I let people down. I wore the crown of being the biggest fool.
--From “The Gift,” a song on Natalie Cole’s new album.
Imagine the shame when her mother had to step into a L.A. Superior Court three years ago and declare Natalie Cole no longer able to “take care of herself.”
Maria Cole told the court that her daughter was under severe mental stress because she feared that an operation to remove a nodule from her throat might end her career.
But there was a second reason that Cole’s mother filed a petition for conservatorship: drugs.
Shortly after the hearing, Natalie Cole--the daughter of one of the most distinctive and admired pop singers in history--checked into a drug rehabilitation center for three weeks to battle cocaine addiction.
This dark story took a heartwarming twist the following spring when Cole resurfaced with a new album, optimistically titled “I’m Ready.”
The singer even went on “Good Morning America” and told David Hartman and his huge TV audience about her wonderful recovery.
But it was a sham.
Cole now admits that she was “probably” high during the live Hartman interview and that she excused herself during several other meetings with the press to snort cocaine in the bathroom.
About those days, Cole said during a recent interview: “I remember hearing my mother on the radio when she came out of the courthouse. She said, ‘My daughter has been under great strain and so forth.’
“I was thinking, ‘Poor mom. She’s trying to uphold the family name.’ That was a hard thing for her to do, but there was no one else I could turn to. I wasn’t a vegetable by any means, but I just wasn’t able to take care of things in the way they should have been. I was negligent about a lot of things. . . . I was spending totally too much money.”
Cole laughed at the irony of the “I’m Ready” album title.
Looking back on those recording sessions, she said: “I was a nervous wreck. I had never been so depressed. I kept telling the people at the record company not to call the record, ‘I’m Ready,’ because I wasn’t.
“I really hadn’t made up my mind then that I was going to turn my life over. I was being dishonest during some of those interviews. That includes ‘Good Morning America.’ I have to make amends to David (Hartman) about that. I have to make amends to a lot of people about that.”
Cole, 35, was exuberant as she sat on the couch in a West Hollywood office. She looked the picture of health, mugging for a photographer. “Let’s make it upbeat,” she said, good-naturedly. “These are good times.”
The singer, who was in equally good spirits during an hour interview, says she feels better about herself than ever--even better than in the spring of 1976 when she won two Grammys: one for best new artist of the year and one for best female R&B vocal.
Natalie Cole sings her songs and her father’s (and Billie Holiday’s, among others) at the Hollywood Bowl in 1995.(Patrick Downs / Los Angeles Times)
In 1994, Reba McEntire, left, sings with Natalie Cole in a duet of “Since I Fell For You” during the Rhythm & Blues and Country Benefit Concert at the Universal Amphitheater.(Randy Leffingwell / Los Angeles Times)
In 1999, Cole, second from left, poses with her Whitney Young Award. With her are Yoshio Ishizaka, left, then-president and CEO of Toyota Motor Sales; John Mack, then-president of the Los Angeles Urban League; and Nancy Wilson, 1992 Whitney Young Award Honoree.(Guy Crowder)
In 2000, Natalie Cole listens as Ray Charles talks about her father, Nat King Cole, backstage at the 15th Annual Rock and Roll Hall of Fame Induction Dinner. Charles presented Nat King Cole’s award to his three daughters.(Ed Betz / Associated Press)
In 2003, Natalie Cole and her then-husband, Kenneth Dupree, arrive at the Latin Grammy Awards in Miami.(Scott Gries / Getty Images)
Natalie Cole performing at Stevie Wonder’s Eighth Annual House Full of Toys Benefit Concert at the Forum in 2003.(Carlos Chavez / Los Angeles Times)
Faith Hill, left, and Natalie Cole perform in 2003 at a benefit dinner for Cedars-Sinai Medical Center.(Lawrence K. Ho / Los Angeles Times)
In 2003, Natalie Cole performs at the Forum during Stevie Wonder’s Eighth Annual House Full of Toys Benefit Concert.(Carlos Chavez / Los Angeles Times)
Cole in the 2004 Blues documentary “Lightning in a Bottle."(Paul Brissman / Sony Pictures Classics)
Cole performs “Unforgettable” at the White House for the Governor’s Dinner in 2004.(Paul Morse / White House Photo Office)
In 2005, Natalie Cole peforms at the mayoral inagural gala for Antonio Villaraigosa at Dorothy Chandler Pavilion.(Anne Cusack / Los Angeles Times)
Natalie Cole performs in 2006 at the Kodak Theatre for the “Evening of Stars” event in which Aretha Franklin was honored by the United Negro College Fund.(Earl Gibson / Associated Press)
Cole with Seal at the 50th Annual Grammy Awards at the Staples Center in 2008.(Liz O. Baylen / Los Angeles Times)
Natalie Cole makes her entrance to perform at the Hollywood Bowl in September 2009; the concert had been delayed while she went through a liver transplant in July.(Alex Gallardo / Los Angeles Times)
Multiple Grammy winner Natalie Cole hosts the Grammy Salute to Jazz and tribute to Blue Note Records at Club Nokia in 2009.(Gina Ferazzi / Los Angeles Times)
The 2010 book “Love Brought Me Back: A Journey of Loss and Gain,” by Natalie Cole with David Ritz.(Julie Brothers / Simon & Schuster)
Natalie Cole is interviewed after being nominated for a Latin Grammy in September 2013.(Chris Pizzello / Invision)
Natalie Cole performs at “An Evening of SeriousFun Celebrating the Legacy of Paul Newman,” at Avery Fisher Hall in New York in March.(Evan Agostini / Invision)
Those awards were especially satisfying because Cole’s entry into pop had been greeted with the usual skepticism facing children of famous performers. Growing up in the Hancock Park section of Los Angeles, she loved music--especially powerful, high-intensity singers like Aretha Franklin and Janis Joplin. But she had no early interest in show business.
