‘American Idol’: The slow fade of an instant hit


Not long ago, “American Idol” was such a ratings juggernaut that a rival TV executive dubbed it a “monster” that should be killed. That wish has now been granted, with Fox executives announcing Monday that they will end the record-breaking singing contest after it finishes its 2016 season.

Fox executives had long vowed that “Idol” could run for years past its peak, like “Survivor” or “The Amazing Race.” “Idol” was the top-ranked show for eight years, with audiences in its heyday regularly topping the 30-million-viewers mark.

FULL COVERAGE: Saying farewell to ‘American Idol’


But the show has been staggering for years. This season, the viewership has shrunk to barely 10 million, and the show — once a virtual mint for Fox — has seen its huge profits disappear, industry experts say.

It’s a humble end to a show that changed television during the first decade of the 21st century, proving that broadcasters could still be relevant in an age of media fragmentation and helping spawn a wave of hit talent shows, including “Dancing With the Stars” and “America’s Got Talent.”

“This was the biggest show on television by a mile, not like the normal ‘biggest show,’ ” said Mike Darnell, a veteran reality TV executive who helped oversee “Idol” for years at Fox and now works in a top role for Warner Bros. “For about six years there, it was 30% or 40% above the next biggest thing on TV. An absolute phenomenon.’’

“But eventually, any show is going to start to erode. Nothing lasts forever,” Darnell added. “It’s sad. It feels like the end of an era. … I don’t honestly believe anything will ever approach the numbers it was getting at its peak.”

The first decade of the new millennium was a golden age for reality TV, with shows such as “Survivor” and “The Apprentice” dominating the headlines. But no show so eclipsed its competitors like “Idol,” which started unassumingly as a limited summer series on Fox in 2002. It was an Americanized version of “Pop Idol,” a British series that ran for two seasons on ITV.


“American Idol” proved an instant hit. The trio of original judges — the British-born music executive Simon Cowell along with former ‘80s pop queen Paula Abdul and bassist and record producer Randy Jackson — blended with an appealing on-screen chemistry. Cowell became a star with his wisecracks and sometimes nasty put-downs of aspiring singers.

Audiences turned up to see an ingenious two-part process in which a wide variety of contestants — some great, some terrible — turned up for open auditions, followed by a grueling winnowing process down to the finals, telecast live.

“It established a format that is everywhere now,” said Robert J. Thompson, a TV expert and director of the Bleier Center for Television & Popular Culture at Syracuse University. “It didn’t invent the talent competition … this format of the three judges, the potentially snarky comments, allowing lots of people in who may not be very good — we see that everywhere now. It’s not just singing competitions.”

Rivals found “Idol” in its zenith nearly impossible to compete with.

“If somebody would kill that show, I’d appreciate it,” CBS boss Leslie Moonves said at a media conference in 2008.

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As it turned out, “Idol’s” slow fade had already started by that time. The median age of “Idol” viewers crept higher as teenagers and young adults began to drift away.

Then competition exacerbated the problem. NBC premiered “The Voice,” a rival singing-competition show, in April 2011, and it quickly became a hit. Fox contributed to the problem itself by scheduling Cowell’s own “Idol” rival, “The X Factor,” starting in fall 2011. The glut of such shows split the fan base and resulted in audience fatigue.

As viewers drifted away, advertisers began to lose interest too. In 2009, “Idol” was the No. 1 ad buy on TV, with 30-second commercials fetching more than $600,000, helping offset a per-episode cost of more than $2 million, which was high for a reality series. There were also lucrative partnerships with big sponsors such as Ford and Coca-Cola.

But Coke announced in December that it was pulling out of the show after years of having its branded cups featured prominently on the judges’ table.

Producers have in recent years played musical chairs with the judges. Cowell fled to start “The X Factor,” which lasted briefly on Fox. Ellen DeGeneres was hired for one season, with critics charging that she made an awkward fit. Aerosmith rocker Steven Tyler came and went; Jennifer Lopez was hired, left and came back.

Reality TV also isn’t as popular as it once was. Viewers have begun devoting far more attention to dramas such as “The Walking Dead,” making the weekly hand-wringing over who might get voted off a reality show seem passé. Viewers increasingly prefer the ability to tune into shows when they want, on demand, rather than being beholden to a network schedule for events such as “Idol’s” results shows.

But by announcing a swan song to “Idol,” Fox might be able to get one nice last ride.

“It will allow them to market the show better for the last year,” said Brad Adgate, an analyst for Horizon Media in New York. “Bring back for

mer contestants, old judges, etc. Which they couldn’t do if they decided to suddenly cancel it.”


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