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  • Review: 'Hangover Part III' is just one long headache

    Review: 'Hangover Part III' is just one long headache

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  • Review: 'Mel Brooks: Make a Noise' on PBS' 'American Masters'

    Review: 'Mel Brooks: Make a Noise' on PBS' 'American Masters'

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  • What Kelly Rowland, Paulina Rubio bring to 'X Factor'

    What Kelly Rowland, Paulina Rubio bring to 'X Factor'

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  • '3 Geezers' review: Raunchy, imbecilic and so not funny

    '3 Geezers' review: Raunchy, imbecilic and so not funny

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  • Review: The not-so winning 'Goodwin Games'

    Review: The not-so winning 'Goodwin Games'

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  • Album review: The National's melancholic 'Trouble Will Find Me'

    Album review: The National's melancholic 'Trouble Will Find Me'

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  • Review: 'Star Trek Into Darkness' ramps up action, leaves room for heart

    'Star Trek Into Darkness' ramps up action, leaves room for heart

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  • Review: 'North America,' Discovery Channel's 7-part nature series

    Review: 'North America,' Discovery Channel's 7-part nature series

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  • KROQ Weenie Roast 2013: A reviewer's mom weighs in

    KROQ Weenie Roast 2013: A reviewer's mom weighs in

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  • Review: 'Frances Ha' a charming portrait of youth and spirit

    'Frances Ha' a charming portrait of youth and spirit

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  • 'X-Files' at 20: A fan's notes

    'X-Files' at 20: A fan's notes

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  • Review: KROQ's indie-loving Weenie Roast 2013

    Review: KROQ's indie-loving Weenie Roast 2013

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  • 'The English Teacher' has a class of underachievers

    'The English Teacher' has a class of underachievers

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  • Review: 'Maron' on IFC features a curmudgeonly comic

    Review: 'Maron' on IFC features a curmudgeonly comic

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  • Album review: George Strait's reflective 'Love Is Everything'

    Album review: George Strait's reflective 'Love Is Everything'

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  • Movie review: 'What Maisie Knew' gives a child's eye view of divorce

    'What Maisie Knew' gives a child's eye view of divorce

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  • TV review: 'Manhunt' keeps Bin Laden hunt as real as possible

    TV review: 'Manhunt' keeps Bin Laden hunt as real as possible

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  • Vampire Weekend braces for bright lights with big-idea 'City' album

    Vampire Weekend braces for bright lights with big-idea 'City' album

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  • Film review: 'Deceptive Practice' weaves its own kind of magic

    'Deceptive Practice' weaves its own kind of magic

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  • Netflix's 'House of Cards' looks, but doesn't sound, like a hit

    Netflix's 'House of Cards' looks, but doesn't sound, like a hit

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  • Essential track: Queens of the Stone Age, 'Keep Your Eyes Peeled'

    Essential track: Queens of the Stone Age, 'Keep Your Eyes Peeled'

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  • Movie review: 'Stories We Tell' looks at truth, secrecy and memory

    'Stories We Tell' looks at truth, secrecy and memory

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  • Review: 'Rectify' is a revelation that sets a new standard

    Review: 'Rectify' is a revelation that sets a new standard

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  • Kelly Rowland gets confessional with 'Dirty Laundry'

    Kelly Rowland gets confessional with 'Dirty Laundry'

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  • Review: 'Erased' lacks originality but not cliches

    Review: 'Erased' lacks originality but not cliches

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  • Review: 'All the President's Men Revisited' looks back in wonder

    Review: 'All the President's Men Revisited' looks back in wonder

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  • Essential track: Glenn Jones debuts 'Across the Tappan Zee' video

    Essential track: Glenn Jones debuts 'Across the Tappan Zee' video

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  • 'Black Rock' a girls-versus-boys thriller

    'Black Rock' a girls-versus-boys thriller

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  • Review: Crime-solving quartet saves the day in 'Bletchley Circle'

    Review: Crime-solving quartet saves the day in 'Bletchley Circle'

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  • Album reviews: Vampire Weekend's captivating 'Modern Vampires of the City'

    Album reviews: Vampire Weekend's captivating 'Modern Vampires of the City'

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  • Review: 'Valentino's Ghost' hits media's portrayal of Arabs, Muslims

