero blockbusters. He was 43. (Jay L. Clendenin / Los Angeles Times)
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Sumner Redstone outmaneuvered rivals to assemble one of America’s leading entertainment companies, now called ViacomCBS, which boasts CBS, Comedy Central, MTV, Nickelodeon, BET, Showtime, the Simon & Schuster book publisher and Paramount Pictures movie studio. Unlike contemporaries Rupert Murdoch and Ted Turner, Redstone was not a visionary, but rather a hard-charging lawyer and deal maker who pursued power and wealth through the accumulation of content companies. He was 97.
(Brian Vander Brug / Los Angeles Times)
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Regis Philbin reigned for decades as the comfortable and sometimes cantankerous morning host of “Live,” first with Kathie Lee Gifford and later Kelly Ripa, above. He earned Emmy nominations by the armful, hosted New Year’s Eve specials, rode in parades, set a record for the most face-time hours on television and helped reinvigorate prime-time game shows with “Who Wants to Be a Millionaire.” He was 88. (Charles Sykes / Associated Press)
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Rep. John Lewis famously shed his blood at the foot of a Selma, Ala., bridge in a 1965 demonstration for Black voting rights, and went on to become a 17-term Democratic member of Congress. An inspirational figure for decades, Lewis was one of the last survivors among members of the Rev. Martin Luther King Jr.’s inner circle. He was 80. (Mark Humphrey / Associated Press)
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Country music firebrand and fiddler Charlie Daniels started out as a session musician, which included playing on Bob Dylan’s 1969 album “Nashville Skyline,” and beginning in the early 1970s toured endlessly with his own band, sometimes doing 250 shows a year. In 1979, Daniels had a crossover smash with “The Devil Went Down to Georgia,” which topped the country chart, hit No. 3 on the pop chart and was voted single of the year by the Country Music Assn. He was 83. (Rick Diamond / Getty Images for IEBA)
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Carl Reiner first came to national attention in the 1950s on Sid Caesar’s “Your Show of Shows,” where he wrote alongside Mel Brooks, Neil Simon and other comedy legends. He later created “The Dick Van Dyke Show,” one of TV’s most fondly remembered sitcoms, and directed hit films including “The Comic” (1969), starring Van Dyke; “Where’s Poppa?” (1970), starring George Segal and Ruth Gordon; “Oh, God!” starring George Burns and John Denver; and four films starring Steve Martin. He was 98. (Associated Press )
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Wisecracking straight man Fred Willard rose to prominence playing an amateur actor in the 1996 film “Waiting for Guffman.” He won an American Comedy Award for his role as an over-the-top dog show host in the 2000 film “Best in Show,” and spent three seasons on the hit CBS sitcom “Everybody Loves Raymond” as the conservative middle-school vice principal Hank MacDougall, earning three Emmy nominations. He was 86. (Suzanne Tenner / HBO)
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The flamboyant, piano-pounding Little Richard roared into the rock ‘n’ roll spotlight in the 1950s with hits such as “Tutti-Frutti,” “Long Tall Sally” and “Good Golly, Miss Molly.” The Georgia native’s raucous sound fused gospel fervor and R&B sexuality, profoundly influencing the Beatles, James Brown (who succeeded him in one of his early bands), Jimi Hendrix (one of his backup musicians in the mid-’60s) and Bruce Springsteen. He was 87. (Boris Yaro / Los Angeles Times)
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Roy Horn was the dark-haired half of Siegfried & Roy, the German-born illusionists whose disappearing white tigers and lions made them one of the biggest draws on the Las Vegas Strip. Horn reportedly had never had an onstage accident with the cats until 2003, when the tiger Mantecore, above, attacked him at the Mirage Hotel & Casino, severely wounding his neck. He was 75. (Siegfried & Roy)
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Don Shula was the NFL’s winningest coach, leading the 1972 Miami Dolphins to the league’s only undefeated season. He coached the Baltimore Colts to one Super Bowl and the Dolphins to five, winning Lombardi Trophies after the 1972 and ’73 seasons. He was 90. (ASSOCIATED PRESS)
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Former Egyptian President Hosni Mubarak crushed dissent for decades until the 2011 Arab Spring movement drove him from power. During his presidency, which spanned nearly 30 years, he protected Egypt’s stability as intifadas roiled Israel and the Palestinian territories, the U.S. led two wars against Iraq, Iran fomented militant Shiite Islam across the region and global terrorism complicated the divide between East and West. He was 91. (Sameh Sherif / AFP/Getty Images)
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Among his 40-odd films, burly Brian Dennehy played a sheriff who jailed Rambo in “First Blood,” a serial killer in “To Catch a Killer” and a corrupt sheriff in “Silverado.” On Broadway, he was awarded Tonys for his roles in “Death of a Salesman” (1999) and “Long Day’s Journey Into Night” (2003). He was 81. (Dia Dipasupil)
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Singer-songwriter John Prine broke onto the folk scene in 1971 with a self-titled album that included two songs brought to broader audiences by Bette Midler and Bonnie Raitt: “Hello in There” and “Angel From Montgomery,” respectively. In 2019, he was elected to the Songwriters Hall of Fame. He was 73. (Frazer Harrison / Getty Images for Stagecoach)
