âSelling the OCâ is a perfect parody of Southern California excess

Welcome to Screen Gab, the newsletter for everyone interested in the lifestyles of the relatively rich and almost famous.
That could be the subtitle for one of this weekâs streaming recommendations, Netflixâs âSelling the OCâ â in which most of the main cast is still on the make, both as realtors and reality stars. Donât worry though, we have plenty more to offer if garish sports cars arenât your speed.
The 50th issue of Screen Gab brings two more TV shows to catch up on this weekend, all the highlights from our fall TV preview (in print Sept. 4) and an interview with Edward Buckles Jr., director of the heartbreaking new documentary âKatrina Babies.â And, as always, we want to know what youâre watching, so send your TV or streaming movie recommendations to screengab@latimes.com with your name and location. Submissions should be no longer than 200 words and are subject to editing for length and clarity.
The complete guide to home viewing
Get Screen Gab for everything about the TV shows and streaming movies everyoneâs talking about.
You may occasionally receive promotional content from the Los Angeles Times.
Fall TV Preview
All of the stories from this weekâs special issue, at your fingertips

The 20 shows our TV experts are most excited to watch this fall: The Times TV team is back together for another fall season. Here are the 20 new and returning shows weâre most excited for.
Sheryl Lee Ralph put in the time and the work. Hollywood is finally taking notice: The âAbbott Elementaryâ star opens up about her âroughâ path as a Black woman in show business â and now, at 65, enjoying the view from the top.
In the fight to be âthe next Oprah,â Jennifer Hudson is counting on one weapon: herself: Kelly Clarkson. Sherri Shepherd. Tamron Hall. Entering the risky, competitive daytime arena, EGOT winner Hudson isnât worried about the competition.
âTell me what money we haveâ: Inside the preposterous task of writing original songs for TV: The talent behind 12 beloved shows, from âCrazy Ex-Girlfriendâ to âRap Sâ,â explain how they surmounted what may be the most daunting challenge in TV.
Hollywood is chasing dignitaries like never before. Whoâs reaping the dividends?: Clintons. Obamas. British royals. How civic leaders became the industryâs âcoin of the realmâ â and whether the trend is worth more than money.
Turn on
Recommendations from the film and TV experts at The Times

Inspired by dreams of ocean breezes and icy currents as a major heat wave moves in, I spent much of the week indulging in the very guilty pleasures of Netflix reality soap âSelling the OC,â which like predecessor âSelling Sunsetâ combines over-the-top real estate, over-the-top clothes and over-the-top personas into a cringeworthy celebration of Southern California excess. The main difference, this time around, is the addition of male Realtors to the main cast, a decision as aesthetically pleasing â thereâs a shirtless football sequence to rival âTop Gunâsâ â as it is dramatically inert; the franchiseâs bread-and-butter remains a level of petty squabbling among female co-workers so incessant that it would make Carrie Bradshaw burn her designer bras. Still, as the hot young strivers of the Oppenheim Groupâs Newport Beach office vie for top properties (and the cameraâs mercurial attentions), the series emerges as a perfect, perhaps inadvertently lacerating parody of people and place, at least if you accept that the âpeopleâ are ânascent reality starsâ and the âplaceâ is âthe strip of Orange County close enough to the ocean to command eight-digit home prices.â Not since the days of âThe O.C.â and âThe Hillsâ has the medium produced such deliciously earnest lines as âWe are ... following polo season around the countryâ and âI mustâve been a water sommelier in another life.â â Matt Brennan
Every year, great shows appear that simply donât get the, um, exposure they deserve. Exhibit A: HBO Maxâs âMinx.â The very TV-MA comedy is about an early-1970s magazine that never existed â âMinx,â featuring brainy feminism side by side with beefy dudes in the buff. The smart scripts hilariously mix earnest protagonist Joyce Priggerâs (Ophelia Lovibond) hyperverbal book learninâ with publisher Doug Renettiâs (Jake Johnson) easy sleaze. The cast kills. Oscar Montoya is a lovable photographer afraid to believe heâs an artist, Jessica Lowe is the Keeley Jones/Rollergirl figure, Idara Victor is Dougâs assistant, the smartest person in the room, and Lennon Partham is Joyceâs sister, a suburban housewife on a journey of self-discovery. The ensembleâs chemistry forms the foundation for the improbable schemes Joyce and Doug construct, with sociopolitical commentary among the Dick Cavett appearances and sex toys. Donât be scared off by the sex, either! The naked truth is âMinxâ is one of 2022âs hidden gems. âMichael Ordoña
Catch up
Everything you need to know about the film or TV series everyoneâs talking about

