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Tony nominations 2019: The complete list in every category

Tony nominations 2019: The complete list in every category
"Hadestown" cast members, from left, Eva Noblezada, Andre De Shields and Reeve Carney. (Matthew Murphy)

The 2019 Tony Awards nominations list is out, led by the musicals “Hadestown” with 14, “Ain’t Too Proud — The Life and Times of the Temptations” with 12 and “Tootsie” with 11. Bryan Cranston, Elaine May, Adam Driver, Annette Bening and Laurie Metcalf all received nods. Read critic Charles McNulty’s take on this year’s winners and losers, our main news story with nominees’ reactions, or scan the complete list of nominees here:

Best play

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“Choir Boy,” Tarell Alvin McCraney | 2014 review

“The Ferryman,” Jez Butterworth | Feature

“Gary: A Sequel to Titus Andronicus,” Taylor Mac

“Ink,” James Graham | Review

“What the Constitution Means to Me,” Heidi Schreck | Review

Best musical

“Ain't Too Proud — The Life and Times of the Temptations” | Review | Feature

“Beetlejuice”

“Hadestown”

“The Prom” | Review

“Tootsie” | Review | Feature

Best revival of a play

Arthur Miller's “All My Sons” | Review

“The Boys in the Band” | Feature

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“Burn This” | Feature

“Torch Song”

“The Waverly Gallery” | Feature

Best revival of a musical

“Kiss Me, Kate” | Review

Rodgers & Hammerstein's “Oklahoma!”

Best book of a musical

“Ain't Too Proud — The Life and Times of the Temptations,” Dominique Morisseau | Review | Feature

“Beetlejuice,” Scott Brown and Anthony King

“Hadestown,” Anaïs Mitchell

“The Prom,” Bob Martin and Chad Beguelin | Review

“Tootsie,” Robert Horn | Review | Feature

Best original score (music and/or lyrics) written for the theater

“Be More Chill,” music and lyrics: Joe Iconis | Review

“Beetlejuice,” music and lyrics: Eddie Perfect

“Hadestown,” music and lyrics: Anaïs Mitchell

“The Prom,” music: Matthew Sklar lyrics: Chad Beguelin | Review

“To Kill a Mockingbird,” music: Adam Guettel | Review | Feature | Feature

“Tootsie,” music and lyrics: David Yazbek | Review | Feature

Best performance by an actor in a leading role in a play

Paddy Considine, “The Ferryman” | Feature

Bryan Cranston, “Network” | Review

Jeff Daniels, “To Kill a Mockingbird” | Review | Feature | Feature

Adam Driver, “Burn This” | Feature

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Jeremy Pope, “Choir Boy”

Best performance by an actress in a leading role in a play

Annette Bening, Arthur Miller's “All My Sons” | Review

Laura Donnelly, “The Ferryman” | Feature

Elaine May, “The Waverly Gallery”

Janet McTeer, “Bernhardt/Hamlet”

Laurie Metcalf, “Hillary and Clinton” | Feature

Heidi Schreck, “What the Constitution Means to Me” | Review

Best performance by an actor in a leading role in a musical

Brooks Ashmanskas, “The Prom” | Review

Derrick Baskin, “Ain't Too Proud — The Life and Times of the Temptations” | Review | Feature

Alex Brightman, “Beetlejuice”

Damon Daunno, Rodgers & Hammerstein's “Oklahoma!”

Santino Fontana, “Tootsie” | Review | Feature

Best performance by an actress in a leading role in a musical

Stephanie J. Block, “The Cher Show” | Review

Caitlin Kinnunen, “The Prom” | Review

Beth Leavel, “The Prom” | Review

Eva Noblezada, “Hadestown”

Kelli O'Hara, “Kiss Me, Kate” | Review

Best performance by an actor in a featured role in a play

Bertie Carvel, “Ink” | Review

Robin De Jesús, “The Boys in the Band” | Feature

Gideon Glick, “To Kill a Mockingbird” | Review | Feature | Feature

Brandon Uranowitz, “Burn This”

Benjamin Walker, Arthur Miller's “All My Sons” | Review

Best performance by an actress in a featured role in a play

Fionnula Flanagan, “The Ferryman” | Feature

Celia Keenan-Bolger, “To Kill a Mockingbird” | Review | Feature | Feature

Kristine Nielsen, “Gary: A Sequel to Titus Andronicus”

Julie White, “Gary: A Sequel to Titus Andronicus”

Ruth Wilson, “King Lear” | Review | Feature

Best performance by an actor in a featured role in a musical

André De Shields, “Hadestown”

Andy Grotelueschen, “Tootsie” | Review | Feature

Patrick Page, “Hadestown”

Jeremy Pope, “Ain't Too Proud - The Life and Times of the Temptations” | Review | Feature

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Ephraim Sykes, “Ain't Too Proud — The Life and Times of the Temptations” | Review | Feature

Best performance by an actress in a featured role in a musical

Lilli Cooper, “Tootsie” | Review | Feature

Amber Gray, “Hadestown”

Sarah Stiles, “Tootsie” | Review | Feature

Ali Stroker, Rodgers & Hammerstein's “Oklahoma!”

Mary Testa, Rodgers & Hammerstein's “Oklahoma!”