The move to singing was accidental. Cole was a pre-med student at the University of Massachusetts when a friend--who was singing with a local group--got ill the night of a show and asked if Cole would stand in for him. He had heard her sing informally at parties. She ended up taking his place in the group and setting medicine aside.
Cole’s name helped and hurt. It resulted in a lot of club bookings, but also led to embarrassing moments like the night one club marquee read, “Appearing tonight: The daughter of Nat King Cole.”
Cole’s ace in the hole was the fact she really could sing. On “This Will Be,” her first Top 10 hit, she exhibited a gutty vocal style closer to the earthy intensity of Aretha Franklin than the smooth, controlled tones her dad. Other Top 40 hits followed, including “Inseparable,” “Sophisticated Lady” (which earned her a third Grammy), “I’ve Got Love on My Mind” and “Our Love.”
Despite frequently glowing album and concert reviews, however, Cole didn’t establish the commanding presence in pop that her talent suggested. The fact that she was Nat Cole’s daughter may have led both critics and fans to underrate her. Her success may have looked too easy.
But Cole also seemed to slip from pop consciousness in the early ‘80s. She could rebound with dramatic performances--like the night I saw her in 1981 at the Kool Jazz Festival in San Diego. A last-minute substitute for Aretha Franklin, Cole sang the Beatles’ “Lucy in the Sky With Diamonds” with such show-stopping passion and force that she seemed to be helping the audience exorcise the sorrow of John Lennon’s recent death.
“My life had just become complicated,” she recalled, talking freely in the spirit of someone who hopes her experience can serve as a guide--or warning--to others. “I had the success, then my husband (the late Rev. Marvin J. Yancy, who produced Cole’s early hits) and I started having problems.
“We divorced, then things piled up. I was breaking down physically. I had been into drugs over a number a years and it was starting to take its toll, both mentally and physically--and I had to go away. I started talking smaller jobs so that I wouldn’t be as visible.”
If facing the public was difficult on nights when she knew she was operating below capacity on stage, it was even harder facing family and friends. “You get to the point where you can see in people’s eyes that they don’t trust you any more,” she said.
“There were other problems--exhaustion, the nodule on my throat, but also the drugs. I was under the influence to the point . . . of not being able to function. The story is drugs--whether it’s cocaine or alcohol--take control of your life. Everything is focused in that direction. You can’t conduct business meetings correctly or even show up for them. Then, your self-respect is gone.”
Cole checked back into a rehabilitation center late last year in Minnesota. Rather than three weeks this time, she stayed six months.
“I originally went there for just 30 days, but halfway through, I realized that if I went back home I was going to be in trouble all over again,” Cole said. “So, I applied for an extended-care program. I knew that something in me had changed because I got nervous about wondering if they would accept me.”
During that period, she learned a lot about addiction. “I had thought there was something wrong with my mind,” Cole said. “I thought I was going crazy. It turned out I am addicted to drugs. I just can’t have fun with drugs the way some people can. They can get high or have a drink and go home. I’m not like that.
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(Ken Hively / Los Angeles Times)
Considered one of the iconic figures of modern jazz, Woods was also thought of by some as the rightful heir to Charley “Bird” Parker. He may be best known to pop audiences for his alto saxophone work on Billy Joel’s “Just the Way You Are,” Steely Dan’s “Doctor Wu” and Paul Simon’s “Have a Good Time.” He was 83. Full obituary(Hiroyuki Ito / Getty Images)
Larson is best known for his role as Jimmy Olsen, the cub reporter in a bow tie who worked alongside Clark Kent (George Reeves) and Lois Lane (Noel Neill) in the 1950s TV series “The Adventures of Superman.” The show cast Larson into the pop culture pantheon. The bow tie he wore as Olsen later went to the Smithsonian. He was 87. Full obituary(Warner Bros.)
