Ariana Grande reportedly returned home to Florida on Tuesday after the bombing outside her Manchester, England, concert that left 22 dead and at least 59 injured.
As they exited a private plane, Grande, her mom and her dog were met on the tarmac in Boca Raton, E! News said, by family members and rapper Mac Miller, whom the 23-year-old has been dating since last summer. Miller gave Grande a long hug and a kiss, a source told E!
"It was a very emotional reunion and they stood talking for a minute before getting into the car," the source said. "Ariana looked exhausted and like she didn't get much sleep."
Kind, warm, witty — "the have a drink with me & hash it out" 007. Roger Moore, who died at 89 after a short battle with cancer, was remembered Tuesday on social media by friends, fans and, of course, Aston Martin, whose cars have been a James Bond staple.
"Oh no. As if today wasn't already sad enough," Piers Morgan wrote on Twitter, presumably referring to the Monday night bombing at Manchester Arena in Britain. "RIP Sir Roger Moore, 89. A wonderful actor & lovely man."
As Cannes Film Festival attendees carried on their work with a heavy heart Tuesday, the Manchester bombing has also had an effect on at least one studio's marketing plans.
Focus Features has decided to postpone the trailer launch of "Victoria and Abdul" -- a fact-based drama about a Muslim Indian immigrant to England who becomes a close confidante to Queen Victoria -- in the wake of the attack.
The Universal subsidiary was set to release a tease to the poster Tuesday and a video trailer Wednesday.
At 3 p.m. on Tuesday, the 70th Festival de Cannes observed a moment of silence in solidarity with the victims of Monday night’s terrorist attack at Manchester Arena.
Earlier that morning, the festival had issued a news release expressing “its horror, anger and immense sadness,” and described the incident as “yet another attack on culture, youth and joyfulness, on our freedom, generosity and tolerance, all things that the Festival and those who make it possible — the artists, professionals and spectators — hold dear.”
With that statement came the implicit acknowledgment that such an attack could, of course, happen here in Cannes. Not that anyone needed reminding, in light of the heightened security measures up and down the Croisette: the constant presence of armed police officers, the large planters lining the streets to protect against a vehicular attack, and the metal detectors set up at every entrance to the Palais des Festivals.