ALBUM REVIEWS

The accordion’s square, undistinguished reputation in jazz is challenged by this surprising album. Galliano is an impressive virtuoso whose fluid lines and shifting harmonics make for an inviting, electric sound. His quartet is anchored by the same bassist and drummer--George Mraz and Al Foster--who back saxophonist Joe Henderson, and the two provide inspired, sympathetic support for the nimble-fingered accordionist.

Despite its title, “New York Tango” is more about Django Reinhardt than Astor Piazzolla, the Argentine bandoneonista. Though Piazzolla is represented by his tune “Vuelvo Al Sur,” one of only two songs not written by the Italian Galliano, the most audible influences are the French musette, gypsy and jazz traditions. Guitarist Bireli Lagrene, a disciple of the long-dead Reinhardt, is instrumental in calling up the spirit of “le Hot Jazz” of the 1930s. The other, non-Galliano piece, Jaco Pastorius’ “Three Views of a Secret,” provides modern contrast. This is a sensuous, hot-blooded album that explores a variety of passions. You won’t be reminded of “The Lawrence Welk Show’s” Myron Floren or “Lady of Spain” even once.

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