Marvel has a long history of winking at itself, going back to the self-parodying 1960s comic Not Brand Echh, and while some fans live for the super-serious brand of comic-book adaptations, thereâs an undercurrent of absurdity to the whole superhero thing that is best acknowledged. Marvelâs TV series have happily tended toward weirdness and comedy, never more fully embraced than in âShe-Hulk: Attorney at Lawâ (Disney+), whose very title encompasses the mix of the extraordinary and the banal the series delights in. Easter eggs, inside references and deep-cut characters notwithstanding, you donât need a degree in the Marvel Cinematic Universe to understand whatâs happening here, as lawyer Jennifer Walters (Tatiana Maslany) is accidentally irradiated with the Hulk blood of her cousin Bruce Banner (Mark Ruffalo) following an accident and becomes the Amazonian She-Hulk. Unlike Bruce, Jennifer is naturally able to control her transformations, because the triggers of âanger and fearâ are âthe baselines of any woman just existingâ â there are nice jabs at sexism in the world, the workplace and fantasy fandom â and when sheâs the She-Hulk, she is always still Jennifer. She would like to be appreciated for her brains rather than her mutant brawn, yet sheâs hired by a private firm to be the face of its new Superhuman Law division. Maslany, who played several roles in âOrphan Black,â has great comic chops, and the writing is genuinely funny in big and small ways. Like the metafictional, fourth-wall breaking comic, the series comments on its nature as television and the practices of the MCU: âI just want to make sure you donât think this is one of those cameo-every-week kind of shows,â Jennifer says, before going on to enumerate them (not including Megan Thee Stallion as herself). âRobert Lloyd
Guest spot
A weekly chat with actors, writers, directors and more about what theyâre working on â and what theyâre watching

First-time filmmaker Edward Buckles Jr. first conceived of âKatrina Babiesâ (HBO), his moving, intimate portrait of the generation of New Orleans children who grew up in the shadow of Hurricane Katrina, when he was just 20. He then spent years collecting the stories from family members, friends, the community, moving beyond the harrowing tales of survival that have always marked the publicâs understanding of the storm and subsequent levee failures toward its long â ongoing â aftermath. As with many New Orleanians, among others, Buckles understands what happened to be anything but a ânaturalâ disaster. I spoke to him, on the 17th anniversary of Katrinaâs landfall, about what heâs watching, what he learned from making the film, and what he makes of the most well-known account of the storm to date, Spike Leeâs âWhen the Levees Broke.â â Matt Brennan
What have you watched recently that you are recommending to everyone you know?
Iâve been slowly keeping up with âSnowfallâ (FX, Hulu). I enjoy having something to look forward to at the end of my day, so Iâm not a huge fan of bingeing. Watching shows, thatâs like my escape. And it takes me so long to actually fall into the rhythm of watching a series, I donât want to have to start that process over. So it takes me a very long time to watch [a show] straight through. Iâm kind of weird like that.
Whatâs your go-to âcomfort watch,â the movie or TV show you go back to again and again?
âGood Timesâ (Peacock). I didnât have cable growing up. And âGood Timesâ was one of those shows that appeared on the non-cable station, and it was pretty damn good. I love the humor. I love how itâs light, but it also tackles heavy topics and heavy ideas. I think the characters are super relatable, although often itâs kind of [exaggerated]. Itâs a show that brings me back to my childhood.
Coming at a project that was already so deeply personal to you, what would you say is the biggest thing that youâve learned from the process of making âKatrina Babies,â or something that surprised you about it?
It almost feels weird calling them subjects, because [theyâre] friends and family from the community. So whatâs been the most surprising thing is just seeing how much trauma my friends and my family were carrying. But I think that also surprised them, because I donât think that they knew. When we had this community conversation, a lot of that stuff surfaced. One of the biggest things that shocked me was how many of my peers and how many of my family members said that, they had never spoken about this before â it was the first time speaking about Hurricane Katrina since it happened. We had a whole bunch of stuff suppressed, and we didnât even know that it was there. Because no one ever woke it up. But whatâs powerful is that most of us were proactive enough [that], once we woke those traumas up, we wanted to tackle them. We are trying our best to heal as a community, together.
âKatrina Babies,â to me, is now part of a long line of impressive nonfiction storytelling to come out of the storm, from Spike Leeâs âWhen the Levees Brokeâ and âIf God Is Willing and Da Creek Donât Riseâ through the Atlanticâs âFloodlinesâ podcast. Iâm wondering if thereâs anything in that body of work that inspired you, or that you particularly looked to, while you were trying to figure out how to tell your story.
