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Robert Vaughn, star of ‘The Man From U.N.C.L.E.,’ dies at 83

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Robert Vaughn, who became an international TV star in the 1960s playing suave and debonair superspy Napoleon Solo on “The Man From U.N.C.L.E.” while also playing a role in the era’s antiwar movement, died on Friday. He was 83.

Vaughn died after a brief battle with acute leukemia, his manager, Matthew Sullivan, confirmed to the Associated Press.

With what Vaughn described in his 2008 autobiography, “A Fortunate Life,” as “a modest amount of looks and talent and more than a modicum of serendipity,” he experienced more than a half-century of “good fortune” as an actor.

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Vaughn, who received an Oscar nomination for best supporting actor in the 1959 drama “The Young Philadelphians,” appeared in more than 70 films, including “The Magnificent Seven,” “Bullitt,” “The Towering Inferno,” “S.O.B.” and “Superman III.”

He won a supporting actor Emmy for his role as the conniving White House chief of staff in the 1977 TV mini-series “Washington: Behind Closed Doors.”

He also earned a supporting actor Emmy nomination playing President Woodrow Wilson in the 1979 mini-series “Backstairs at the White House.”

Actor Robert Vaughn in Santa Monica in 2007.
Actor Robert Vaughn in Santa Monica in 2007.
(Mark Davis / Getty Images )

But Vaughn is best remembered as Solo, the dapper “enforcement agent” in “The Man From U.N.C.LE.,” which ran on NBC from 1964 to 1968 and costarred David McCallum as his fellow secret agent, the Russian Illya Kuryakin.

Tapping into the worldwide popularity of the James Bond movies starring Sean Connery, “The Man From U.N.C.L.E.” — U.N.C.L.E. stood for United Network Command for Law and Enforcement — pitted Solo and Kuryakin against the ruthless international criminal organization known as THRUSH.

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At the peak of “The Man From U.N.C.L.E.” craze, Vaughn and McCallum received some 70,000 fan letters a month and were regularly featured in teen fan magazines.

“The Man From Uncle” was so popular that the Beatles asked to meet Vaughn and McCallum on their 1965 visit to Los Angeles.

Like the Beatles, the two men from “U.N.C.L.E.” were generating their own brand of mania.

“You never imagine when you start out on a job that you’ll get rock-star respect,” Vaughn told the Express newspaper in 2004. “I remember arriving in Tokyo and there were thousands of Japanese girls crying at the airport. It got so difficult they had to move me to a more secure hotel suite. And there were guards at every entrance.

“I won’t say I didn’t enjoy all the attention because I did; it was fun.”

At the same time he was enjoying his fame playing Napoleon Solo, Vaughn was gaining notice as an antiwar spokesman.

A longtime Democrat, he made news when he publicly came out strongly against President Lyndon Johnson and the Vietnam War for the first time as the keynote speaker at a dinner sponsored by the Young Democrats of Marion County, Indiana, in January 1966.

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As one of the first prominent actors to publicly oppose the war, Vaughn received death threats. And the FBI began following his activities, which included being named national chairman of Dissenting Democrats.

As the antiwar movement grew, Vaughn appeared at Democratic fundraisers and continued to deliver speeches opposing the war. In 1967, he even debated arch-conservative William F. Buckley on Vietnam on Buckley’s TV program “Firing Line.”

Vaughn went on to star as a high-level crime fighter in the 1972-73 British TV series “The Protectors.” Three decades later, he starred in “Hustle,” a British series about a team of con men.

Born into an acting family — his mother was a stage actress and his father was a radio actor — Vaughn was born Nov. 22, 1932, in New York City. His parents soon separated, and Vaughn grew up living with his maternal grandparents in Minneapolis and visiting his mother during the summer on the road or in New York City.

The “acting bug,” he wrote in his book, hit him early on.

By age 5, he learned from his mother the “To be or not to be” soliloquy from “Hamlet” and — at her instigation — he would recite the famous lines at picnics, parties and 4th of July celebrations.

His most important audience came when he was 6 and visiting his mother in Chicago, where she was between acting jobs and working in a bar: She prodded him to deliver the “Hamlet” soliloquy to no less than the great John Barrymore, who had triumphed on Broadway playing Hamlet.

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When Vaughn finished reciting his lines, Barrymore stood up and roared, “More, lad, more!”

After graduating from North High School in Minneapolis in 1950, Vaughn majored in journalism at the University of Minnesota before changing his major to theater arts. But he left the university in 1952 to join his recently widowed mother in Hollywood and enrolled in theater and radio courses at Los Angeles City College.

He was a 22-year-old senior majoring in theater arts at what was then called Los Angeles State College in 1955 when he appeared in his first network TV show, “Medic,” in which he played the young doctor who tends to Abraham Lincoln after he was shot.

Vaughn later received a master’s degree in theater arts from Los Angeles State College, and he earned a doctorate in mass communications from USC. His dissertation was published in 1972 as a book, ”Only Victims: A Study of Show Business Blacklisting.” Resuming his acting career in Hollywood after a short stint in the Army, he starred in director Roger Corman’s low-budget 1958 film “Teenage Caveman” and appeared frequently in TV series such as “Playhouse 90” and “Gunsmoke.”

Vaughn landed a regular role as a Marine Corps captain in “The Lieutenant,” the Camp Pendleton-set series starring Gary Lockwood that ran on NBC from 1963-64. That, in turn, led to his being cast in his most famous TV role as Solo in “The Man From U.N.C.L.E.”

The actor is survived by wife Linda, son Cassidy and daughter Caitlin.

McLellan is a former Times staff writer.

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