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Review: 'Hangover Part III' is just one long headache
Review: 'Mel Brooks: Make a Noise' on PBS' 'American Masters'
What Kelly Rowland, Paulina Rubio bring to 'X Factor'
'3 Geezers' review: Raunchy, imbecilic and so not funny
Review: The not-so winning 'Goodwin Games'
Album review: The National's melancholic 'Trouble Will Find Me'
'Star Trek Into Darkness' ramps up action, leaves room for heart
Review: 'North America,' Discovery Channel's 7-part nature series
KROQ Weenie Roast 2013: A reviewer's mom weighs in
'Frances Ha' a charming portrait of youth and spirit
'X-Files' at 20: A fan's notes
Review: KROQ's indie-loving Weenie Roast 2013
'The English Teacher' has a class of underachievers
Review: 'Maron' on IFC features a curmudgeonly comic
Album review: George Strait's reflective 'Love Is Everything'
'What Maisie Knew' gives a child's eye view of divorce
TV review: 'Manhunt' keeps Bin Laden hunt as real as possible
Vampire Weekend braces for bright lights with big-idea 'City' album
'Deceptive Practice' weaves its own kind of magic
Netflix's 'House of Cards' looks, but doesn't sound, like a hit
Essential track: Queens of the Stone Age, 'Keep Your Eyes Peeled'
'Stories We Tell' looks at truth, secrecy and memory
Review: 'Rectify' is a revelation that sets a new standard
Kelly Rowland gets confessional with 'Dirty Laundry'
Review: 'Erased' lacks originality but not cliches
Review: 'All the President's Men Revisited' looks back in wonder
Essential track: Glenn Jones debuts 'Across the Tappan Zee' video
'Black Rock' a girls-versus-boys thriller
Review: Crime-solving quartet saves the day in 'Bletchley Circle'
Album reviews: Vampire Weekend's captivating 'Modern Vampires of the City'
'Valentino's Ghost' hits media's portrayal of Arabs, Muslims
TV review: 'Hemlock Grove' wallows in its own fake guts
Album reviews: Fitz and the Tantrums' 'More Than Just a Dream'
Review: 'State 194' takes smart look at Israeli-Palestinian dispute
Review: Louis C.K. has some 'Oh My God' moments
Essential track: DJ Koze's 'Amygdala' featuring Milosh of Rhye
Review: 'Java Heat' makes a bang, lots of them in fact
Review: 'Vice' reports explicitly from around globe
Review: It's Wango Tango with Flo Rida, Miguel, Maroon 5, more
Review: 'The Second Meeting' a stagy letdown
'American Idol' recap: Top 7 try to rock out
Live review: Kurt Vile at Echoplex
Review: 'Augustine' shows medical progress in primitive era
TV review: Retired Doctor operates deftly in 'Spies of Warsaw'
Review: Prince rocks (and rebuilds) in Anaheim
Review: Guy Pearce doesn't fit in strained '33 Postcards'
Review: DirecTV's 'Rogue' is a wreck of a crime drama
Review: Kenny Chesney's 'Life on a Rock' could do without 'Lindy'
Review: 'Pieta's' vengeance tale shows capitalism's cruel side
Review: 'How to Live With Your Parents' is a by-the-manual comedy
Pop Music review: Pistol Annies' 'Annie Up'
Review: 'Free the Mind' documentary finds hope in meditation
PBS' 'Kind Hearted Woman' moves beyond a portrait of poverty
Review: Brad Mehldau, the Bad Plus push jazz further ahead at UCLA
Review: 'An Oversimplification of Her Beauty' dazzling and dizzying
TV review: Something for everyone in Piven's 'Mr. Selfridge'
Mixtape review: Chance the Rapper's stellar, infinite 'Acid Rap'
Director's style overwhelms 'Gatsby'
TV review: Drug-smuggling 'Red Widow' is hard to get behind
Pop music review: Alejandro Sanz seduces Nokia crowd
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