Coachella 2016: Expect extra-big art installations at this year’s festival
The Coachella Valley Music and Arts Festival is notoriously secretive about its annual art installations until the big reveal on opening day, but the early word is that this year’s festival will boast projects large enough to rival Guns N’ Roses’ big reunion.
Coachella has commissioned six core art installations, to be grouped closer together on the grounds this year to create “an epic art experience,” festival art director Paul Clemente said.
The Indio festival, taking place Friday through Sunday and April 22-24, has for years featured large-scale, interactive art installations screaming with color. In 2014, artist Phillip K. Smith III’s towering mirrored structures, lighted with about $800,000-worth of LEDs, coexisted with art collective Poetic Kinetics’ 36-foot-tall astronaut, which through radio-controlled animatronics flashed peace and thumbs-up signs to the crowd. Last year a massive mobile caterpillar, also by Poetic Kinetics, roamed the festival grounds and occasionally morphed into a sparkly, multicolored butterfly, and hippo-masked actors got weird in Corporate Headquarters.
This year, in addition to performance-oriented acts such as the circus-inspired Lucent Dossier and the Do LaB stage, artist Robert Bose will be on hand to produce his balloon chain installation for the sixth year running.
Beyond that, festival organizers said they are going bigger, with more expensive and physically more ambitious works than in years past.
The other four commissioned artists are new to Coachella and bring global influences. Clemente said it was important to branch out beyond Southern California and “the Burning Man scene,” which is where much of the festival art hailed from in years past. He spent about four months last year scouting new work at the Venice Biennale, the Havana Biennial, Art Basel Miami Beach, Prospect.3 in New Orleans and Crystal Bridges’ State of the Art exhibition in Arkansas, among other events. He visited more than two dozen artist studios around the country, he said.
“It’s important to bring ideas, outside from our immediate environment, into the world of our fans,” Clemente said.
Clemente was drawn to Latvian artists Katrina Neiburga and Andris Eglitis after having seen their multimedia “Armpit” installation at the 2015 Venice Biennale. Clemente describes that piece — a giant geometric structure made of reclaimed wood and housing video projections of men working in garage workshops — as “the artists’ version of a Soviet-era man cave.” Neiburga and Eglitis will create a version of it for Coachella.
“It’s a very different piece than anything we’ve ever had at the show,” Clemente said. “The capacity is very limited, it’s very controlled with all these interior spaces, and the video content is very esoteric. There’s a lot of different meaning people can take away from it if they spend the time.”
Clemente wouldn’t reveal much about the work of L.A.-based, Taiwan-born Jimenez Lai, who teaches at UCLA. He is creating “a complex architectural form, with compound curves,” Clemente said. “I’ve never seen anything quite like it. It’s the largest single thing we’ve ever moved out here.”
For the selfie-seekers at Coachella, there’s the Miami-based R & R Studios, a collaboration between Roberto Behar and Rosario Marquardt, who are originally from Argentina. They’re creating a piece, Clemente said, “that very well might be our most photographed work.” Pucker up for your picture: The massive sculpture is “an undeniable message of love.”
Big is significant because photos of Coachella art live on “and end up to be the iconic images and memories people have from that year,” he said. “So we’re always wanting to outdo ourselves, in every way, every time.”
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