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Country singer Kenny Rogers racked up an impressive string of hits — initially as a member of The First Edition starting in the late 1960s and later as a solo artist and duet partner with Dolly Parton — and earned three Grammy Awards, 19 nominations and a slew of accolades from country-music awards shows. Country purists balked at his syrupy ballads, but his fans packed arenas that only the titans of rock could fill. He was 81. (Suzanne Mapes / Associated Press)
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Swedish actor Max von Sydow starred in several Ingmar Bergman movies, including “The Seventh Seal” (above, at left) and “The Virgin Spring,” then built a varied body of U.S. work that included the 1973 horror blockbuster “The Exorcist.” In a career that began in 1949, his rich repertory included Jesus Christ, clergymen, pontiffs, knights, conquerors, villains and the devil incarnate. He was 90. (File photo)
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Xerox researcher Larry Tesler pioneered concepts that made computers more user-friendly, including moving text through cut, copy and paste. In 1980, he joined Apple, where he worked on the Lisa computer, the Newton personal digital assistant and the Macintosh. He was 74. (AP)
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Mathematician Katherine Johnson calculated rocket trajectories for NASA’s early space missions, including Alan Shepard’s Freedom 7 Mission, the first to carry an American into space, and John Glenn’s orbits around the planet. In 2015, Johnson was awarded the Presidential Medal of Freedom by President Obama, and the next year was portrayed in the film “Hidden Figures.” She was 101. (NASA/Bill Ingalls )
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Ski industry pioneer Dave McCoy transformed a remote Sierra peak into the storied Mammoth Mountain Ski Area. Over six decades, it grew from a downhill depot for friends to a profitable operation of 3,000 workers and 4,000 acres of ski trails and lifts, a mecca for generations of skiers and boarders. He was 104. (Genaro Molina / Los Angeles Times)
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Veteran TV personality Orson Bean brought his wit to “What’s My Line?” and “To Tell the Truth,” guest-starred on variety shows and bantered with talk show hosts such as Johnny Carson and Mike Douglas. Later in his career, he starred in “Dr. Quinn, Medicine Woman” and “Desperate Housewives” while becoming a mainstay of Los Angeles’ small theater scene. He was 91. ( Sean Smith)
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Screen icon Kirk Douglas brought a clenched-jawed intensity to an array of heroes and heels, receiving Oscar nominations for his performances as an opportunistic movie mogul in the 1952 drama “The Bad and the Beautiful” and as Vincent van Gogh in the 1956 drama “Lust for Life.” As executive producer of “Spartacus,” Douglas helped end the Hollywood blacklist by giving writer Dalton Trumbo screen credit under his own name. He was 103. (Annie Wells / Los Angeles Times)
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“Queen of Suspense” Mary Higgins Clark became a perennial best-seller, writing or co-writing “A Stranger Is Watching,” “Daddy’s Little Girl” and more than 50 other favorites. Her sales topped 100 million copies, and many of her books, including “A Stranger is Watching” and “Lucky Day,” were adapted for movies and television. She was 92. (Associated Press)
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Fred Silverman was the head of programming at CBS, where he championed a string of hits including “The Mary Tyler Moore Show,” “All in the Family,” “MASH” and “The Jeffersons.” Later at ABC, he programmed “Laverne & Shirley,” “The Love Boat,” “Happy Days” and the 12-hour epic saga “Roots.” He was 82. (Associated Press)
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Kobe Bryant was just 18 when he started playing for the Lakers, but by the end of his 20-year career — all of it as a Laker — the Black Mamba was a five-time world champion, two-time Olympic gold medalist and 18-time All-Star. His post-basketball career included an Oscar for the animated short “Dear Basketball” and a series of children’s books that became New York Times bestsellers. He was 41. (Andrew D. Bernstein / NBAE / Getty Images)
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Former California Rep. Fortney “Pete” Stark Jr. represented the East Bay in Congress for 40 years. The influential Democrat helped craft the Affordable Care Act, the signature healthcare achievement of the Obama administration, and also created the 1986 law best known as COBRA, which allows workers to stay on their employer’s health insurance plan after they leave a job. He was 88. (Associated Press)
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News anchor Jim Lehrer appeared 12 times as a presidential debate moderator and helped build “PBS NewsHour” into an authoritative voice of public broadcasting. The program, first called “The Robert MacNeil Report” and then “The MacNeil-Lehrer Report,” became the nation’s first one-hour TV news broadcast in 1983. Lehrer was 85. (David McNew / Getty Images)
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Terry Jones was a founding member of the Monty Python troupe who wrote and performed for their early ’70s TV series and films including “Monty Python and the Holy Grail” in 1975 and “Monty Python’s Life of Brian” in 1979. After the Pythons largely disbanded in the 1980s, Jones wrote books on medieval and ancient history, presented documentaries, wrote poetry and directed films. He was 77. (Associated Press)
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Rush drummer Neil Peart was one of the most accomplished instrumentalists in rock history. Peart often cited swing-era drummers Gene Krupa and Buddy Rich among his primary inspirations, although he also credited Keith Moon, Ginger Baker and John Bonham as major influences. He was 67. (Andrew MacNaughtan)
