Bad Bunny headlines opening night of Coachella, which will also feature sets from alt-rock favorites Blink-182, Blondie, Gorillaz and the Chemical Brothers.
“It was amazing. Coachella’s incredible,” Lusk said in an interview after the performance. “It’s special to finally be able to do it. To be from L.A., from Southern Cal, to do it, it was great.”
Take an inside look at how the band’s Coachella debut came together.
Gabriels rehearse on April 10 in Los Angeles before their Coachella debut last weekend.
(Renee Parkhurst)
The group spent time rehearsing at their practice space in Los Angeles in the week leading up to the festival, by far their biggest gig to date. Last year, the band played some dates opening for 2022 Coachella headliner Harry Styles.
Left: Gabriels members Dominic Canning, left, and Ari Balouzian laugh backstage. Right: Gabriels background singer Claudia Cunningham poses in front of the band’s dressing room backstage at Coachella on April 14.
(Renee Parkhurst)
The project began in 2016 when filmmaker Ryan Hope started working with producer-composer Ari Balouzian. They found Lusk through his church choir.
The best looks from the 2023 Coachella Valley Music and Arts Festival, from homemade masterpieces to eye-popping ensembles.
Gabriels walk onto the stage of the Gobi Tent at Coachella on April 14.
(Renee Parkhurst)
Advertisement
Jacob Lusk of Gabriels belts out a tune at Coachella.
(Christina House / Los Angeles Times)
Jacob Lusk of Gabriels started planning his custom-made outfit for Coachella months ago.
(Christina House / Los Angeles Times)
Jacob Lusk, singer of Gabriels, said it was special to perform at Coachella on April 14 because he’s from Southern California.
(Christina House / Los Angeles Times)
A dynamic performer, Lusk wore a tuxedo topped with a long brocade overcoat.
He said he planned the outfit months in advance and went fabric shopping to have it custom made.
During the band’s well-received set, Lusk showed off his powerhouse voice and led the audience in a call-and-response to spread a message of love.
Advertisement
“They say if you love somebody, baby — come on, say it with your chest — baby, you should tell them every day,” Lusk called to the crowd as they repeated after him.
From boygenius’s joyful harmonies to Bad Bunny’s history lesson to Blackpink’s declaration of superstardom, it was a wild and rewarding Coachella.
Gabriels — Ryan Hope, left, Jacob Lusk and Ari Balouzian — are backstage after making their Coachella debut on April 14.
(Christina House / Los Angeles Times)
After the performance, Lusk ditched the tuxedo for a more desert heat-friendly ensemble of shorts and a Dodgers jersey, with the logo written in blue sparkles as he, Hope and Balouzian posed for photos.
“Seeing my old co-workers [during the show], that was amazing. Seeing my family and friends out in the audience, that was the most special moment,” Lusk said in an interview after the set.
Gabriels’ second album, “Angels & Queens Part II,” is expected this summer, when the band is playing a number of European festivals, including Spain’s Primavera Sound, before coming back to the U.S. for a date at Outside Lands in San Francisco in August.
Get our big stories about Hollywood, film, television, music, arts, culture and more right in your inbox as soon as they publish.
By continuing, you agree to our Terms of Service, which include arbitration and a class action waiver. You agree that we and our third-party vendors may collect and use your information, including through cookies, pixels and similar technologies, for the purposes set forth in our Privacy Policy such as personalizing your experience and ads.
Assistant editor Vanessa Franko oversees audience engagement for the Los Angeles Times’ Entertainment and Arts section. She was previously the digital director of entertainment and features at the Southern California News Group.
Christina House is a staff photojournalist with the Los Angeles Times. She joined the visual journalism team in 2017 after 10 years as a freelance photographer. House won the 2023 Pulitzer Prize for Feature Photography and the 2022 Robert F. Kennedy Journalism Award for Domestic Photography for “Hollywood’s Finest,” an intimate look into the life of a pregnant 22-year-old woman living on the street. She was part of the team that was a finalist for the 2026 Pulitzer Prize in Breaking News Photography, and she received the 2021 Cliff Edom New America Award for her work on “Game Changers: A Celebration of Women in Sports” from the 2021 National Press Photographers Assn.’s Best of Photojournalism awards.