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Join a chat with 'Silicon Valley's' Thomas Middleditch on Tuesday

Thomas Middleditch has made a name for himself playing the guy perpetually doomed not to achieve a billion-dollar payday in HBO's "Silicon Valley."

As Richard Hendricks in the Mike Judge satire of the tech world, Middleditch plays on stereotypes with the mousy, reclusive demeanor. Yeah, he's sort of a genius, but completely incompetent. He has a knack for vomiting when under pressure and bungles in his attempts at being taken seriously as he gets his startup off the ground.

In person, the Canadian actor is far less socially awkward. And he'll stop by the Los Angeles Times on Tuesday for a live-streaming chat at 2 p.m. PDT.

We'll also be taking your questions, which you can leave in the comments section here or tweet to us using the hashtag #askLATimes. See you Tuesday, and in the meantime, take a look at our other Emmy Contender conversations.

 

I tweet about TV (and other things) here: @villarrealy

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Cannes 2015: Jacques Audiard's 'Dheepan' wins Palme d'Or

Director Jacques Audiard's film "Dheepan," a drama about three Tamil exiles trying to reconstruct their lives in France, has won the top prize at the Cannes Film Festival. 

"These people are running away from a tragedy," Audiard told L.A. Times film critic Kenneth Turan earlier this week, "and I didn't want it to have anything to do with post-colonial France. Sri Lanka seemed like the end of the earth for me; before embarking on this project I couldn't have located it on a map."

FULL COVERAGE: Cannes 2015

"Son of Saul," about an Auschwitz Sonderkommando work unit, won the Grand Prix award, while best director went to Taiwan's Hou Hsiao-hsien for the martial arts film "The Assassin"

A complete report from Cannes can be found here. Below is the full list of winners:

Palme d'Or: "Dheepan," Jacques Audiard

Grand Prix: "Son of Saul," Laszlo Nemes

Best director: Hou Hsiao-hsien, "The Assassin"

Jury prize: "The Lobster," Yorgos Lanthimos

Best screenplay: Michael Franco, "Chronic"

Best actress:...

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Marty Pasetta dies at 82; directed 17 Oscar shows, Elvis satellite concert

Marty Pasetta, a veteran director of live TV extravaganzas, including 17 Academy Awards shows and inaugural galas for Presidents Carter and Reagan, has died. He was 82.

Pasetta died Thursday from injuries sustained in a single-car accident in La Quinta, where he lived.

According to the Riverside County coroner's office, the driver of the car in which the director was riding had left the engine on after they left the vehicle. The car struck Pasetta and another passenger. Pasetta died at the scene.

The operator of the vehicle, Keith Stewart, 75, was arrested on suspicion of driving under the influence.

During four decades in television, Pasetta directed and produced specials for many of Hollywood's biggest names, including Frank Sinatra and Bing Crosby, and oversaw star-studded tributes to Elizabeth Taylor, Fred Astaire and Alfred Hitchcock.

He was credited with convincing Elvis Presley to suspend his drug use and lose weight for the 1973 special "Elvis: Aloha from Hawaii," which has been...

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Envelope Screening: Less is more with music for 'American Crime'

"American Crime," ABC's drama about the racial and cultural impact of a brutal home invasion of a suburban white couple, is surprisingly quiet. Creator and executive producer John Ridley wanted to convey his story without a lot of music.

That doesn't mean the music wasn't a key factor. The show's composer, Mark Isham, said the series presented a unique challenge in terms of conveying emotion through music.

"I've always said the most important thing a composer can do is start and stop," said Isham, who has composed scores for more than 100 films. "That entrance can be the most impactful thing a piece of music can do."

Isham said Ridley had a "pretty rigorous aesthetic" about when to use music. "Consequently, we really milk it when we use it."

 

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Envelope Screening: 'American Crime' team felt 'emotional responsibility'

"American Crime," ABC's drama about the racial and cultural tensions surrounding the brutal assault of a young white couple, covered delicate and racially sensitive territory. But creator and executive producer John Ridley said he and his colleagues knew the series also had to be entertaining without being preachy.

"Everybody here felt a responsibility to have an emotional honesty to what we were doing," said Ridley. "I also think that to everybody's credit, this was obviously subject matter in and of itself, whether it's race, faith or class, are not traditional in terms of what we consider entertainment."

Ridley added, "But how it's delivered, through the language of cinema, which everyone used in presenting it, that can be — and there's no reason why it can't be — entertaining. And engaging. That's the operative perspective that everyone here was working with."

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Emmy Contender: Amanda Peet of 'Togetherness' is on 'Game of Thrones' campaign

Amanda Peet took a break from shooting the second season of the HBO comedy "Togetherness" to stop by The Times recently to discuss her work on the show and her loose-cannon character, Tina.

We talked about how wardrobe informs the 40ish character (Tina — not Peet, just to be clear — likely shops at Forever 21 and Abercrombie) and learned that it's actually possible to find an outfit that's too over-the-top for even Tina to wear (a swimsuit with a "lot of holes" failed to make the cut last week).

And though the show's creators, Mark and Jay Duplass, encourage improvisation, there is apparently a line that you can cross.

"They have told me, 'Can you swear just a little bit less?' " Peet reveals. "My husband gives me that note too."

And while we're on the subject of swearing and Peet's husband, "Game of Thrones" co-creator David Benioff, Peet had much to say about her continued campaign to land a role on the show.

"I will tell you that I was just recently in the car with D.B. Weiss, David's...

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