Downtown L.A.’s arts scene grapples with curfews and cancellations: L.A. arts and culture this weekend
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Center Theatre Group temporarily canceled “Hamlet” at Mark Taper Forum; the Los Angeles Philharmonic scuttled the final night of its Seoul Festival at Walt Disney Concert Hall; the Museum of Contemporary Art Los Angeles’ Geffen Contemporary and the Broad museum are both closed through the weekend; and the Japanese American National Museum fenced off its pavilion to prevent further vandalism — these are just some of the immediate effects felt by downtown Los Angeles’ many arts organizations as ICE protests, an ongoing curfew and the arrival of thousands of federal troops upend daily life in the city’s civic core.
(On Thursday, Los Angeles city officials carved out a curfew exemption for ticket holders of indoor events and performing arts venues downtown including the Music Center, paving the way for evening performances of Center Theatre Group’s “Hamlet” and Los Angeles Opera’s “Rigoletto.”)
The Trump administration says it will deploy 4,000 National Guard members and 700 Marines to L.A. to protect immigration agents and federal buildings at a reported cost of $134 million. On Tuesday, the state of California requested a temporary restraining order blocking the deployments, so it’s anyone’s guess as to how this will ultimately unfold.
The uncertainty, including how long Mayor Karen Bass’ 8 p.m. to 6 a.m. curfew will remain in effect, has added to the pall over downtown L.A., where businesses and restaurants are also struggling with security issues and the many unknowns of the swiftly evolving crisis.
On Wednesday, I reached out to many of downtown’s arts leaders, and they all issued statements in support of Los Angeles and all of its inhabitants.
“As Los Angeles’ largest theatre company, located in Downtown LA, we are heartbroken by the events unfolding around us and affecting so many in our beautiful and diverse city,” CTG said. “Our mission is to be a home for everyone who calls themselves an Angeleno.”
This is a sentiment that abounds throughout this proud city of immigrants, where many with friends or neighbors who are undocumented feel sorrow to see the violence and destruction.
As losses mount for the arts in downtown L.A., it is worth noting that if you add the cost of President Trump’s Saturday military parade in Washington, D.C. — estimated to be about $45 million — to the aforementioned price tag for sending troops to Southern California , the total is about $179 million. The National Endowment for the Arts, which Trump has proposed eliminating entirely, requested a $210.1 million budget for 2025, and millions in grants for arts groups have been clawed back this year under Elon Musk’s DOGE.
I’m arts and culture reporter Jessica Gelt, standing with my community in support of all its members. Here’s this week’s arts news.
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Academy screenings
The Academy of Motion Picture Arts and Sciences presents two very different films this weekend. On Friday, the North American premiere of a new 4K restoration of 1975 best picture winner, “One Flew Over the Cuckoo’s Nest,” starring Jack Nicholson, screens with supervising film editor Richard Chew and editor Lynzee Klingman joining screenwriter Larry Karaszewski to discuss the film. Then, the academy’s Teen Movie Madness! series continues Saturday with a 25th anniversary screening of cheerleading cult fave “Bring It On” in 35mm, preceded by a conversation with actor and artist Brandi Williams, who played Lafred in the film.
“One Flew Over the Cuckoo’s Nest,” 7:30 p.m. Friday; “Bring It On,” 7:30 p.m. Saturday. Academy Museum, David Geffen Theater, 6067 Wilshire Blvd., Los Angeles. academymuseum.org
Cinderella
Los Angeles Ballet closes out its 2024-25 season with this fairy tale classic featuring choreography by Edwaard Liang set to the music of Sergei Prokofiev. This reimagined version adds a modern sensibility, new twists, fantasy and humor to the story of a young woman, mistreated by her stepmother and stepsisters, who is transformed for a date with a prince by a fairy godmother.
7:30 p.m. Friday and Saturday; 2 p.m. Saturday and Sunday. Dolby Theatre, 6801 Hollywood Blvd, Hollywood. losangelesballet.org
Renée Fleming & Friends
Broadway and opera come together as vocalists Tituss Burgess, Lindsay Mendez and Jessie Mueller join the legendary soprano for a one-night-only concert presented by L.A. Opera. When Fleming appeared in the musical “Light in the Piazza” at the Dorothy Chandler Pavilion in 2019, Times theater critic Charles McNulty wrote that the singer “delivers the goods in the show’s climax … Sound and sense are at last joined, making the distinction between Broadway and opera irrelevant.” (The performance is still planned as originally scheduled. Please check with L.A. Opera for updates.)
