Meet the Writers: The Black performance poetry impresarios of Long Beach

 Shelley Bruce, Micah Bournes, Keayva Mitchell and Antonio Cortez Appling laugh together at Wrigley Coffee in Long Beach.
From left, Shelley Bruce, Micah Bournes, Keayva Mitchell and Antonio Cortez Appling share caffeine and laughs at Wrigley Coffee in Long Beach.
(Irfan Khan/Los Angeles Times)

This story is part of Lit City, our comprehensive guide to the literary geography of Los Angeles.

Long Beach has a long and too often overlooked role in Southern California’s artistic history, from Beat happenings in the 1960s to the vibrant nexus of poetry, performance and music that thrives 60 years later. A small but influential subset of the scene sat around a table recently when Micah Bournes — Long Beach native, poet and musician — gathered his friends (and a reporter) over coffee to talk shop.

The Black artists assembled at Wrigley Coffee — Bournes, Shelley Bruce, Antonio Cortez Appling and Keayva Mitchell —are pillars in Long Beach’s open-mic community. Bournes and Bruce co-founded the Undercommons, a workshop and open-mic space focused on Black artists. Appling founded the Definitive Soapbox, one of Long Beach’s longest-running open mics, and also runs the Nest, a hip Southern-influenced brunch spot in Bellflower. Mitchell is such a connoisseur of L.A.-area open mics that she’s been called a “matchmaker” of people and venues.

Shelley Bruce is a co-founder of the Undercommons, a workshop and open-mic space in Long Beach.
(Irfan Khan/Los Angeles Times)

Over two hours at Wrigley, a cafe that supports locals facing housing insecurity, the artists hashed out what distinguishes Long Beach from other poetry scenes in Los Angeles. It comes down, they concluded, to a combination of distance and intimacy. Bruce, who has led open mics throughout Southern California for 10 years, finds that Long Beach cultivates vulnerability in its creative spaces.

“When I go to a bigger venue in New York or in L.A., I’m exhibiting, versus when I’m in Long Beach I feel like I’m at home,” she said.

Appling describes their city as a place where Black artists in particular can shed the burdens of representation. “Now there’s a place where we all are like, ‘Oh, I get to unleash my otherness,’” he said. “What it means to be a Black artist doesn’t have to be so monolithic [anymore].”

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Long Beach’s open-mic community is certainly not monolithic. There isn’t really one “scene” but many, which don’t necessarily overlap. Bournes sounded amazed as he recalled a poetry event where he met a clique of poets he’d never seen before.

The conversation digressed, as it often does among this group, to food. “Do we have the best food scene in Southern California? No,” said Bournes. But in a town where restaurants often double as poetry venues, art is often the best thing on the menu. “I’ve always known that food and art are two really great reasons to get people in a room,” said Appling, who named the Nest after a poetry open mic he hosted in San Francisco.

Antonio Cortez Appling at a writers meet
Antonio Cortez Appling is the founder of the longstanding open-mic showcase the Definitive Soapbox.
(Irfan Khan/Los Angeles Times)

“All artists that I know in Long Beach really care about Long Beach,” Mitchell said. “If you say anything bad about Long Beach in front of me I’ll go HAM, even if it’s true. I haven’t felt that energy in other parts of L.A.”

Among the elements that make Long Beach a haven for poetry — a famously unprofitable profession — is affordability, though the city is far from immune to gentrification. Mitchell, who has lived in the city for the past 12 years, currently works two jobs at coffee shops and a third at a small investment firm while also studying at Long Beach City College. She warns that equity needs to be intentionally built into the infrastructure of Long Beach; otherwise, it could push out artists and communities of color.

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“Long Beach is really cool,” said Mitchell.”But it becomes less cool when you price out all the people who live here who make it cool.”

Serendipitously, Richard Shimizu, another Long Beach local, walked into Wrigley’s during the conversation. The poets said Shimizu has spent so much time attending and photographing Long Beach events that he’s become a beloved elder; his face adorns T-shirts in nearby shops — a symbol of the city’s cohesion and pride. He stopped at the table and handed Mitchell a bag of pastries.

Keayva Mitchell at a writers meet
Keayva Mitchell is such a connoisseur of L.A.-area open mics that she’s been called a “matchmaker” of people and venues.
(Irfan Khan/Los Angeles Times)

The pandemic left many open mics struggling to hold on to their homes. The shop where we sat is one example. It was Fox’s Coffee House, host to Definitive Soapbox, before it was forced to close in 2020. Now it’s bounced back under new ownership.

That resiliency is another thing native to Long Beach and its artists.

“If [a] venue gets shut down, we figure it out,” said Mitchell. “We find new spaces.”

Deng is a queer Taiwanese/Hong Konger American poet and journalist born and raised in the San Gabriel Valley.

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