Considered by many to be the front-runner for the original song Oscar, “Remember Me” (from Disney’s “Coco”) got an iffy rendition that started out with the very charming Gael García Bernal warbling a few lines in what appeared to be his impression of a 12-year-old boy.
Then Miguel and Natalia Lafourcade showed up, and though they certainly sang better than Bernal did, the two seemed stifled by needing to wind their way through the troupe of dancers twirling around them.
What if they awarded the Oscars and not one of the winners was a real surprise, not a single solitary one? What would the show be like, would people be glad they watched or wish they'd played pinochle instead?
That question is not an academic one — it happened Sunday night at the 90th Academy Awards. Of all the 24 little gold statues handed out, none of them could qualify as a genuine upset.
A night like this has been headed our way for quite some time as the world of Oscar prognostication has grown over the years from a genial hobby to a serious business practiced by crack teams of experts.
The 47-year-old remained in custody Monday morning on a grand theft charge in lieu of $20,000 bail, according to the Los Angeles Police Department. He was arrested at 11:50 p.m. Sunday at the party site, which is inside Hollywood and Highland.
Hollywood's biggest night that celebrates the best in movies over the past year is becoming a smaller attraction for TV viewers.
The audience for ABC's Sunday annual telecast of the Oscars declined for a fourth consecutive year, according to Nielsen data, dropping to an all-time low of 26.5 million viewers. The dip of nearly 20% from last year put it under the previous low of 32 million in 2008.
The greatest thing that art does — and our industry does — is erase the lines in the sand. We should continue doing that when the world tells us to make them deeper.
Guillermo del Toro, filmmaker
Guillermo del Toro infuses the grotesque with innocence and wonder, as if he has slipped into our dreams and fascinations, not to judge, but to find truth and grace in the dark furrows and creaky hallways of human nature.
His characters, often children or those uncorrupted, are drawn into mystical and scary cinematic worlds of fairies, fauns, fallen bombs and, in the case of his best picture winner "The Shape of Water," a fish-man in a Cold War parable who awakens the passions of a mute cleaning woman. Del Toro is a filmmaker who explores the soul of "the other" and how the things that frighten us can also heal and make us whole.
"I am an immigrant," he said in his acceptance speech Sunday for his directing Oscar for "Shape of Water." "The greatest thing that art does — and our industry does — is erase the lines in the sand. We should continue doing that when the world tells us to make them deeper."
The 90th edition of the Academy Awards came and went Sunday evening, filling its nearly four hours with laughter and tears, self-mocking and self-celebration and more than a usual amount of music. Jimmy Kimmel hosted for a second time, handily.
It was, as always, a long flight, stimulating in its scenic views, enervating in its length. Compared to some earlier years, there was a decided lack of turbulence.
There were two main narrative thrusts to the evening, one looking backward, one looking ahead — looking ahead was also looking outward, to a more inclusive film industry.
Missed the Oscars on Sunday night? Or having a hard time deciding what the best moments were? Allow us to be of service.
Jimmy Kimmel took aim at Harvey Weinstein, gave away a Jet Ski and popped into a movie theater with some famous friends. Emma Stone supported Greta Gerwig. Warren Beatty and Faye Dunaway redeemed themselves, and Guillermo del Toro double-checked that the envelope in fact declared “The Shape of Water” as the best picture winner.
Listen closely, future Academy Awards performers: Do. Not. Let. Mary J. Blige. Sing. Before. You.
One of pop music’s most deeply committed performers, the veteran R&B artist almost always operates at 110%. And on Sunday’s Oscars telecast, where she gave the first of the night’s performances of the tunes nominated for original song, Blige made the acts that followed look like outmatched beginners.
Singing “Mighty River” from “Mudbound” — in which her screen performance led to a second Oscar nod, for supporting actress — Blige dug deep into the gospel-fired composition written by her, Raphael Saadiq and Taura Stinson.