I think this is a landmark year for the genre that I love.
Guillermo del Toro
Guillermo del Toro’s sci-fi romance “The Shape of Water” led Tuesday’s Oscar nominations with 13 nods, including for best picture and best director.
The Mexican filmmaker, who wrote, directed and produced the fantastical drama, was previously nominated for 2006’s “Pan’s Labyrinth,” which won three awards.
His latest outing has long been an Oscar contender. Del Toro already scooped up the directing prize at the Golden Globe Awards earlier this month and won the Producers Guild of America’s top honor on Saturday. The highly personal monster film was also recognized when the Directors Guild of America announced the DGA Award nominees earlier this month.
[Laughs] It’s great. We were just at the SAGs a couple of nights ago and had a fantastic time with all the gang there. It was great to get all the actors back together. And I just got back to New York and … just thrilled, thrilled. … I was very hopeful that Frances and Sam were going to get a nod, but I’m delighted that Woody’s in there too, so I can’t wait to have fun with them over the next month, but especially on March 4 [the day the winners are announced].
Giving a shout-out from the Sundance Film Festival, Octavia Spencer could barely contain her joy over being nominated Tuesday for a supporting actress Oscar. The role in “The Shape of Water” was one she was meant to play.
“My heart is bursting with pure elation for the cast and crew of ‘The Shape of Water,’” Spencer said in a statement. “Guillermo [del Toro] has given us all a dream job and to be recognized by the Academy is so deeply moving. I am jumping for joy from Park City for all of the nominees this morning! Congratulations everyone.”
The part was crafted by Del Toro with Spencer in mind, the 47-year-old Spencer told The Times in November. He’s nominated in the original screenplay and directing categories, and the movie notched 13 nominations total, including one for best picture.
Proven movie-music makers will vie against pop-star newcomers for the original song Oscar, nominations for which were announced Tuesday morning in Beverly Hills.
The nominees include tunes from hit movie musicals like "The Greatest Showman" and "Coco," along with more introspective numbers from "Mudbound" and "Call Me By Your Name," as well as a sweeping empowerment anthem featured in "Marshall."
James Ivory, screenwriter and co-producer of the drama “Call Me by Your Name,” is the oldest male Oscar nominee and Agnès Varda, writer-director of the documentary “Faces Places,” is the oldest female nominee. Either of the 89-year-olds could become the oldest winner..
However, if they both won, Varda would take the title — she’s eight days Ivory’s elder.
If either or both were to win, Ennio Morricone would be bumped as the oldest winner in a competitive category. He was 87 when he won the award for original score for “The Hateful Eight” in 2016.
I want to congratulate my fellow nominees, both in the acting categories and across the board. To be in such company is deeply, genuinely, humbling. To have the chance to play an iconic leader like Winston Churchill at this point in my career was the opportunity of a lifetime, and I am so happy that my colleagues and partners on this wonderful film have also been honored with nominations. I am overjoyed to be nominated, and proud to be part of this wonderful thing known as movie making!
Gary Oldman, lead actor nominee for "Darkest Hour"
Hungarian director Ildikó Enyedi’s “On Body and Soul” is set in a slaughterhouse, where a business manager and a quality control worker discover they share the same dream every night. The mystical romance of their sleep slips into the waking world in an allegory that unfolds against the purity of a winter forest and the industrial precision of the killing floors. The Times caught up with the filmmaker Tuesday, shortly after she learned “On Body and Soul” was nominated for the foreign language film Oscar.
Your film is about lovers who meet in a dream so unlike the dreariness of their real lives. What are you saying with them, and what do their two worlds represent?
We’re tough on ourselves. There’s a hole in us. But somehow we are part of something bigger, part of the universe. Without that sort of realization, you feel very much alone. Our culture tries to fill this hole with efficiency and practicality; you just want to resolve the problems of your life. There is not much space for living through the moment. This is the way babies are born today, the way people are dying in hospitals. All these tubes and medical things, but the very thing that is happening – someone is saying goodbye to life and to their loved ones – there’s no space for that. You have to fight for it.