7:30 p.m. Friday. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. laopera.org
Black Cowboys: An American Story
Beyoncé earned accolades (including her first best album Grammy) for “Cowboy Carter,” bringing the iconography of the Black West to the mainstream. For those whose appetites have been whetted for more, this exhibition at the Autry Museum of the American West, conceived and organized by the Witte Museum in San Antonio, delivers a deep dive into that underreported slice of history. Tales of how Black men and women deployed their equestrian skills to great effect as they tamed and trained horses, tended livestock and embarked on cattle drives across the country come to life through historical and contemporary objects, photographs and personal recollections. The Autry’s presentation also highlights Hollywood’s influence on the Black cowboy image with movie memorabilia, including vintage film posters and the costumes used in the 2021 Netflix film “The Harder They Fall.”
Saturday through Jan. 4. Autry Museum of the American West, 4700 Western Heritage Way, Griffith Park. theautry.org
Culture news
“Broadway finally got its groove back. The 2024-25 season was the highest-grossing season on record and the second-highest in terms of attendance,” Times theater critic Charles McNulty writes in a column about last Sunday’s Tony Awards. That resurgence could be attributed to the many high-powered film and television stars on New York stages including George Clooney, Kieran Culkin, Jake Gyllenhaal, Denzel Washington, Bob Odenkirk and Sarah Snook — but the real reason audiences flocked to live theater this season, McNulty concludes, was “unadulterated theatrical fearlessness.”
The Smithsonian Institution’s standoff with President Trump took a new turn Monday evening when the Smithsonian issued a statement that could be read as a rejection of Trump’s late-May firing of National Portrait Gallery director Kim Sajet. The Smithsonian said the organization’s secretary, Lonnie G. Bunch, “has the support of the Board of Regents in his authority and management of the Smithsonian,” after a lengthy meeting by the board. This seems to imply that, for now, Sajet isn’t going anywhere.
On Wednesday, the National Gallery of Art in Washington, D.C., announced a major gift of modern and contemporary drawings from longtime museum supporters Lenore and Bernard Greenberg. The collection of more than 60 works of art includes pieces by Vija Celmins, Willem de Kooning, Alberto Giacometti, Jasper Johns, Ellsworth Kelly, Franz Kline, Brice Marden, Bruce Nauman, Susan Rothenberg, Ed Ruscha, Shahzia Sikander and Cy Twombly.
“Adrien Brody’s art is horrendous. Why are some people pretending it isn’t?” senior ARTnews editor Alex Greenberger argues in a pointed, sometimes hilarious takedown of the Oscar-winning star’s paintings. “Adrien Brody has received due attention for his acting abilities: his Oscar-winning performance in last year’s film The Brutalist is the kind of work most actors would be lucky to pull off once in their lifetime. Last week, however, he started receiving undue attention for the hideous art he debuted in New York at Eden Gallery, which — based on its press coverage, anyway — is one of the most talked-about exhibitions of the summer,” the column begins. If you need a chuckle, it’s worth reading in its entirety.
The SoCal scene
Unlike his assessment of Broadway’s season, Charles McNulty wasn’t so positive about a recent L.A. theater offering. He did not enjoy director Robert O’Hara’s world-premiere adaptation of “Hamlet,” starring Patrick Ball from MAX’s hit show “The Pitt.” The new material places the story in a noir landscape in modern-day L.A. and features a second-act twist when a detective comes to investigate the play’s bloodbath a la “CSI.” “O’Hara’s audacious antics are stimulating at first, but there’s not enough dramatic interest to sustain such a grueling journey,” McNulty writes.
A massive Barbara Kruger mural titled “Questions” on the side of MOCA’s Geffen Contemporary began appearing in news broadcasts and social media posts across the country as ICE protests unfolded over the weekend. This proved prophetic, since the 1990 artwork is composed of a series of pointed questions that interrogate the very nature of power and control. Read all about it here.
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Pasadena Playhouse has announced its 2025-26 season, its first since buying back its historic 1925 building. Theater lovers can gear up for the shiny new Tony Award-winning best revival of a play, “Eureka Day,” as well as Peter Shaffer’s “Amadeus,” a world-premiere adaptation of “Brigadoon” and the novel two-person hip-hop musical, “Mexodus.”
— Jessica Gelt
And last but not least
There is nothing more delectable — or truer to the diverse fabric of Los Angeles — than a good street taco. The Food team has pulled together a delicious list of 19 street vendors to support from the 101 Best Tacos guide.
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