Thereâs a lot of projects that I look to as inspiration of what not to do â a lot of specials that came out about Hurricane Katrina year after year after year... Those were some of the works that made me realize, âWait, no oneâs talking to the kids.â I never see kids included in any of these specials, or if they are, theyâre just saying one little thing, and then we move on.
Some of the things that I heard often [making âKatrina Babiesâ] were, âWhy do we need another Hurricane Katrina story? We already have âWhen the Levees Broke,â we already have all these other projects.â That was kind of intimidating. So I watched âWhen the Levees Broke,â out of a lot of respect for Spike Lee â obviously, heâs a legend. And I learned how to deal with a project like this, [where] youâre dealing with the weight of not only Hurricane Katrina, but the weight of New Orleans, and its trauma. Thatâs a lot to carry as a 20-year-old. I wanted to see what types of questions he asked, how are the interviewees responding, how do you deal with people who are dealing with such trauma? But in that I also saw some things that I didnât want to do. ... It felt like it was an outsiderâs perspective.
I think that âWhen the Levees Brokeâ is a great documentary, but I knew that I had an advantage because of the fact that this is my city. The people know me, and they love me, and they trust me, and I can take it a step further.
Whatâs next
Listings coordinator Matt Cooper highlights the TV shows and streaming movies to keep an eye on
Fri., Sept. 2
âBuy My Houseâ (Netflix): Homeowners pitch their properties to real-estate moguls, âShark Tankâ-style, in this new series.
âDated and Relatedâ (Netflix): Sexy siblings must serve as each otherâs wingman â or wingwoman â in this new reality series.
âDevil in Ohioâ (Netflix): A psychiatrist (âBonesââ Emily Deschanel) treats a young girl who escaped from a cult in this new limited series.
âFakesâ (Netflix): Teen BFFs go into business making and selling fake IDs in this new comedy series.
âHonk for Jesus. Save Your Soul.â (Peacock): Regina Hall and Sterling K. Brown play a megachurch power couple brought low by scandal in this 2022 satire.
âHouse of Hammerâ (Discovery+): This new docuseries details recent allegations against actor Armie Hammer and other scandals involving his famously rich and powerful family.
âIvy & Beanâ (Netflix): The real treasure was the friendship they made along the way in this new TV movie based on the childrenâs books.
âLife by Ellaâ (Apple TV+): A 13-year-old cancer survivor gets busy living in this new family friendly comedy series.
âRubikonâ (AMC+): Itâs the end of the world as they know it, but theyâre stuck up there on a space station, in this 2022 sci-fi thriller.
âClub Cumming Presents a Queer Comedy Extravaganzaâ (Showtime, 10 p.m.): Tony winner Alan Cumming emcees this new cabaret-style stand-up showcase.
Sat., Sept. 3
âJack Osbourneâs Night of Terror: UFOsâ (Discovery+): The reality TV star probes accounts of close encounters in this new special.
âThe Taylor Hawkins Tribute Concertâ (Paramount+, 8:30 a.m.): The Foo Fighters drummer who died in March is remembered in a star-studded concert live from London.
âMarry Me in Yosemiteâ (Hallmark, 8 p.m.): A travel photographer hooks up with a hunky tour guide in this new TV movie.
âFirst Home Fixâ (HGTV, 10 p.m.): First-time homeowners get help sprucing up their new digs in this new series.
Sun., Sept. 4
âMcEnroeâ (Showtime, 7 p.m.): Unbelievable! Tennis great John McEnroe is profiled in this new sports doc.
âBiography: WWE Legendsâ (A&E, 8 p.m.): The season finale takes a look back at the first-ever WrestleMania in 1983.
âRick and Mortyâ (Adult Swim, 11 p.m.): Our favorite mad scientist and his grandson/sidekick return in Season 6 of the animated sci-fi comedy.
Mon., Sept. 5
âRecipes for Love and Murderâ (Acorn TV): âOutlanderâsâ Maria Doyle Kennedy stars in this new mystery comedy.
âThe Baby Businessâ (CNN, 6 p.m.): This new rise of the fertility industry is charted in this new âCNN Special Report.â
âNo Ordinary Lifeâ (CNN, 7 p.m.): This 2021 documentary pays homage to five courageous female photojournalists who plied their trade in hot spots around the globe.
âOut of Officeâ (Comedy Central, 8 p.m.): Working from home ainât all itâs cracked up to be in this new satire. With Milana Vayntrub and Ken Jeong.
âThe Bad Seed Returnsâ (Lifetime, 8 p.m.): That girl is still evil â evil, I tells ya! â in this new TV movie sequel. With Mckenna Grace.
