‘After the Storm,’ ‘Frantz’ and more critics’ picks, March 24-30

‘After the Storm’
Hiroshi Abe, left, and Taiyo Yoshizawa in the film “After the Storm.”
(Film Movement)

Movie recommendations from critics Kenneth Turan, Justin Chang and other reviewers.

After the Storm A sublimely simple family drama from the Japanese writer-director Hirokazu Kore-eda, a filmmaker assured enough to hide his mastery in plain sight. Nothing is overemphasized, and nothing escapes his attention. (Justin Chang) NR.

The Founder Michael Keaton gives a performance of ratty, reptilian brilliance as Ray Kroc, the American salesman who turned a California burger stand into the global fast-food behemoth that is McDonald’s, in John Lee Hancock’s shrewd and satisfyingly fat-free biopic. (Justin Chang) PG-13.

Frantz Beautifully shot in black-and-white with the occasional warm burst of color, French writer-director François Ozon’s intricately layered post-World War I drama puts a feminist spin on Ernst Lubitsch’s 1932 anti-war film, “Broken Lullaby.” (Justin Chang) PG-13.


I Am Not Your Negro As directed by the gifted Raoul Peck, this documentary on James Baldwin uses the entire spectrum of movie effects, not only spoken language but also sound, music, editing and all manner of visuals, to create a cinematic essay that is powerful and painfully relevant. (Kenneth Turan) NR.

La La Land Starring a well-paired Ryan Gosling and Emma Stone, writer-director Damien Chazelle’s tuneful tribute to classic movie musicals is often stronger in concept than execution, but it’s lovely and transporting all the same. (Justin Chang) PG-13.

Personal Shopper Kristen Stewart gives her most accomplished screen performance to date in Olivier Assayas’ shivery paranormal thriller — a haunted-house movie, a murder mystery and, in many ways, Assayas’ most surprising film yet about the anxieties of modern life. (Justin Chang) R.

Raw A grossout that goes down like a delicacy, Julia Ducournau’s exquisitely grisly writing-directing debut finds a ripe pubescent metaphor in the tale of a French teenager who develops an unexpected taste for human flesh. (Justin Chang) R.


The Women’s Balcony An Israeli box-office hit about a Jerusalem clash of religious cultures, this is an unapologetically warm-hearted comedic drama, a fine example of commercial filmmaking grounded in a persuasive knowledge of human behavior. (Kenneth Turan) NR.

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