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Review: Maybe Trump did kill satire: ‘SNL’ kicks off Biden era in remarkably weak form

Musical guest Machine Gun Kelly, from left, host John Krasinski and "Saturday Night Live" cast member Heidi Gardner.
Musical guest Machine Gun Kelly, from left, host John Krasinski and “Saturday Night Live” cast member Heidi Gardner.
(Rosalind O’Connor / NBC)

2021 arrived with some pretty big questions: Can we conquer the COVID-19 pandemic? Will the economy recover? Is the nation capable of healing its dangerous divisions? Then, of course, there was the biggest question of all: What will late-night comedy do without Trump?

“Saturday Night Live” answered the last of these, at least in part, with its first episode of Joe Biden’s presidency. And the future looks ... uninspired.

After a monthlong break, the show struggled to find its footing and seemed woefully outpaced by a world that’s changed drastically since the venerable sketch comedy, now in its 46th season, was last on the air in December. Despite all the grist — an astounding U.S. Capitol insurrection, Kim and Kanye’s split, Bernie Sanders’ inauguration mittens meme, QAnon idiots in fur, vaccine roll-out blunders, GameStop goofballs gaming Wall Street — host John Krasinski and the cast were given little to nothing to work with by “SNL’s” writers.

There was a “Ratatouille” spoof, in which the precocious rodent of the film was reimagined as a rat that controlled Krasinski’s moves in the bedroom. There was an unfunny take on “Supermarket Sweep,” a weak “Weekend Update” with jokes about transgender “tucking” in the military, and other lazy, crude gags scattered about in sketches I’ve already forgotten.

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Joe Biden has been in American politics long enough that Jim Carrey is the fifth actor to play him on ‘SNL.’ And the late night institution should be looking for a sixth.

If Trump has had one victory in the the last month, it may be that “SNL” suddenly seems lost without him. The big orange beacon of ridicule has left the building, and where’s the joy in poking fun at Biden (played most recently by Alex Moffat, who replaced Jim Carrey) or Vice President Kamala Harris (Maya Rudolph) when all there is to work with so far is an aggressively normal inauguration and civil daily news briefings. The new team in Washington will surely be parodied as it embarks on one of the most challenging terms in modern memory, but it’ll never spin the drama like its predecessor. “SNL” will have to widen its scope again, because wringing humor out of the White House is never going to be as easy as it has been the last four years. The nation’s health depends on a boring POTUS.

(l-r) Chloe Fineman and host John Krasinski
Chloe Fineman and host John Krasinski during the “Bedroom Confession” sketch.
(Will Heath/NBC)

When the returning series tried to spin humor from the news on Saturday, it rarely hit the mark. In the cold open, Kate McKinnon hosted the talk show “What Still Works,” where she looked at what, if anything, still works in America.

Her first guest: Marjorie Taylor Greene (Cecily Strong), the newly elected congresswoman from Georgia who promotes QAnon conspiracies, endorsed the execution of Democratic leaders on Facebook, and thinks the mass school shooting in Parkland, Fla., was staged. In the segment, Greene brings a gun to the interview, boasts about threatening to kill House Speaker Nancy Pelosi and believes the California wildfires were started by Jewish space lasers.

The problem is, that’s not satire: Greene has actually said and done much of this. And the bit doesn’t improve as it goes along for several more “guests.” Among them was O.J. Simpson (Kenan Thompson), who made an appearance to talk about the vaccine rollout in what now passes on “SNL” for ironic humor. (Simpson has been vaccinated against COVID-19, unlike much of the nation.)

Why write jokes when the farcical nature of reality is hard to beat? There’s no question that it’s getting harder and harder to top the headlines, perhaps even more so than it was back when Melissa McCarthy turned the infuriating bluster of Sean Spicer into comedy genius.

But “SNL” has built a 45-year-old comedy empire atop skewering culture, politics and anything else that happens to capture the zeitgeist. There’s no doubt it’ll do it again. But the show needs to wean itself off an old presidency and look at the present and future with fresh eyes — no matter how bleary or bloodshot they happen to be after four years of Trump.


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