âShock Docs: The Visitorsâ (Travel, 9 p.m.): Author Whitley Strieber retells his own terrifying tale of alien abduction in this new documentary.
âReal Girlfriends in Parisâ (Bravo, 9:15 p.m.): Theyâre sexy, single and looking to mingle in the City of Light in this new reality series.
âEdge of the Unknown With Jimmy Chinâ (Nat Geo, 9:30 and 10 p.m.): Adventure athletes take it to the limit one more time in this new docuseries.
âPOVâ (KOCE, 10 p.m.): A 50-something filmmaker with a newly adopted baby and a terminally ill mother shares her story in the 2020 documentary âLove & Stuff.â
Tue., Sept. 6
âGet Smart With Moneyâ (Netflix): Itâs all starting to make cents in this new series about putting oneâs financial house in order.
âKiddie Kaiâ (Discovery+): Theyâve got their dojos working in this new reality series about martial arts academies for youngâuns across the Southeast.
âSheng Wang: Sweet and Juicyâ (Netflix): The low-key comic offers offbeat observations in this new stand-up special directed by Ali Wong.
âUntold: The Race of the Centuryâ (Netflix): This new sports doc salutes the Aussie crew that sailed into history at the Americaâs Cup yacht race in 1983.
âTMZ Investigatesâ (Fox, 8 p.m.): A new episode probes the circumstances surrounding the 2009 death of pop star Michael Jackson.
âTeen Mom: The Next Chapterâ (MTV, 8 p.m.): The reality TV franchise gives birth to yet another spinoff.
âQueen Sugarâ (OWN, 8 p.m.): The Louisiana-set family drama returns for a seventh and final season. With Rutina Wesley.
âFrontlineâ (KOCE, 9 p.m.): The new episode âLies, Politics and Democracyâ surveys the contentious 2020 election and its aftermath.
âGood Bones: Risky Businessâ (HGTV, 9 p.m.): Mina Starsiak Hawk renovates a historic Indianapolis home in her new spinoff.
Wed., Sept. 7
âChefâs Table: Pizzaâ (Netflix): Keep your eyes on the pies in this new entry in the foodie franchise.
â101 Scariest Horror Movie Moments of All Timeâ (Shudder): The clips are coming from inside the house in this new series!
âTell Me Liesâ (Hulu): The course of true love never does run smooth in this new drama. With Grace Van Patten.
âRaising a Fâ Starâ (E!, 9:30 p.m.): âNo dessert till you finish your TikTok video,â say the parents of aspiring social media influencers in this new reality series.
âJay Lenoâs Garageâ (CNBC, 10 p.m.): The comedianâs auto-centric reality show rolls out a new season.
Thu., Sept. 8
âThe Anthrax Attacksâ (Netflix): This new documentary investigates the mysterious and terrifying wave of toxin-laced letters that followed in the aftermath of Sept. 11.
âEmeril Tailgatesâ (Roku): The celebrity chef helps football fans up their game-day food game in this new series.
âEpic Adventures With Bertie Gregoryâ (Disney+): The young cinematographer takes you where the wild things are in his new nature series.
âThe Good Fightâ (Paramount+): The legal drama is back for a sixth and final season. Christine Baranski and Audra McDonald star.
âGrowing Upâ (Disney+): Young adults look back on their childhood struggles in this new hybrid documentary series.
âLast Lightâ (Peacock)âŻ: Our dependence on fossil fuels comes back to bite us in the behind in this five-part disaster thriller. âLostâsâ Matthew Fox stars.
âPinocchioâ (Disney+): Tom Hanks reunites with âForrest Gumpâ director Robert Zemeckis for this 2022 live action remake of the 1940 animated fable.
âThor: Love and Thunderâ (Disney+): Chris Hemsworth re-teams with former co-star Natalie Portman in this underwhelming 2022 entry in the Marvel franchise.
NFL Football (NBC, 5 p.m.): Your reigning Super Bowl champions, the Los Angeles Rams, host the Buffalo Bills to kick off the new season.
âCan We All Get Along? The Segregation of John Muir High Schoolâ (KOCE, 8:30 p.m.): This 2020 documentary examines the legacy of 1970s-era efforts to integrate the Pasadena high school.
âRenovation Impossibleâ (HGTV, 9 p.m.): A Dallas contractor helps homeowners get their stalled renos back on track in this new series.
It's a date
Get our L.A. Goes Out newsletter, with the week's best events, to help you explore and experience our city.
You may occasionally receive promotional content from the Los Angeles Times.