    'Valentino's Ghost' hits media's portrayal of Arabs, Muslims

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  • TV review: 'Hemlock Grove' wallows in its own fake guts

    TV review: 'Hemlock Grove' wallows in its own fake guts

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  • Album reviews: Fitz and the Tantrums' 'More Than Just a Dream'

    Album reviews: Fitz and the Tantrums' 'More Than Just a Dream'

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  • Review: 'State 194' takes smart look at Israeli-Palestinian dispute

    Review: 'State 194' takes smart look at Israeli-Palestinian dispute

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  • Review: Louis C.K. has some 'Oh My God' moments

    Review: Louis C.K. has some 'Oh My God' moments

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  • Essential track: DJ Koze's 'Amygdala' featuring Milosh of Rhye

    Essential track: DJ Koze's 'Amygdala' featuring Milosh of Rhye

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  • Review: 'Java Heat' makes a bang, lots of them in fact

    Review: 'Java Heat' makes a bang, lots of them in fact

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  • Review: 'Vice' reports explicitly from around globe

    Review: 'Vice' reports explicitly from around globe

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  • Review: It's Wango Tango with Flo Rida, Miguel, Maroon 5, more

    Review: It's Wango Tango with Flo Rida, Miguel, Maroon 5, more

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  • Review: 'The Second Meeting' a stagy letdown

    Review: 'The Second Meeting' a stagy letdown

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  • 'American Idol' recap: Top 7 try to rock out

    'American Idol' recap: Top 7 try to rock out

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  • Live review: Kurt Vile at Echoplex

    Live review: Kurt Vile at Echoplex

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  • Review: 'Augustine' shows medical progress in primitive era

    Review: 'Augustine' shows medical progress in primitive era

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  • TV review: Retired Doctor operates deftly in 'Spies of Warsaw'

    TV review: Retired Doctor operates deftly in 'Spies of Warsaw'

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  • Review: Prince rocks (and rebuilds) in Anaheim

    Review: Prince rocks (and rebuilds) in Anaheim

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  • Review: Guy Pearce doesn't fit in strained '33 Postcards'

    Review: Guy Pearce doesn't fit in strained '33 Postcards'

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  • Review: DirecTV's 'Rogue' is a wreck of a crime drama

    Review: DirecTV's 'Rogue' is a wreck of a crime drama

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  • Review: Kenny Chesney's 'Life on a Rock' could do without 'Lindy'

    Review: Kenny Chesney's 'Life on a Rock' could do without 'Lindy'

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  • Review: 'Pieta's' vengeance tale shows capitalism's cruel side

    Review: 'Pieta's' vengeance tale shows capitalism's cruel side

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  • Review: 'How to Live With Your Parents' is a by-the-manual comedy

    Review: 'How to Live With Your Parents' is a by-the-manual comedy

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  • Pop Music review: Pistol Annies' 'Annie Up'

    Pop Music review: Pistol Annies' 'Annie Up'

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  • Review: 'Free the Mind' documentary finds hope in meditation

    Review: 'Free the Mind' documentary finds hope in meditation

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  • PBS' 'Kind Hearted Woman' moves beyond a portrait of poverty

    PBS' 'Kind Hearted Woman' moves beyond a portrait of poverty

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  • Review: Brad Mehldau, the Bad Plus push jazz further ahead at UCLA

    Review: Brad Mehldau, the Bad Plus push jazz further ahead at UCLA

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  • Review: 'An Oversimplification of Her Beauty' dazzling and dizzying

    Review: 'An Oversimplification of Her Beauty' dazzling and dizzying

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  • TV review: Something for everyone in Piven's 'Mr. Selfridge'

    TV review: Something for everyone in Piven's 'Mr. Selfridge'

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  • Mixtape review: Chance the Rapper's stellar, infinite 'Acid Rap'

    Mixtape review: Chance the Rapper's stellar, infinite 'Acid Rap'

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  • Review: 'Gatsby's' substance overwhelmed by Luhrmann's style

    Director's style overwhelms 'Gatsby'

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  • TV review: Drug-smuggling 'Red Widow' is hard to get behind

    TV review: Drug-smuggling 'Red Widow' is hard to get behind

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  • Pop music review: Alejandro Sanz seduces Nokia crowd

    Pop music review: Alejandro Sanz seduces Nokia crowd

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