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  •  Review: A far out trip to the past in 'Men in Black 3'
  • Review: 'Hatfields & McCoys' has vivid detail, fine acting
  • A spicy weekend of Latin music
  • Review: Wes Anderson finds near perfect balance in 'Moonrise Kingdom'
  • TV review: 'Hemingway & Gellhorn's' third-rate romance
  • Album review: John Mayer's 'Born and Raised'
  •  Review: Bland frights in 'Chernobyl Diaries'
  •  'Men at Work' isn't very ambitious
  • Album review: Kimbra's 'Vows'
  • Movie review: Opposites attract in buddy film 'Intouchables'
  • Television review: 'Mrs. Eastwood & Company'
  • Live review: Best Coast at the Wiltern
  • Review: 'Elena' a harrowing portrait of Russian life
  • Review: Howard Stern's sweet debut on 'America's Got Talent'
  • Album review: Best Coast's 'The Only Place'
  • Review: Jewish family faces crisis in 'Mighty Fine'
  •  Review: HBO's 'Weight of the Nation' pounds away at obesity
  • Album review: Beach House's 'Bloom'
  • Review: 'Memorial Day' suffers from battle fatigue
  • Review: 'Johnny Carson: King of Late Night' goes behind throne
  • Review: Rufus Wainwright at the Orpheum
  • Review: Hero's tale 'Arjun' is charming
  • 'Common Law' review: USA brings bromance to a police drama
  • Live: Pitbull, Nicki Minaj, Maroon 5, others at KIIS-FM's Wango Tango
  • Movie review: Aliens can have this 'Battleship'
  •  Review: 'Sherlock' returns with seduction through deduction intact
  •  Review: The Da Camera Players, a new incarnation, resounds
  •  Review: Expect little from 'What to Expect'
  •  Review: Eddie Izzard the real prize in Syfy's 'Treasure Island'
  • Review: Death Cab for Cutie, Magik*Magik Orchestra at Disney Hall
  • Review: 'Indie Game' captures the struggle to create
  • TV review: 'Jesse Owens' on fast-forward
  • Album review: Damon Albarn's 'Dr Dee'
  • Review: 'Lovely Molly' is creepy, but not in a good way
  • Television review: 'The L.A. Complex' twists the familiar
  • Album review: 'OFF!' by OFF!
  • Review: 'Natural Selection' survives with Rachael Harris
  • 'Kathy' review: Kathy Griffin finds a new level of reality
  • Album review: Rufus Wainwright's 'Out of the Game'
  • Review: 'Going Down' a familiar Hollywood tale
  •  Review: Julia Louis-Dreyfus makes a first-rate, funny 'Veep'
  • Album review: Carrie Underwood's 'Blown Away'
  • Movie review: The glorious 'Grand Illusion'
  • Television review: 'NYC 22' on CBS walks a respectable beat
  • Album review: Santigold's 'Master of My Make-Believe'
  • Review: 'Polisse' officers it's good to be surrounded by
  •  Television review: 'Girls' a potent force but it's hard to love
  • Review: Rez Abbasi Quintet in timely concert at Blue Whale
  • Review: 'Mansome' is as shallow as its subject
  • Television review: It's hard to fall under 'Magic City's' spell
  • Album review: Brendan Benson's 'What Kind of World'
  • Review: Turns and twists leave 'Samaritan' hanging
  • Television review: 'Best Friends Forever' won't last that long
  • Album review: Jack White's 'Blunderbuss'
  • Review: 'Virginia' is not for lovers of good movies
  • Review: Like Don Draper, 'Mad Men' Season 5 is a work in progress
  • Album review: The Wanted's 'The Wanted'
  • Review: The pride of 'The Yankles'? Good intentions
  • Television review: 'Game Change'
  • Music review: Gabriel Kahane's score is conducted by his father
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