One of the best centers to ever play in the NBA, Malone was named to the NBA’s 50th anniversary all-time team and led the Philadelphia 76ers to the NBA championship in 1983, when he also won the most valuable player award, one of three in his 21-year career. The 14-time All-Star entered the Hall of Fame in 2001. He was 60. Full obituary(Elise Amendola / Associated Press)
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The author of a dozen books, including “The Book of Daniel,” “Ragtime” and “Billy Bathgate,” E.L. Doctorow was best known for weaving historical figures such as Harry Houdini, Emma Goldman and Julius and Ethel Rosenberg into imaginative retellings. He was 84. Full obituary(Francesca Magnani / Random House)
In a film and TV career that spanned half a century, Theodore Bikel racked up more than 150 credits. His prolific career included playing the lead character Tevye in “Fiddler on the Roof” more than 2,000 times onstage. He was 91. Full obituary(Associated Press)
The Egyptian-born actor, right, rose to international acclaim after starring with Peter O’Toole in “Lawrence of Arabia.” He went on to make some 90 movies in his career, including “Doctor Zhivago” and “Funny Girl.” He was 83. Full obituary(Columbia TriStar / Getty Images)
Soler, second from left, with chefs Juan Maria Arzak, left, Santi Santamaria and Martin Berasategui, in Paris in 2004, discovered chef Ferran Adria and helped him turn Spain’s El Bulli into one of the world’s most influential restaurants. Together they launched an era of gastronomic innovation fueled by Adria’s imaginative experiments converting foods into foam. Soler was 66. Full obituary(Philippe Petit / Paris Match )
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A stage and screen actor, Van Patten was most famous for starring as loving father Tom Bradford in the television series “Eight Is Enough.” His roles in movies included “Soylent Green,” “High Anxiety” and “Spaceballs.” He was 86. Full obituary(Boris Yaro / Los Angeles Times)
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Known as a pioneer of local television news broadcasting, Sam Zelman is credited with helping to create CNN. In 1961, he introduced "The Big News,” expanding the typical 15-minute newscasts of the 1950s into a 45-minute broadcast. He would go on to work as a bureau chief and producer with CBS, and later, came out of retirement to help Ted Turner shape CNN. He was 100. Full obituary(handout / )
Son of Vice President Joe Biden, Beau Biden was the former attorney general for the state of Delaware and a U.S. Army captain. A promising young figure in
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Blake won a 1991 screenwriting Oscar for
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The influential master of the lampoon channeled his off-the-wall sensibility into groundbreaking radio shows, comedy albums and hundreds of humorous television commercials for products such as chow mein and prunes. He was 88. Full obituary(Robert Gauthier / Los Angeles Times)
The wife of James Brady, who was wounded in the attack on President Reagan in 1981, became the nation’s most prominent citizens’ advocate for tighter handgun regulation. She successfully pushed for passage of a historic bill aimed at keeping guns away from unqualified buyers. She was 73. Full obituary(Associated Press)
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While presiding over a government that squelched dissent and characterizing opponents as “mediocrities and opportunists,” he transformed the backwater city-state of Singapore into one of the world’s most efficient and prosperous international business centers. Full obituary.(Wong Maye-E / Associated Press)
The constitutional scholar with a modest manner and a homespun sense of humor was a former chancellor of UC Irvine and president of the UC system for three years in the 1990s. He was 91. Full obituary.(Dwayne Newton / Associated Press)
“I learned this time that drug addiction is a disease; it’s not just a weakness. It’s not about will power. There are just some personalities who aren’t able to control themselves. I also realize I went into rehabilitation for the wrong reasons the first time. I was trying to please my mother . . . my boyfriend at the time . . . my manager. Everybody was on my back. I was very resentful. It was different the last time. I wanted to be there. If it didn’t work, I didn’t know what would happen to me.”
Though she has done concerts in recent months, Cole is just beginning to re-establish her public profile. “Dangerous,” her debut album for Modern Records, is just out, and she’s due to open a week’s engagement with Smokey Robinson on Wednesday at Caesars Palace in Las Vegas.
The material on the LP is inconsistent, but Cole’s voice is terrific--a point she underscored live at Disneyland last month.
Reviewing her experience, Cole said, “I went through a period where I didn’t even want people to see me, but I feel real good about myself again. I know I look good and that I feel good. I imagine there are a lot of people who will never be able to accept me, because they feel I’ve let them down, but I am a different person and most people have welcomed me back in that spirit. I haven’t run into any negative incidents. It’s like everyone has said, ‘Welcome back, Natalie.’
“I’ve got to feel lucky when I think of all the people--both in and out of show business--who have died in the last few years. I could have been one of them because there are at least 10 different instances I should have been dead. I had enough car accidents in one year to beat the band. I escaped one incredible accident with just a stitch on my little finger. God is watching over this one.”