Best scenic design of a play

Miriam Buether, “To Kill a Mockingbird” | Review | Feature | Feature

Bunny Christie, “Ink” | Review

Rob Howell, “The Ferryman” | Feature

Santo Loquasto, “Gary: A Sequel to Titus Andronicus”

Jan Versweyveld, “Network” | Review

Best scenic design of a musical

Robert Brill and Peter Nigrini, “Ain't Too Proud — The Life and Times of the Temptations” | Review | Feature

Peter England, “King Kong” | Review

Rachel Hauck, “Hadestown”

Laura Jellinek, Rodgers & Hammerstein's “Oklahoma!”

David Korins, “Beetlejuice”

Best costume design of a play

Rob Howell, “The Ferryman” | Feature

Toni-Leslie James, “Bernhardt/Hamlet”

Clint Ramos, “Torch Song”

Ann Roth, “Gary: A Sequel to Titus Andronicus”

Ann Roth, “To Kill a Mockingbird” | Review | Feature | Feature

Best costume design of a musical

Michael Krass, “Hadestown”

William Ivey Long, “Beetlejuice”

William Ivey Long, “Tootsie” | Review | Feature

Bob Mackie, “The Cher Show” | Review

Paul Tazewell, “Ain't Too Proud — The Life and Times of the Temptations” | Review | Feature

Best lighting design of a play

Neil Austin, “Ink” | Review

Jules Fisher and Peggy Eisenhauer, “Gary: A Sequel to Titus Andronicus”

Peter Mumford, “The Ferryman”| Feature

Jennifer Tipton, “To Kill a Mockingbird” | Review | Feature | Feature

Jan Versweyveld and Tal Yarden, “Network” | Review

Best lighting design of a musical

Kevin Adams, “The Cher Show” | Review

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Howell Binkley, “Ain't Too Proud — The Life and Times of the Temptations” | Review | Feature

Bradley King, “Hadestown”

Peter Mumford, “King Kong” | Review

Kenneth Posner and Peter Nigrini, “Beetlejuice”

Best sound design of a play

Adam Cork, “Ink” | Review

Scott Lehrer, “To Kill a Mockingbird” | Review | Feature | Feature

Fitz Patton, “Choir Boy”

Nick Powell, “The Ferryman” | Feature

Eric Sleichim, “Network” | Review

Best sound design of a musical

Peter Hylenski, “Beetlejuice”

Peter Hylenski, “King Kong” | Review

Steve Canyon Kennedy, “Ain't Too Proud — The Life and Times of the Temptations” | Review | Feature

Drew Levy, Rodgers & Hammerstein's “Oklahoma!”

Nevin Steinberg and Jessica Paz, “Hadestown”

Best direction of a play

Rupert Goold, “Ink” | Review

Sam Mendes, “The Ferryman” | Feature

Bartlett Sher, “To Kill a Mockingbird” | Review | Feature | Feature

Ivo van Hove, “Network” | Review

George C. Wolfe, “Gary: A Sequel to Titus Andronicus”

Best direction of a musical

Rachel Chavkin, “Hadestown”

Scott Ellis, “Tootsie” | Review | Feature

Daniel Fish, Rodgers & Hammerstein's “Oklahoma!”

Des McAnuff, “Ain't Too Proud — The Life and Times of the Temptations” | Review | Feature

Casey Nicholaw, “The Prom” | Review

Best choreography

Camille A. Brown, “Choir Boy”

Warren Carlyle, “Kiss Me, Kate” | Review

Denis Jones, “Tootsie” | Review | Feature

David Neumann, “Hadestown”

Sergio Trujillo, “Ain't Too Proud — The Life and Times of the Temptations” | Review | Feature

Best orchestrations

Michael Chorney and Todd Sickafoose, “Hadestown”

Simon Hale, “Tootsie” | Review | Feature

Larry Hochman, “Kiss Me, Kate” | Review

Daniel Kluger, Rodgers & Hammerstein's “Oklahoma!”

Harold Wheeler, “Ain't Too Proud - The Life and Times of the Temptations” | Review | Feature

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Recipients of awards and honors in non-competitive categories

Special Tony Awards for lifetime achievement in the theater

Rosemary Harris

Terrence McNally

Harold Wheeler

Special Tony Awards

Marin Mazzie

Sonny Tilders and Creature Technology Company

Jason Michael Webb

Regional Theater Tony Award

TheatreWorks Silicon Valley

Palo Alto, Calif.

Isabelle Stevenson Tony Award

Judith Light

Tony honors for excellence in the theater

Broadway Inspirational Voices - Michael McElroy, founder

Peter Entin

FDNY Engine 54, Ladder 4, Battalion 9

Joseph Blakely Forbes

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Tony nominations by production

“Hadestown” - 14

“Ain't Too Proud - The Life and Times of the Temptations” - 12

“Tootsie” - 11

“The Ferryman” - 9

“To Kill a Mockingbird” - 9

“Beetlejuice” - 8

“Rodgers & Hammerstein's Oklahoma!” - 8

“Gary: A Sequel to Titus Andronicus” - 7

“The Prom” - 7

“Ink” - 6

“Network” - 5

“Choir Boy” - 4

“Kiss Me, Kate” - 4

Arthur Miller's “All My Sons” - 3

“Burn This” - 3

“The Cher Show” - 3

“King Kong” - 3

“Bernhardt/Hamlet” - 2

“The Boys in the Band” - 2

“Torch Song” - 2

“The Waverly Gallery” - 2

“What the Constitution Means to Me” - 2

“Be More Chill” - 1

“Hillary and Clinton” - 1

“King Lear” - 1

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